"We like this book, we like this book a LOT!" —Scribbles Worth Book Reviews "Unfettered oddball entertainment." — Publisher’s Weekly Portions of this book have previously appeared in Reboots and Diabolical Streak Say hello to Humph the Boggart, the principled, down-on-his-luck private detective, Skinny Jim the zombie, and Fred the werewolf, in this film noir style space opera. Humans aren’t alone anymore—in fact, they share a planet with undead and near-dead beings, living in…semi-harmony, depending on who you ask! This is the world of Reboots—where zombies, vampires, and werewolves live side-by-side with humans, taking whatever jobs they can in order to coexist peacefully. So, what better job to give almost-dead or dead beings, than one that consists of no air, cosmic radiation, and a lack of life-sustaining essentials? In comes a cast of interesting, unique, and downright paranormal creatures as they travel through space. Consisting of four parts, Undead Can Dance is a space opera destined to become a favorite, written by beloved and world-renowned fantasy author, Mercedes Lackey, and Cody Martin. Follow Skinny Jim, a zombie who conceals his ability to speak to avoid being exterminated after an ill-fated war launched by a zombie emperor, leading to an alliance between Norms, the Fangs, and the Furs. And then there’s Humph the Boggart, an ethereal parahuman private investigator who navigates interspecies relationships in claustrophobic extraterrestrial environments with his friends, including Fred the werewolf. And what happens when you put them all together in a confined space? Lackey and Martin have created a perfect, witty, fast-paced read that you won’t be able to put down, and will leave you craving more.
Author
Mercedes entered this world on June 24, 1950, in Chicago, had a normal childhood and graduated from Purdue University in 1972. During the late 70's she worked as an artist's model and then went into the computer programming field, ending up with American Airlines in Tulsa, Oklahoma. In addition to her fantasy writing, she has written lyrics for and recorded nearly fifty songs for Firebird Arts & Music, a small recording company specializing in science fiction folk music. "I'm a storyteller; that's what I see as 'my job'. My stories come out of my characters; how those characters would react to the given situation. Maybe that's why I get letters from readers as young as thirteen and as old as sixty-odd. One of the reasons I write song lyrics is because I see songs as a kind of 'story pill' — they reduce a story to the barest essentials or encapsulate a particular crucial moment in time. I frequently will write a lyric when I am attempting to get to the heart of a crucial scene; I find that when I have done so, the scene has become absolutely clear in my mind, and I can write exactly what I wanted to say. Another reason is because of the kind of novels I am writing: that is, fantasy, set in an other-world semi-medieval atmosphere. Music is very important to medieval peoples; bards are the chief newsbringers. When I write the 'folk music' of these peoples, I am enriching my whole world, whether I actually use the song in the text or not. "I began writing out of boredom; I continue out of addiction. I can't 'not' write, and as a result I have no social life! I began writing fantasy because I love it, but I try to construct my fantasy worlds with all the care of a 'high-tech' science fiction writer. I apply the principle of TANSTAAFL ['There ain't no such thing as free lunch', credited to Robert Heinlein) to magic, for instance; in my worlds, magic is paid for, and the cost to the magician is frequently a high one. I try to keep my world as solid and real as possible; people deal with stubborn pumps, bugs in the porridge, and love-lives that refuse to become untangled, right along with invading armies and evil magicians. And I try to make all of my characters, even the 'evil magicians,' something more than flat stereotypes. Even evil magicians get up in the night and look for cookies, sometimes. "I suppose that in everything I write I try to expound the creed I gave my character Diana Tregarde in Burning Water: "There's no such thing as 'one, true way'; the only answers worth having are the ones you find for yourself; leave the world better than you found it. Love, freedom, and the chance to do some good—they're the things worth living and dying for, and if you aren't willing to die for the things worth living for, you might as well turn in your membership in the human race." Also writes as Misty Lackey Author's website
