James Lee Burke is an American author best known for his mysteries, particularly the Dave Robicheaux series. He has twice received the Edgar Award for Best Novel, for Black Cherry Blues in 1990 and Cimarron Rose in 1998. Burke was born in Houston, Texas, but grew up on the Texas-Louisiana Gulf Coast. He attended the University of Louisiana at Lafayette and the University of Missouri, receiving a BA and MA from the latter. He has worked at a wide variety of jobs over the years, including working in the oil industry, as a reporter, and as a social worker. He was Writer in Residence at the University of Louisiana at Lafayette, succeeding his good friend and posthumous Pulitzer Prize winner John Kennedy Toole, and preceding Ernest Gaines in the position. Shortly before his move to Montana, he taught for several years in the Creative Writing program at Wichita State University in the 1980s. Burke and his wife, Pearl, split their time between Lolo, Montana, and New Iberia, Louisiana. Their daughter, Alafair Burke, is also a mystery novelist. The book that has influenced his life the most is the 1929 family tragedy "The Sound and the Fury" by William Faulkner.

Patricia Highsmith was an American novelist who is known mainly for her psychological crime thrillers which have led to more than two dozen film adaptations over the years. She lived with her grandmother, mother and later step-father (her mother divorced her natural father six months before 'Patsy' was born and married Stanley Highsmith) in Fort Worth before moving with her parents to New York in 1927 but returned to live with her grandmother for a year in 1933. Returning to her parents in New York, she attended public schools in New York City and later graduated from Barnard College in 1942. Shortly after graduation her short story 'The Heroine' was published in the Harper's Bazaar magazine and it was selected as one of the 22 best stories that appeared in American magazines in 1945 and it won the O Henry award for short stories in 1946. She continued to write short stories, many of them comic book stories, and regularly earned herself a weekly $55 pay-check. During this period of her life she lived variously in New York and Mexico. Her first suspense novel 'Strangers on a Train' published in 1950 was an immediate success with public and critics alike. The novel has been adapted for the screen three times, most notably by Alfred Hitchcock in 1951. In 1955 her anti-hero Tom Ripley appeared in the splendid 'The Talented Mr Ripley', a book that was awarded the Grand Prix de Litterature Policiere as the best foreign mystery novel translated into French in 1957. This book, too, has been the subject of a number of film versions. Ripley appeared again in 'Ripley Under Ground' in 1970, in 'Ripley's Game' in 1974, 'The boy who Followed Ripley' in 1980 and in 'Ripley Under Water' in 1991. Along with her acclaimed series about Ripley, she wrote 22 novels and eight short story collections plus many other short stories, often macabre, satirical or tinged with black humour. She also wrote one novel, non-mystery, under the name Claire Morgan , plus a work of non-fiction 'Plotting and Writing Suspense Fiction' and a co-written book of children's verse, 'Miranda the Panda Is on the Veranda'. She latterly lived in England and France and was more popular in England than in her native United States. Her novel 'Deep Water', 1957, was called by the Sunday Times one of the "most brilliant analyses of psychosis in America" and Julian Symons once wrote of her "Miss Highsmith is the writer who fuses character and plot most successfully ... the most important crime novelist at present in practice." In addition, Michael Dirda observed "Europeans honoured her as a psychological novelist, part of an existentialist tradition represented by her own favorite writers, in particular Dostoevsky, Conrad, Kafka, Gide, and Camus." She died of leukemia in Locarno, Switzerland on 4 February 1995 and her last novel, 'Small g: a Summer Idyll', was published posthumously a month later. Gerry Wolstenholme July 2010

Elmore John Leonard lived in Dallas, Oklahoma City and Memphis before settling in Detroit in 1935. After serving in the navy, he studied English literature at the University of Detroit where he entered a short story competition. His earliest published novels in the 1950s were westerns, but Leonard went on to specialize in crime fiction and suspense thrillers, many of which have been adapted into motion pictures. Father of Peter Leonard.

