Dolly Maunder was born at the end of the nineteenth century, when society’s long-locked doors were starting to creak ajar for women. Growing up in a poor farming family in country New South Wales but clever, energetic and determined, Dolly spent her restless life pushing at those doors. Most women like her have disappeared from view, remembered only in family photo albums as remote figures in impossible clothes, or maybe for a lemon-pudding recipe handed down through the generations. Restless Dolly Maunder brings one of these women to life as someone we can recognise and whose struggles we can empathise with. In this compelling new novel, Kate Grenville uses family memories to imagine her way into the life of her grandmother. This is the story of a woman, working her way through a world of limits and obstacles, who was able—if at a cost—to make a life she could call her own. Her battles and triumphs helped to open doors for the women who came after. Kate Grenville is one of Australia’s most celebrated writers. Her international bestseller The Secret River was awarded local and overseas prizes, has been adapted for the stage and as an acclaimed television miniseries, and is now a much-loved classic. Grenville’s other novels include Sarah Thornhill, The Lieutenant, Dark Places and the Orange Prize winner The Idea of Perfection . Her recent non-fiction includes One My Mother’s Story, The Case Against Fragrance and Elizabeth Macarthur’s Letters . Her most recent novel is the bestselling A Room Made of Leaves . She has also written three books about the writing process. In 2017 Grenville was awarded the Australia Council Award for Lifetime Achievement in Literature. kategrenville.com.au ‘There is no doubt Grenville is one of our greatest writers.’ Sunday Mail ‘[Grenville] is a gift of a writer.’ Age ‘Excellent…So beautifully observed and written…An accomplished novel with all the experience that a writer like Kate Grenville brings to her work…Really a superb piece of work.’ Leigh Sales on A Room Made of Leaves ‘Vividly rendered, warmly sympathetic, daring in speculative a full-length portrait in oils of a woman known to most of us only in profile miniature…If Grenville’s novel is inspired by provocation, it unfolds as a feeling, organic story.’ Australian on A Room Made of Leaves