Hugo, Nebula, and Tiptree award–winning author Suzy McKee Charnas offers up her lush stories in this compelling retrospective story collection. In Stagestruck Vampires, the supernatural and the real intertwine seamlessly. A villainous maestro is redeemed by his lovely, apt pupil in “Beauty and the Opera or The Phantom Beast.” Inside the “Unicorn Tapestry,” a psychotherapist stalks a vampire. A dazzling performance of Tosca is marred by a shocking murder during “A Musical Interlude.” This collection features original work by Charnas—the mystical novelette, “Peregrines,” and two original essays. Also included is a collaborative story on vampire themes, “Advocates,” written with Chelsea Quinn Yarbro, author of the Saint-Germain Chronicles. Contents: Introduction by Paul Di Filippo Beauty and the Opéra or The Phanton Beast • (1996) • novelette Unicorn Tapestry • (1980) • novella Boobs • (1989) • short story Evil Thoughts • (1990) • novelette Advocates • (1991) • novelette by Chelsea Quinn Yarbro and Suzy McKee Charnas A Musical Interlude • (1980) • short fiction Peregrines • (2004) • short story
Author
Suzy McKee Charnas, a native New Yorker raised and educated in Manhattan, surfaced as an author with WALK TO THE END OF THE WORLD (1974), a no-punches-pulled feminist SF novel and Campbell award finalist. The three further books that sprang from WALK (comprising a futurist, feminist epic about how people make history and create myth) closed in 1999 with THE CONQUEROR’S CHILD, a Tiptree winner (as is the series in its entirety). Meanwhile, she taught for two years in Nigeria with the Peace Corps, married, and moved to New Mexico, where she has lived, taught, and written fiction and non-fiction for forty five years. She teaches SF from time to time, and travels every year to genre conventions around the country and (occasionally) around the world. Her varied SF and fantasy works have also won the Hugo award, the Nebula award, the Gigamesh Award (Spain), and the Mythopoeic award for Young-Adult fantasy. A play based on her novel THE VAMPIRE TAPESTRY has been staged on both coasts. STAGESTRUCK VAMPIRES (Tachyon Books) collects her best short fiction, plus essays on writing feminist SF and on seeing her play script first become a professionally staged drama in San Francisco. Currently, she’s working at getting all of her work out in e-book, audio, and other formats, and moving several decades’ worth of manuscripts, correspondence, etc. out of a slightly leaky garage and sent off to be archived at the University of Oregon Special Collections. She has two cats and a gentleman boarder (also a cat), good friends and colleagues, ideas for new work, and travel plans for the future.