James Mallahan Cain (July 1, 1892–October 27, 1977) was an American journalist and novelist. Although Cain himself vehemently opposed labeling, he is usually associated with the hard-boiled school of American crime fiction and seen as one of the creators of the "roman noir." He was born into an Irish Catholic family in Annapolis, Maryland, the son of a prominent educator and an opera singer. He inherited his love for music from his mother, but his high hopes of starting a career as a singer himself were thwarted when she told him that his voice was not good enough. After graduating from Washington College where his father, James W. Cain served as president, in 1910, he began working as a journalist for The Baltimore Sun. He was drafted into the United States Army and spent the final year of World War I in France writing for an Army magazine. On his return to the United States he continued working as a journalist, writing editorials for the New York World and articles for American Mercury. He also served briefly as the managing editor of The New Yorker, but later turned to screenplays and finally to fiction. Although Cain spent many years in Hollywood working on screenplays, his name only appears on the credits of three films, Algiers, Stand Up and Fight, and Gypsy Wildcat. His first novel (he had already published Our Government in 1930), The Postman Always Rings Twice was published in 1934. Two years later the serialized, in Liberty Magazine, Double Indemnity was published. He made use of his love of music and of the opera in particular in at least three of his novels: Serenade (about an American opera singer who loses his voice and who, after spending part of his life south of the border, re-enters the States illegally with a Mexican prostitute in tow), Mildred Pierce (in which, as part of the subplot, the only daughter of a successful businesswoman trains as an opera singer) and Career in C Major (a short semi-comic novel about the unhappy husband of an aspiring opera singer who unexpectedly discovered that he has a better voice than she does). He continued writing up to his death at the age of 85. His last three published works, The Baby in the Icebox (1981), Cloud Nine (1984) and The Enchanted Isle (1985) being published posthumously. However, the many novels he published from the late 1940s onward never quite rivaled his earlier successes.

Born in 1912 in Marine City, Michigan, Stephen Gould Fisher was thirteen when he sold his first story to a magazine. At sixteen he joined the Marines. He was still in the service when he began to publish stories and articles in US Navy and Our Navy. Discharged from the Marines in Los Angeles in 1932, Fisher stayed in L.A., where he continued to write for US Navy, for which he was paid one cent a word. He was also, by this time, writing for a number of sex magazines. In 1934 he moved to New York where, despite near destitution, he continued to pursue a career as a writer, and met, for the first time, his friend Frank Gruber. Prior to his arrival in New York, Fisher had corresponded with Gruber, but the two had never met. It was in the Manhattan office of Ed Bodin, an agent who represented both authors, that the writers finally crossed paths. They, of course, hit it off immediately, and left Bodin’s office on Fifth Avenue just below 23rd Street, on their way to Greenwich Village where, in Washington Square Park, they talked for three hours about their hopes, ambitions and their writing. Over the years, the two men would remain close. Gruber, some fifteen years older than Fisher, was from a small farming town in Iowa. Already a prolific pulp writer, he counted amongst his friends the future father of Scientology, L. Ron Hubbard (the latter once told Gruber that his shift from science fiction to religious fiction occurred when he was shot in the neck with a poison dart while travelling up the Amazon). In 1941, the same year Fisher published I Wake Up Screaming, Gruber, under the name Charles K. Boston, published an all-but-forgotten Hollywood satire entitled The Silver Jackass. Much lighter, yet no less bitter than I Wake Up Screaming, Gruber’s whodunit was, in many ways, the other side of the coin from Fisher’s novel. At Warners, Gruber would go on to write the screenplay for Eric Ambler’s The Mask of Dimitrios (1946) and Bulldog Drummond. A.I. Bezzerides remembers Jack Warner walking into the writers’ building and finding Gruber, Fisher and himself not at their desks, but on the floor shooting craps. He looked at his three writers, turned and walked away, knowing there was little he could do about such recalcitrance. Gruber and Fisher constituted something of a two-person mutual admiration society. At a party for the release of The Blue Dahlia, Gruber nearly came to blows with his hero Raymond Chandler when the latter said some unfavourable things about Fisher. The reason for the altercation was that Fisher and Chandler were in dispute over screen credits for The Lady in the Lake. Chandler was convinced that his name should have appeared on the screen as well. Though he defended his friend, Gruber would remain a life-long admirer of Chandler’s writing. Foreshadowing Gruber’s run-in with Chandler, Fisher, hearing someone unfairly criticise one of Gruber’s stories in the Black Mask office, launched such an attack on the unfortunate writer that the editor had to throw the Gruber-critic out of the office and declare him persona non grata at Black Mask. Recounting his early days as a writer in The Pulp Jungle, Gruber attests to Fisher’s burning ambition to succeed as a writer, a quality which, at times, assumed humorous dimensions. Such as when Fisher wrote to the New York electricity company, which, because of an outstanding bill, was about to switch off his power, asking them how they would feel if they had turned off the electricity on Jack London. He told them that he too would become a famous writer and they would be ashamed of themselves for cutting off his electricity. But cut him off they did, after which Fisher was forced to write by candlelight. In that same book, Gruber goes on to say that Fisher was most adept at writing romance.

