Part of Series
Drawn from Scott's original text, the first authoritative edition of his classic historical romance. Set in 1679 during the Scottish populist rebellion known as the Covenanter uprising, The Tale of Old Mortality is one of the outstanding historical fictions of the nineteenth century. Henry Morton of Milnewood is compelled to take up arms against the royalists, who are led by Claverhouse, a true villain in Scottish history who is, nonetheless, one of Scott's most complex characters. A moderate Covenanter, Morton—whose loyalties are divided by his love for Edith, the beautiful granddaughter of Lady Margaret Bellenden—is one of the "people's heroes" who challenge King Charles II and change the course of Scottish history. Old Mortality is Scott's undisputed masterpiece and distills the humor, grit, and romance of the west of Scotland, past and present. Edited with an Introduction by Douglas S. Mack This Penguin Classics edition is based on the acclaimed Edinburgh Edition of the Waverley Novels
Author
Librarian Note: There is more than one author in the GoodReads database with this name. British writer Sir Walter Scott popularized and refined a genre of ballads and historical novels; his works include Waverley (1814) and Ivanhoe (1819). Sir Walter Alva Scott created and called a series. Scott arranged the plots and characters so that the reader enters into the lives of great and ordinary persons, caught in violent, dramatic changes. Work of Scott shows the influence of the 18th century Enlightenment. He thought of every basically decent human, regardless of class, religion, politics, or ancestry. A major theme tolerates. They express his theory in the need for social progress that rejects not the traditions of the past. He first portrayed peasant characters sympathetically and realistically and equally justly portrayed merchants, soldiers, and even kings. In central themes, cultures conflict and oppose. Normans and Saxons warred. In The Talisman (1825), Christians and Muslims conflict. He deals with clashes between the new English and the old Scottish culture. Other great include Old Mortality (1816), The Heart of Midlothian (1819), and Saint Ronan's Well (1824). His series includes Rob Roy (1817), A Legend of Montrose (1819), and Quentin Durward (1823). Amiability, generosity, and modesty made Scott popular with his contemporaries. He also famously entertained on a grand scale at Abbotsford, his Scottish estate.
