The story is set just after the Union of Scotland and England (1707), in the Liddesdale hills of the Scottish Borders, familiar to Scott from his work collecting ballads for The Minstrelsy of the Scottish Border. The main character is based on David Ritchie, whom Scott met in the autumn of 1797. In the tale, the dwarf is Sir Edward Mauley, a hermit regarded by the locals as being in league with the Devil, who becomes embroiled in a complex tale of love, revenge, betrayal, Jacobite schemes and a threatened forced marriage. Scott began the novel well, "but tired of the ground I had trode so often before... I quarrelled with my story, & bungled up a conclusion." Critics and public found it poor in comparison with its popular companion Old Mortality. One of the harshest reviews was in the Quarterly Review, written anonymously by Scott himself. The introduction to The Black Dwarf attributes the work to Jedediah Cleishbotham, whom Scott had invented as a fictional editor of the Landlord series. It is here that we have the most complete view of this character.

Drawn from Scott's original text, the first authoritative edition of his classic historical romance. Set in 1679 during the Scottish populist rebellion known as the Covenanter uprising, The Tale of Old Mortality is one of the outstanding historical fictions of the nineteenth century. Henry Morton of Milnewood is compelled to take up arms against the royalists, who are led by Claverhouse, a true villain in Scottish history who is, nonetheless, one of Scott's most complex characters. A moderate Covenanter, Morton—whose loyalties are divided by his love for Edith, the beautiful granddaughter of Lady Margaret Bellenden—is one of the "people's heroes" who challenge King Charles II and change the course of Scottish history. Old Mortality is Scott's undisputed masterpiece and distills the humor, grit, and romance of the west of Scotland, past and present. Edited with an Introduction by Douglas S. Mack This Penguin Classics edition is based on the acclaimed Edinburgh Edition of the Waverley Novels

Early in 1817 Scott received in an unsigned letter the seed of The Heart of Mid-Lothian and began immediately to shape from historical fact the story of Jeanie Deans, a dairymaid who, while refusing to lie to save her sister’s life, journeys to London to beg for a reprieve. Set in the 1730s in a Scotland uneasily united with England, the novel dramatizes different kinds of justice: that meted out by the Edinburgh mob in the lynching of one Captain Porteous, and that encountered by a young girl on trial for infanticide. A bestseller from Philadelphia to St. Petersburg, an inspiration to succeeding novelists from Balzac to George Eliot, The Heart of Mid-Lothian is the seventh and finest of Scott’s ‘Waverley’ novels. This edition, based on the first edition of 1818, incorporates many new corrections from the manuscript and from other sources. Tony Inglis provides a full introduction to the historical background, and to the novel’s rich use of language and dialect, its themes and narrative modes.

This is a story of national change and personal tragedy. For Lucy Ashton and Edgar Ravenswood, acts of heroism are thwarted and love is doomed by social, political and historical division. This edition restores the action to the years of uncertainty and political flux before the Union of Scotland and England in 1707, rather than after, as Scott's later revision had placed it. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

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The story is set in Ayrshire and Lanarkshire around 1306, shortly after the death of William Wallace during the Wars of Scottish Independence. From Scott's introduction: "The incidents on which the ensuing Novel mainly turns, are derived from the ancient Metrical Chronicle of The Bruce, by Archdeacon Barbour, and from the History of the Houses of Douglas and Angus, by David Hume of Godscroft; and are sustained by the immemorial tradition of the western parts of Scotland. They are so much in consonance with the spirit and manners of the troubled age to which they are referred, that I can see no reason for doubting their being founded in fact; the names, indeed, of numberless localities in the vicinity of Douglas Castle, appear to attest, beyond suspicion, many even of the smallest circumstances embraced in the story of Godscroft."