Benjamin McKinlay Kantor, was an American journalist, novelist and screenwriter. He wrote more than 30 novels, several set during the American Civil War, and was awarded the Pulitzer Prize for Fiction in 1956 for his 1955 novel Andersonville Kantor was born in Webster City, Iowa, in 1904. His mother, a journalist, encouraged Kantor to develop his writing style. Kantor started writing seriously as a teen-ager when he worked as a reporter with his mother at the local newspaper in Webster City. Kantor's first novel was published when he was 24. During World War II, Kantor reported from London as a war correspondent for a Los Angeles newspaper. After flying on several bombing missions, he asked for and received training to operate the bomber's turret machine guns (this was illegal, as he was not in service). Nevertheless he was decorated with the Medal of Freedom by Gen. Carl Spaatz, then the U.S. Army Air Corp commander. He also saw combat during the Korean War as a correspondent. In addition to journalism and novels, Kantor wrote the screenplay for Gun Crazy (aka Deadly Is the Female) (1950), a noted film noir. It was based on his short story by the same name, published February 3, 1940 in a "slick" magazine, The Saturday Evening Post. In 1992, it was revealed that he had allowed his name to be used on a screenplay written by Dalton Trumbo, one of the Hollywood Ten, who had been blacklisted as a result of his refusal to testify before the House Un-American Committee (HUAC) hearings. Kantor passed his payment on to Trumbo to help him survive. Several of his novels were adapted for films. He established his own publishing house, and published several of his works in the 1930s and 1940s. Kantor died of a heart attack in 1977, at the age of 73, at his home in Sarasota, Florida.

1 international bestselling author of over thirty novels and three collections of short stories. His books are sold in 150 countries and translated into 25 languages. His first novel featuring Lincoln Rhyme, The Bone Collector, was made into a major motion picture starring Denzel Washington and Angelina Jolie. He's received or been shortlisted for a number of awards around the world.

