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The Archer Files, The Complete Short Stories of Lew Archer, Private Investigator Including Newly Discovered Case Notes book cover
The Archer Files, The Complete Short Stories of Lew Archer, Private Investigator Including Newly Discovered Case Notes
2007
First Published
4.09
Average Rating
592
Number of Pages
Ross Macdonald (1915-1983) was the author of eighteen books that a New York Times critic called the finest series of detective novels ever written by an American : the Lew Archer canon, which included such breakthrough best-sellers as "The Underground Man," "The Goodbye Look," and "The Blue Hammer. " Macdonald (born Kenneth Millar) also wrote several novelettes and short-stories involving Southern California private-detective Lew Archer. "The Archer Files" for the first time collects all the brief Archer the stories from Macdonald s 1955 paperback-original "The Name Is Archer," the additional tales included in the Otto Penzler-edited 1977 volume "Lew Private Investigator," and the three then-unknown novellas presented in Crippen & Landru s 2001 book "Strangers in Town." Also included in "The Archer Files" are several lengthy, never-before-published fragments of unfinished Macdonald case notes, as it were, from the files of Lew Archer. Edited by Macdonald biographer Tom Nolan, "The Archer Files" is prefaced with Nolan s biographical sketch of Lew Archer himself—the character Eudora Welty described as "a champion" and "a distinguished creation ... As a detective and as a man he takes the human situation with full seriousness. " Jeff Wong s cover is adapted from the 1955 paperback original, but depicting Ross Macdonald rather than Lew Archer.
Avg Rating
4.09
Number of Ratings
316
5 STARS
35%
4 STARS
42%
3 STARS
21%
2 STARS
2%
1 STARS
1%
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Author

Ross Macdonald
Ross Macdonald
Author · 33 books

Ross Macdonald is the pseudonym of the American-Canadian writer of crime fiction Kenneth Millar. He is best known for his series of hardboiled novels set in southern California and featuring private detective Lew Archer. Millar was born in Los Gatos, California, and raised in his parents' native Kitchener, Ontario, Canada, where he started college. When his father abandoned his family unexpectedly, Macdonald lived with his mother and various relatives, moving several times by his sixteenth year. The prominence of broken homes and domestic problems in his fiction has its roots in his youth. In Canada, he met and married Margaret Sturm (Margaret Millar)in 1938. They had a daughter, Linda, who died in 1970. He began his career writing stories for pulp magazines. Millar attended the University of Michigan, where he earned a Phi Beta Kappa key and a Ph.D. in literature. While doing graduate study, he completed his first novel, The Dark Tunnel, in 1944. At this time, he wrote under the name John Macdonald, in order to avoid confusion with his wife, who was achieving her own success writing as Margaret Millar. He then changed briefly to John Ross Macdonald before settling on Ross Macdonald, in order to avoid mixups with contemporary John D. MacDonald. After serving at sea as a naval communications officer from 1944 to 1946, he returned to Michigan, where he obtained his Ph.D. degree. Macdonald's popular detective Lew Archer derives his name from Sam Spade's partner, Miles Archer, and from Lew Wallace, author of Ben-Hur: A Tale of the Christ. Macdonald first introduced the tough but humane private eye in the 1946 short story Find the Woman. A full-length novel, The Moving Target, followed in 1949. This novel (the first in a series of eighteen) would become the basis for the 1966 Paul Newman film Harper. In the early 1950s, he returned to California, settling for some thirty years in Santa Barbara, the area where most of his books were set. The very successful Lew Archer series, including bestsellers The Goodbye Look, The Underground Man, and Sleeping Beauty, concluded with The Blue Hammer in 1976. Macdonald died of Alzheimer's disease in Santa Barbara, California. Macdonald is the primary heir to Dashiell Hammett and Raymond Chandler as the master of American hardboiled mysteries. His writing built on the pithy style of his predecessors by adding psychological depth and insights into the motivations of his characters. Macdonald's plots were complicated, and often turned on Archer's unearthing family secrets of his clients and of the criminals who victimized them. Lost or wayward sons and daughters were a theme common to many of the novels. Macdonald deftly combined the two sides of the mystery genre, the "whodunit" and the psychological thriller. Even his regular readers seldom saw a Macdonald denouement coming.

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