
Red Scared! The Commie Menace in Propaganda and Popular Culture
2001
First Published
3.87
Average Rating
160
Number of Pages
Not long ago, Communists seemed to be everywhere: among our politicians, neighbors, favorite actors—even in our drinking water. Red Scared! is a wry tour of the frosty decades of Soviet and American adversity, when anti-Communist hysteria produced fairly hysterical pop-culture items. The voluminous propaganda that the United States produced to combat the Red Menace—not only officially, but in books, films, magazines, games, and more—is explored and vibrantly reproduced here. With a colorful text that serves as a useful historical overview, daring tales from government agents, plot synopses and lurid covers of unintentionally funny pulp novels, and much more, Red Scared! brings the Cold War back home again—this time around with humor (and relief)
Avg Rating
3.87
Number of Ratings
69
5 STARS
26%
4 STARS
43%
3 STARS
22%
2 STARS
9%
1 STARS
0%
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Author

Steven Heller
Author · 81 books
Steven Heller writes a monthly column on graphic design books for The New York Times Book Review and is co-chair of MFA Design at the School of Visual Arts. He has written more than 100 books on graphic design, illustration and political art, including Paul Rand, Merz to Emigre and Beyond: Avant Garde Magazine Design of the Twentieth Century, Design Literacy: Understanding Graphic Design Second Edition, Handwritten: Expressive Lettering in the Digital Age, Graphic Design History, Citizen Designer, Seymour Chwast: The Left Handed Designer, The Push Pin Graphic: Twenty Five Years of Design and Illustration, Stylepedia: A Guide to Graphic Design Mannerisms, Quirks, and Conceits, The Anatomy of Design: Uncovering the Influences and Inspirations in Modern Graphic Design. He edits VOICE: The AIGA Online Journal of Graphic Design, and writes for Baseline, Design Observer, Eye, Grafik, I.D., Metropolis, Print, and Step. Steven is the recipient of the Art Directors Club Special Educators Award, the AIGA Medal for Lifetime Achievement, and the School of Visual Arts' Masters Series Award.