The vast majority of people that are trying to accomplish something big will fail and it's not even their fault. People with big dreams always encounter daunting challenges. When you apply the Breakthrough Code, no matter how big your goals are, you can get what you want easier and faster. This modern-day parable takes you through the journey of a young boy, Jonathan, who has big dreams and ambitions. Jonathan's promising start after college quickly turns to overwhelm, struggling to succeed at work and finding himself in a situation where both his relationship and his health are failing. Feeling down on his luck, Jonathan turns to a friend of his deceased father, Mr. Woodberry, for advice. Mr. Woodberry introduces Jonathan to The Breakthrough Code. Through a series of stories, characters, trials, and tribulations, Jonathan starts to see his life improving. He finds himself happier, healthier and creating breakthroughs in every area of his life. Jonathan's career, relationships, and life all begin to shift for the better. But what changed? Throughout the journey, Jonathan learns how to apply The Breakthrough Code. He learns that his life was being held back by the story he was telling himself and his subconscious beliefs. The Breakthrough Code is a story about the possibilities you can create when you connect the big results you want in your life to your life's purpose. You will learn how to get rid of old memories, thought, and beliefs that are holding you back and create a brand new and much more powerful story of who you are and what you are capable of. You will learn how to access your superconscious mind to automate the process of achieving your most important results. Finally, when you put The Breakthrough Code into action, you will find yourself being guided to take the most effective and efficient actions to reach your goals quicker, with less resistance. "This book provides the blueprint to crack the code and live a life without limits."-Tony Robbins
Author
Tom McCarthy — “English fiction’s new laureate of disappointment” (Time Out, September 2007) — is a writer and artist. He was born in 1969 and lives in a tower-block in London. Tom grew up in Greenwich, south London, and studied English at New College, Oxford. After a couple of years in Prague in the early 1990s, he lived in Amsterdam as literary editor of the local Time Out, and later worked in British television as well as co-editing Mute magazine. His debut novel Remainder was first published in November 2005 by Paris-based art press Metronome. After becoming a cult hit championed first by British webzines (it was 3:AM Magazine’s Book of the Year for 2005) and then by the literary press, Remainder was republished by Alma Books in the UK (2006) and Vintage in the US (2007). A French version is to be followed by editions in Japanese, Korean, Greek, Spanish and Croatian. A work of literary criticism, Tintin and the Secret of Literature, was released by Granta Books in June 2006. It also came out in France and an American edition is in the offing. Tom’s second novel, Men in Space came out in 2007. He has published numerous stories, essays and articles on literature, philosophy and art in publications including The Observer, The Times Literary Supplement and Contemporary Magazine, as well as in anthologies such as London from Punk to Blair (Reaktion Books), Theology and the Political (Duke University Press) and The Milgram Experiment (Jan van Eyck Press). His story, “Kool Thing, Or Why I Want to Fuck Patty Hearst” appeared in The Empty Page: Fiction Inspired By Sonic Youth (Serpent’s Tail) in 2008. His ongoing project the International Necronautical Society, a semi-fictitious avant-garde network that surfaces through publications, proclamations, denunciations and live events, has been described by Untitled Magazine as ‘the most comprehensive total art work we have seen in years’ and by Art Monthly as ‘a platform for fantastically mobile thinking’. In 2003 the INS broke into the BBC website and inserted propaganda into its source-code. The following year, they set up a broadcasting unit at the ICA from which more than forty ‘agents’ generated non-stop poem-codes which were transmitted over FM radio in London and by internet to collaborating radio stations around the world. Tom has also tutored and lectured at various institutions including the Architectural Association, Central Saint Martins School of Art, the Royal College of Art, Goldsmiths College and Southern California Institute of Architecture. He recently taught a course on ‘Catastrophe’ with Marko Daniel at the London Consortium.
