Imagine if Rapunzel's parents were Edwardian preppers... Hazel's parents saw the 1912 sinking of the Titanic as a portent of doom and locked their daughter away. Isolated and alone, each birthday she wishes to be free, whatever the risk. If only her childhood friend Henry would return and breach the high walls. On the frontlines of the Great War, Henry kept a token of happier times - a worn photograph of a young girl with long blonde plaits. He returns from war damaged and vowing to do one brave thing to make up for his cowardice - release Hazel from her prison. But is it safe with the pandemic and its horrific aftermath? How can Henry reconcile protecting Hazel with setting her free? Or perhaps the sheltered young woman will teach the soldier a lesson about life, and liberate him from a tower of his own construction. Please note: HENRY is a companion (prequel) novella to ELLA, THE SLAYER. The direct sequel to ELLA is ALICE, THE PLAYER

Ella is an Edwardian Cinderella with an undead problem... The flu pandemic of 1918 took millions of souls within a few short weeks. Except it wasn't flu, and death gave them back. Seventeen-year-old Ella copes the best she can; caring for her war-injured father, scrubbing the floors, and slaying the undead that attack the locals. Vermin they're called, like rats they spread pestilence with their bite. Ella's world collides with another when she nearly decapitates a handsome stranger, who is very much alive. Seth deMage, the new Duke of Leithfield, has returned to his ancestral home with a mission from the War Office—to control the plague of vermin in rural Somerset. He needs help; he just didn't expect to find it in a katana-wielding scullery maid. Working alongside Seth blurs the line between their positions, and Ella glimpses a future she never dreamed was possible. But in overstepping society's boundaries, Ella could lose everything - home, head and her heart...

Ella must venture down a rabbit hole, but this is no wonderland… Ella and Alice are trying to forge a path with the men they love in a world reeling from the Great War and the influenza pandemic that left the countryside crawling with the undead. Then Alice goes missing without a trace, until the new vermin queen sends an invitation—Ella is welcome to try and rescue her friend before Elizabeth lets her subjects tear the housemaid apart. To save Alice, Ella must venture into a subterranean world ruled by her former step-mother. But does Elizabeth play to merely torment Ella, or is there a more sinister purpose? One tied to the endless wave of vermin spreading across Europe? Someone is going to lose this game and forfeit their head, but will it be Ella or Elizabeth? Elements of this novel are inspired by Alice in Wonderland, and it is a direct continuation of Ella's story.

Who will awaken the sleeper…? Ella wants the sleeper to stay undisturbed. Especially since it's Millicent deMage, the first Duchess of Leithfield and a supposed witch who died over three hundred years ago. As Ella learns about the history of Serenity House, she begins to realise the long dead duchess could be the key to understanding the pandemic of vermin. For the final battle Ella needs a new ally, one forged from an old adversary—Charlotte, her step-sister. Ever since Ella shattered her world and destroyed her family, the young woman has been trying to figure out how to survive. Now, Charlotte is the one woman who can anchor Ella in this world as she does battle in another. Sometimes the fiercest battles are the ones we fight in our minds. But this might be one fight Ella can't win, and she will be the one put to sleep forever…