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Stealing Hollywood book cover
Stealing Hollywood
Story Structure Secrets for Writing Your Best Book
2015
First Published
4.40
Average Rating
404
Number of Pages

The highly anticipated textbook of the internationally acclaimed SCREENWRITING TRICKS FOR AUTHORS workshops. Are you finally committed to writing that novel or screenplay, but have no idea how to get started? Or are you a published author, but know you need some plotting help to move your books and career up to that next level? You CAN write better books and scripts—by learning from the movies. Screenwriting is based on a simple (and powerful) structure that you already know from watching so many movies and television shows in your lifetime. And it's a structure that your reader or audience unconsciously expects, and that is crucial for you to deliver. In this workbook, award-winning author/screenwriter Alexandra Sokoloff shows you how to jump-start your plot and bring your characters and scenes vibrantly alive on the page by watching your favorite movies and learning from the storytelling structure and tricks of great filmmakers: • The High Concept Premise • The Three-Act, Eight-Sequence Structure • The Storyboard Grid • The Index Card Method of Plotting • The Setpiece Scene • Techniques of film pacing and suspense, character arc and drive, visual storytelling, and building image systems. Based on the internationally acclaimed Screenwriting Tricks for Authors workshops and blog, this new e book edition uses an enhanced format and layout, incorporates all the basic information from the first Screenwriting Tricks for Authors workbook and doubles the material, including ten full story breakdowns. Also available in PRINT —- the textbook-quality edition is 8 x 10 inches and lies open flat for easy highlighting and note-taking.

Avg Rating
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Author

Alexandra Sokoloff
Alexandra Sokoloff
Author · 17 books

I'm the Thriller Award-winning and Bram Stoker and Anthony Award-nominated author of the bestselling Huntress/FBI Thrillers: Huntress Moon, Blood Moon, Cold Moon. Bitter Moon, Hunger Moon, Shadow Moon, the supernatural thrillers The Harrowing, The Price, Book of Shadows, The Unseen, The Space Between. The New York Times Book Review has called me "a daughter of Mary Shelley" and my novels "some of the most original and freshly unnerving work in the genre." I'm a California native and a graduate of U.C. Berkeley, where I majored in theater and minored in everything that Berkeley has a reputation for. After college I moved to Los Angeles, where I've made an interesting living doing novel adaptations and selling original thriller scripts to various Hollywood studios. In my stories I like to cross the possibility of the supernatural with very real life explanations for any strangeness going on, and base the action squarely in fact. THE UNSEEN is based on real paranormal research conducted at the Duke University parapsychology lab, and BOOK OF SHADOWS teams a Boston homicide detective and a practicing Salem witch in a race to solve what may be a Satanic killing. THE SPACE BETWEEN, is an edgy supernatural YA about a troubled high school girl who is having dreams of a terrible massacre at her school, and becomes convinced that she can prevent the shooting if she can unravel the dream. I also have written paranormal romance (THE SHIFTERS, KEEPER OF THE SHADOWS) and the non-fiction workbooks SCREENWRITING TRICKS FOR AUTHORS and WRITING LOVE, based on my internationally acclaimed workshops and blog https://alexandrasokoloff.substack.com/ I live in Los Angeles and in Scotland, with Scottish crime author Craig Robertson. When I'm not writing I dance: jazz, ballet, salsa, Lindy, swing - I do it all, every chance I get. http://alexandrasokoloff.com/

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