Margins
Primeval book cover
Primeval
The Lost Island
2008
First Published
3.80
Average Rating
240
Number of Pages

Part of Series

Primeval sees evolutionary zoologist Nick Cutter make the terrifying discovery that prehistoric creatures are alive and well in the twenty-first century. The natural world is turned on its head and humanity faces extinction as unexplained anomalies rip holes in the fabric of time and allow creatures from the earliest stages of Earth's development to roam the modern world. Set on a mysterious island in the perilous Irish seas in this brand new Primeval adventure Cutter, Stephen, Abbie and Connor face a terrifying new challenge… A heady mixture of action and adventure, Cutter and his team are forced to confront terrifying creatures from the past and the future with gripping consequences.

Avg Rating
3.80
Number of Ratings
183
5 STARS
25%
4 STARS
36%
3 STARS
32%
2 STARS
7%
1 STARS
0%
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Author

Paul Kearney
Paul Kearney
Author · 21 books

Paul Kearney was born in rural County Antrim, Ireland, in 1967. His father was a butcher, and his mother was a nurse. He rode horses, had lots of cousins, and cut turf and baled hay. He often smelled of cowshit. He grew up through the worst of the 'Troubles' in Northern Ireland, a time when bombs and gunfire were part of every healthy young boy's adolescence. He developed an unhealthy interest in firearms and Blowing Things Up - but what growing boy hasn't? By some fluke of fate he managed to get to Oxford University, and studied Old Norse, Anglo-Saxon and Middle English. He began writing books because he had no other choice. His first, written at aged sixteen, was a magnificent epic, influenced heavily by James Joyce, Samuel Beckett, Robert E Howard, and Playboy. It was enormous, colourful, purple-prosed, and featured a lot of Very Large Swords. His second was rather better, and was published by Victor Gollancz over a very boozy lunch with a very shrewd editor. Luckily, in those days editors met authors face to face, and Kearney's Irish charm wangled him a long series of contracts with Gollancz, and other publishers. He still thinks he can't write for toffee, but others have, insanely, begged to differ. Kearney has been writing full-time for twenty-eight years now, and can't imagine doing anything else. Though he has often tried.

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