Lawrence Block has been writing crime, mystery, and suspense fiction for more than half a century. He has published in excess (oh, wretched excess!) of 100 books, and no end of short stories. Born in Buffalo, N.Y., LB attended Antioch College, but left before completing his studies; school authorities advised him that they felt he’d be happier elsewhere, and he thought this was remarkably perceptive of them. His earliest work, published pseudonymously in the late 1950s, was mostly in the field of midcentury erotica, an apprenticeship he shared with Donald E. Westlake and Robert Silverberg. The first time Lawrence Block’s name appeared in print was when his short story “You Can’t Lose” was published in the February 1958 issue of Manhunt. The first book published under his own name was Mona (1961); it was reissued several times over the years, once as Sweet Slow Death. In 2005 it became the first offering from Hard Case Crime, and bore for the first time LB’s original title, Grifter’s Game. LB is best known for his series characters, including cop-turned-private investigator Matthew Scudder, gentleman burglar Bernie Rhodenbarr, globe-trotting insomniac Evan Tanner, and introspective assassin Keller. Because one name is never enough, LB has also published under pseudonyms including Jill Emerson, John Warren Wells, Lesley Evans, and Anne Campbell Clarke. LB’s magazine appearances include American Heritage, Redbook, Playboy, Linn’s Stamp News, Cosmopolitan, GQ, and The New York Times. His monthly instructional column ran in Writer’s Digest for 14 years, and led to a string of books for writers, including the classics Telling Lies for Fun & Profit and The Liar’s Bible. He has also written episodic television (Tilt!) and the Wong Kar-wai film, My Blueberry Nights. Several of LB’s books have been filmed. The latest, A Walk Among the Tombstones, stars Liam Neeson as Matthew Scudder and is scheduled for release in September, 2014. LB is a Grand Master of Mystery Writers of America, and a past president of MWA and the Private Eye Writers of America. He has won the Edgar and Shamus awards four times each, and the Japanese Maltese Falcon award twice, as well as the Nero Wolfe and Philip Marlowe awards, a Lifetime Achievement Award from the Private Eye Writers of America, and the Diamond Dagger for Life Achievement from the Crime Writers Association (UK). He’s also been honored with the Gumshoe Lifetime Achievement Award from Mystery Ink magazine and the Edward D. Hoch Memorial Golden Derringer for Lifetime Achievement in the short story. In France, he has been proclaimed a Grand Maitre du Roman Noir and has twice been awarded the Societe 813 trophy. He has been a guest of honor at Bouchercon and at book fairs and mystery festivals in France, Germany, Australia, Italy, New Zealand, Spain and Taiwan. As if that were not enough, he was also presented with the key to the city of Muncie, Indiana. (But as soon as he left, they changed the locks.) LB and his wife Lynne are enthusiastic New Yorkers and relentless world travelers; the two are members of the Travelers Century Club, and have visited around 160 countries. He is a modest and humble fellow, although you would never guess as much from this biographical note.

Better known by his pseudonym Ed McBain. Born Salvatore Albert Lombino, he legally adopted the name Evan Hunter in 1952. While successful and well known as Evan Hunter, he was even better known as Ed McBain, a name he used for most of his crime fiction, beginning in 1956.

Dorothy B. Hughes (1904–1993) was a mystery author and literary critic. Born in Kansas City, she studied at Columbia University, and won an award from the Yale Series of Younger Poets for her first book, the poetry collection Dark Certainty (1931). After writing several unsuccessful manuscripts, she published The So Blue Marble in 1940. A New York–based mystery, it won praise for its hardboiled prose, which was due, in part, to Hughes’s editor, who demanded she cut 25,000 words from the book. Hughes published thirteen more novels, the best known of which are In a Lonely Place (1947) and Ride the Pink Horse (1946). Both were made into successful films. In the early fifties, Hughes largely stopped writing fiction, preferring to focus on criticism, for which she would go on to win an Edgar Award. In 1978, the Mystery Writers of America presented Hughes with the Grand Master Award for literary achievement.

Mickey Spillane was one of the world's most popular mystery writers. His specialty was tight-fisted, sadistic revenge stories, often featuring his alcoholic gumshoe Mike Hammer and a cast of evildoers who launder money or spout the Communist Party line. His writing style was characterized by short words, lightning transitions, gruff sex and violent endings. It was once tallied that he offed 58 people in six novels. Starting with "I, the Jury," in 1947, Mr. Spillane sold hundreds of millions of books during his lifetime and garnered consistently scathing reviews. Even his father, a Brooklyn bartender, called them "crud." Mr. Spillane was a struggling comic book publisher when he wrote "I, the Jury." He initially envisioned it as a comic book called "Mike Danger," and when that did not go over, he took a week to reconfigure it as a novel. Even the editor in chief of E.P. Dutton and Co., Mr. Spillane's publisher, was skeptical of the book's literary merit but conceded it would probably be a smash with postwar readers looking for ready action. He was right. The book, in which Hammer pursues a murderous narcotics ring led by a curvaceous female psychiatrist, went on to sell more than 1 million copies. Mr. Spillane spun out six novels in the next five years, among them "My Gun Is Quick," "The Big Kill," "One Lonely Night" and "Kiss Me, Deadly." Most concerned Hammer, his faithful sidekick, Velda, and the police homicide captain Pat Chambers, who acknowledges that Hammer's style of vigilante justice is often better suited than the law to dispatching criminals. Mr. Spillane's success rankled other critics, who sometimes became very personal in their reviews. Malcolm Cowley called Mr. Spillane "a homicidal paranoiac," going on to note what he called his misogyny and vigilante tendencies. His books were translated into many languages, and he proved so popular as a writer that he was able to transfer his thick-necked, barrel-chested personality across many media. With the charisma of a redwood, he played Hammer in "The Girl Hunters," a 1963 film adaptation of his novel. Spillane also scripted several television shows and films and played a detective in the 1954 suspense film "Ring of Fear," set at a Clyde Beatty circus. He rewrote much of the film, too, refusing payment. In gratitude, the producer, John Wayne, surprised him one morning with a white Jaguar sportster wrapped in a red ribbon. The card read, "Thanks, Duke." Done initially on a dare from his publisher, Mr. Spillane wrote a children's book, "The Day the Sea Rolled Back" (1979), about two boys who find a shipwreck loaded with treasure. This won a Junior Literary Guild award. He also wrote another children's novel, "The Ship That Never Was," and then wrote his first Mike Hammer mystery in 20 years with "The Killing Man" (1989). "Black Alley" followed in 1996. In the last, a rapidly aging Hammer comes out of a gunshot-induced coma, then tracks down a friend's murderer and billions in mob loot. For the first time, he also confesses his love for Velda but, because of doctor's orders, cannot consummate the relationship. Late in life, he received a career achievement award from the Private Eye Writers of America and was named a grand master by the Mystery Writers of America. In his private life, he neither smoked nor drank and was a house-to-house missionary for the Jehovah's Witnesses. He expressed at times great disdain for what he saw as corrosive forces in American life, from antiwar protesters to the United Nations. His marriages to Mary Ann Pearce and Sherri Malinou ended in divorce. His second wife, a model, posed nude for the dust jacket of his 1972 novel "The Erection Set." Survivors include his third wife, Jane Rodgers Johnson, a former beauty queen 30 years his junior; and four children from the first marriage. He also carried on a long epistolary flirtation with Ayn Rand, an admirer of his writing.

Reference for now: http://en.wikipedia.org/wiki/Andrew\_K...

Scott Wolven lives in upstate New York. His work has been selected three years in a row for The Best American Mystery Stories (2002, 2003, and 2004). See also: http://thestoryisthecure.blogspot.com...

Clarence Aaron Robbins, billed as C.A Robbins and better known as Tod Robbins, was an American author of horror and mystery fiction, particularly novels and short story collections. Robbins authored two short story collections and several novels. His work often contains bizarre and frightening plots. His novel The Unholy Three (1917) was twice adapted for the screen, a silent version in 1925 and a sound version in 1930; both adaptations starred Lon Chaney. Robbins was also the author of the short story "Spurs", which was used as the basis for Freaks (1932), a film which later developed a cult following. Some of Robbins' work was later reprinted in the "Creeps" series of horror anthologies edited by Charles Birkin. In the early 30s he moved to French Riviera and refused to leave during the Nazi occupation of France. He spent the war in a concentration camp and died in Saint-Jean-Cap-Ferrat in 1949 due to the consequences.

Harlan Jay Ellison was a prolific American writer of short stories, novellas, teleplays, essays, and criticism. His literary and television work has received many awards. He wrote for the original series of both The Outer Limits and Star Trek as well as The Alfred Hitchcock Hour; edited the multiple-award-winning short story anthology series Dangerous Visions; and served as creative consultant/writer to the science fiction TV series The New Twilight Zone and Babylon 5. Several of his short fiction pieces have been made into movies, such as the classic "The Boy and His Dog". webmaster@harlanellison.com

James Arthur Crumley was the author of violent hardboiled crime novels and several volumes of short stories and essays, as well as published and unpublished screenplays. He has been described as "one of modern crime writing's best practitioners", who was "a patron saint of the post-Vietnam private eye novel"and a cross between Raymond Chandler and Hunter S. Thompson.His book The Last Good Kiss has been described as "the most influential crime novel of the last 50 years." Crumley, who was born in Three Rivers, Texas, grew up in south Texas, where his father was an oil-field supervisor and his mother was a waitress. Crumley was a grade-A student and a football player, an offensive lineman, in high school. He attended the Georgia Institute of Technology on a Navy ROTC scholarship, but left to serve in the U.S. Army from 1958 to 1961 in the Philippines. He then attended the Texas College of Arts and Industries on a football scholarship, where he received his B.A. degree with a major in history in 1964. He earned a Master of Fine Arts degree in creative writing at the University of Iowa in 1966. His master's thesis was later published as the Vietnam War novel One to Count Cadence in 1969. Crumley had not read any detective fiction until prompted to by Montana poet Richard Hugo, who recommended the work of Raymond Chandler for the quality of his sentences. Crumley finally picked up a copy of one of Chandler's books in Guadalajara, Mexico. Impressed by Chandler's writing, and that of Ross Macdonald, Crumley began writing his first detective novel, The Wrong Case, which was published in 1975. Crumley served on the English faculty of the University of Montana at Missoula, and as a visiting professor at a number of other colleges, including the University of Arkansas, Colorado State University, the University of Texas at El Paso, Reed College in Portland, Oregon, and Carnegie-Mellon University in Pittsburgh. From the mid-80s on he lived in Missoula, Montana, where he found inspiration for his novels at Charlie B's bar. A regular there, he had many longstanding friends who have been portrayed as characters in his books. Crumley died at St. Patrick Hospital in Missoula, Montana on September 17, 2008 of complications from kidney and pulmonary diseases after many years of health problems. He was survived by his wife of 16 years, Martha Elizabeth, a poet and artist who was his fifth wife. He had five children – three from his second marriage and two from his fourth – eight grandchildren and two great-grandchildren.

Florida writer Gil Brewer (1922-1983) was the author of dozens of wonderfully sleazy sex/crime adventure novels of the 1950's and 60's, including Backwoods Teaser and Nude on Thin Ice; some of them starring private eye Lee Baron (Wild) or the brothers Sam and Tate Morgan (The Bitch) . Gil Brewer, who had not previously published any novels, began to write for Gold Medal Paperbacks in 1950-51. Brewer wrote some 30 novels between 1951 and the late 60s – very often involving an ordinary man who becomes involved with, and is often corrupted and destroyed by, an evil or designing woman. His style is simple and direct, with sharp dialogue, often achieving considerable intensity. Brewer was one of the many writers who ghost wrote under the Ellery Queen byline as well. Brewer also was known as Eric Fitzgerald, Bailey Morgan, and Elaine Evans. http://www.gilbrewer.com/

Number-one New York Times bestselling author Lorenzo Carcaterra's highly successful career spans more than 25 years of writing for the diverse fields of fiction, non-fiction, television, and film. Born and raised in New York's Hell's Kitchen neighborhood, Carcaterra landed his first job in the newspaper business as a copy boy for The New York Daily News in 1976. He worked his way up to entertainment reporter before leaving the paper in 1982, heading for the green pastures of then-Time Inc. and TV-Cable Week, as senior writer. Nine months later, the magazine folded, leaving him unemployed. A four-month stint at People magazine was followed by an odyssey of writing for a string of start-up publications—Picture Week, Entertainment Tonight Magazine, Special Reports Magazine—and freelancing for dozens of others—The New York Times Sunday Magazine, Newsday Sunday Magazine, Family Circle, Ladies Home Journal, and Twilight Zone Magazine among them. In 1988, Carcaterra turned to television as a Creative Consultant for the syndicated weekly series Cop Talk: Behind the Shield, produced by Grosso-Jacobson Productions. That led to a job as Managing Editor for the CBS weekly series Top Cops, also with Grosso-Jacobson Productions. Running for four seasons, from 1990 to 1994, the show is still in syndication today worldwide. In addition, he worked on a dozen other pilots, one of which––Secret Service (NBC)––made it to air. It was while at Grosso-Jacobson Productions that Carcaterra wrote and published his first two books­, A Safe Place and Sleepers. First published in hardcover in 1993, A Safe Place: The True Story of a Father, a Son, a Murder, attracted widespread critical acclaim, with Newsweek calling it, “unforgettable—a remarkable book.” Currently in its 14th printing, it has been sold to 11 foreign countries and has sold close to 220,000 copies. The 1995 publication of Sleepers, which was a #1 New York Times bestseller in both hardcover and paperback, catapulted Carcaterra to national attention. Sold to 35 foreign countries and now in its 38th printing in the United States, the book has sales exceeding 1.8 million copies. In 1996, Sleepers was made into a feature film starring Brad Pitt, Robert DeNiro, Dustin Hoffman, Kevin Bacon, Minnie Driver, and Jason Patric. Carcaterra served as co-producer on the project, which was directed by Academy Award winner Barry Levinson. To date, the movie has earned in excess of $500 million worldwide in combined box-office, video, DVD, and TV sales. Carcaterra made a smooth transition into writing fiction with his first novel, Apaches, a New York Times bestseller in both hardcover and paperback. Published in a 14 foreign countries, the book has sold more than 450,000 copies and been optioned by producer Jerry Bruckheimer. He followed that with Gangster, published in hardcover in 2001. The book has sold over 375,000 copies since its 2002 release as a Mass Market Paperback. The novel has been optioned by Joe Roth and been sold to 15 foreign countries. Carcaterra then wrote Street Boys, a World War II saga inspired by an incident which occurred in Naples, Italy, in 1943. Warner Bros. and Bel-Air Entertainment bought the rights to the story in March 2001 before it was written, and developed the project for director Barry Levinson. Carcaterra wrote the screenplay. The paperback was released in July, 2003 and has since sold 150,000 copies. Carcaterra's next novel Paradise City was published in hardcover by Ballantine in September 2004 with the paperback following a year later. To date, the novel has sold over 100,000 copies and was optioned by Fox Television to be developed as a weekly series. In 2007, Carcaterra published Chasers, a sequel to his bestseller Apaches. The paperback version was published in the spring of 2008 and movie rights to the story are once again controlled by Jerry Bruckheimer Productions. With that, Carcaterra took a different turn and has just completed hi

Charles Beaumont was born Charles Leroy Nutt in Chicago in 1929. He dropped out of high school in the tenth grade and worked at a number of jobs before selling his first story to Amazing Stories in 1950. His story “Black Country” (1954) was the first work of short fiction to appear in Playboy, and his classic tale “The Crooked Man” appeared in the same magazine the following year. Beaumont published numerous other short stories in the 1950s, both in mainstream periodicals like Playboy and Esquire and in science fiction and fantasy magazines. His first story collection, The Hunger and Other Stories, was published in 1957 to immediate acclaim, and was followed by two further collections, Yonder (1958) and Night Ride and Other Journeys (1960). He also published two novels, Run from the Hunter (1957, pseudonymously, with John E. Tomerlin), and The Intruder (1959). Beaumont is perhaps best remembered for his work in television, particularly his screenplays for The Twilight Zone, for which he wrote several of the most famous episodes. His other screenwriting credits include the scripts for films such as The Premature Burial (1962), Burn, Witch, Burn (1962), The Haunted Palace (1963), and The Masque of the Red Death (1964). When Beaumont was 34, he began to suffer from ill health and developed a baffling and still unexplained condition that caused him to age at a greatly increased rate, such that at the time of his death at age 38 in 1967, he had the physical appearance of a 95-year-old man. Beaumont was survived by his wife Helen, two daughters, and two sons, one of whom, Christopher, is also a writer. Beaumont’s work was much respected by his colleagues, and he counted Ray Bradbury, Harlan Ellison, Richard Matheson, Robert Bloch, and Roger Corman among his friends and admirers. -Valancourt Books

Librarian Note: There is more than one author in the GoodReads database with this name. See this thread for more information. James W. Hall is an Edgar and Shamus Award-winning author whose books have been translated into a dozen languages. He has written twenty-one novels, four books of poetry, two collections of short stories, and two works of non-fiction. He also won a John D. MacDonald Award for Excellence in Florida Fiction, presented by the JDM Bibliophile. He has a master’s degree in creative writing from Johns Hopkins University and a doctorate in literature from the University of Utah. He was a professor of literature and creative writing at Florida International University for 40 years where he taught such writers as Vicky Hendricks, Christine Kling, Barbara Parker and Dennis Lehane.

Cornell Woolrich is widely regarded as the twentieth century’s finest writer of pure suspense fiction. The author of numerous classic novels and short stories (many of which were turned into classic films) such as Rear Window, The Bride Wore Black, The Night Has a Thousand Eyes, Waltz Into Darkness, and I Married a Dead Man, Woolrich began his career in the 1920s writing mainstream novels that won him comparisons to F. Scott Fitzgerald. The bulk of his best-known work, however, was written in the field of crime fiction, often appearing serialized in pulp magazines or as paperback novels. Because he was prolific, he found it necessary to publish under multiple pseudonyms, including "William Irish" and "George Hopley" [...] Woolrich lived a life as dark and emotionally tortured as any of his unfortunate characters and died, alone, in a seedy Manhattan hotel room following the amputation of a gangrenous leg. Upon his death, he left a bequest of one million dollars to Columbia University, to fund a scholarship for young writers. Source: [http://www.hardcasecrime.com/books\_bi...]

Howard Browne (April 15, 1908–October 28, 1999) was a science fiction editor and mystery writer. He also wrote for several television series and films. Some of his work appeared over the pseudonyms John Evans, Alexander Blade, Lawrence Chandler, Ivar Jorgensen, and Lee Francis. Beginning in 1942, Browne worked as managing editor for Ziff-Davis publications on Amazing Stories and Fantastic Adventures, both under Raymond A. Palmer's editorship. When Palmer left the magazines in 1949, Browne took over in January 1950. Browne ended the publication of Richard Shaver's Shaver Mystery and oversaw the change in Amazing from a pulp magazine to a digest. He left the magazines in 1956 to move to Hollywood. In Hollywood, Browne wrote for television shows including Maverick, Ben Casey, and The Virginian. His last credit was for the film Capone (1975), starring Ben Gazzara.

Librarian Note: There is more than one author in the GoodReads database with this name. See this thread for more information. James Myers Thompson was a United States writer of novels, short stories and screenplays, largely in the hardboiled style of crime fiction. Thompson wrote more than thirty novels, the majority of which were original paperback publications by pulp fiction houses, from the late-1940s through mid-1950s. Despite some positive critical notice, notably by Anthony Boucher in the New York Times, he was little-recognized in his lifetime. Only after death did Thompson's literary stature grow, when in the late 1980s, several novels were re-published in the Black Lizard series of re-discovered crime fiction. Thompson's writing culminated in a few of his best-regarded works: The Killer Inside Me, Savage Night, A Hell of a Woman and Pop. 1280. In these works, Thompson turned the derided pulp genre into literature and art, featuring unreliable narrators, odd structure, and surrealism. The writer R.V. Cassills has suggested that of all pulp fiction, Thompson's was the rawest and most harrowing; that neither Dashiell Hammett nor Raymond Chandler nor even Horace McCoy, author of the bleak They Shoot Horses, Don't They?, ever "wrote a book within miles of Thompson". Similarly, in the introduction to Now and on Earth, Stephen King says he most admires Thompson's work because "The guy was over the top. The guy was absolutely over the top. Big Jim didn't know the meaning of the word stop. There are three brave lets inherent in the forgoing: he let himself see everything, he let himself write it down, then he let himself publish it." Thompson admired Fyodor Dostoevsky and was nicknamed "Dimestore Dostoevsky" by writer Geoffrey O'Brien. Film director Stephen Frears, who directed an adaptation of Thompson's The Grifters as 1990's The Grifters, also identified elements of Greek tragedy in his themes.