Brighton, 1950. When the body of a girl is found, cut into three, Detective Inspector Edgar Stephens is reminded of a magic trick, the Zig Zag Girl. The inventor of the trick, Max Mephisto, is an old friend of Edgar’s. They served together in the war as part of a shadowy unit called the Magic Men. Max is still on the circuit, touring seaside towns in the company of ventriloquists, sword-swallowers and dancing girls. Changing times mean that variety is not what it once was, yet Max is reluctant to leave this world to help Edgar investigate. But when the dead girl turns out to be known to him, Max changes his mind. Another death, another magic trick: Edgar and Max become convinced that the answer to the murders lies in their army days. When Edgar receives a letter warning of another ‘trick’, the Wolf Trap, he knows that they are all in danger…

Chilling murder in the world of 1950s theatre – another case for DI Stephens and Max Mephisto. Brighton, winter 1951. Pantomime season is in full swing on the pier with Max Mephisto starring in Aladdin, but Max’s headlines have been stolen by the disappearance ’of two local children. When they are found dead in the snow, surrounded by sweets, it’s not long before the press nickname them ‘Hansel and Gretel’. DI Edgar Stephens has plenty of leads to investigate. The girl, Annie, used to write gruesome plays based on the Grimms’ fairy tales. Does the clue lie in Annie’s unfinished – and rather disturbing – last script? Or might it lie with the eccentric theatricals who have assembled for the pantomime? For Stan (aka the Great Diablo), who’s also appearing in Aladdin, the case raises more personal memories. Back before the Great War, he witnessed the murder of a young girl while he was starring in another show, an event which has eerie parallels to the current case. Once again Edgar enlists Max’s help in penetrating the shadowy theatrical world that seems to hold the key. But with both distracted by their own personal problems, neither can afford to miss a trick. For Annie and her friend, time is running out…

Elizabeth II's coronation is looming, but the murder of their wartime commander, Colonel Cartwright, spoils the happy mood for DI Edgar Stephens and magician Max Mephisto. A playbill featuring another deceased comrade is found in Colonel Cartwright's possession, and a playing card, the ace of hearts: the blood card. The wartime connection and the suggestion of magic are enough for him to put Stephens and Mephisto on the case. Edgar's investigation into the death of Brighton fortune-teller Madame Zabini is put on hold. Max is busy rehearsing for a spectacular Coronation Day variety show - and his television debut - so it's Edgar who is sent to New York, a land of plenty worlds away from still-rationed England. He's on the trail of a small-town mesmerist who may provide the key, but someone else silences him first. It's Sergeant Emma Holmes who finds the clue, buried in the files of the Zabini case, that leads them to an anarchist group intent on providing an explosive finale to Coronation Day. Now it's up to Edgar, Max and Emma to foil the plot, and find out who it is who's been dealing the cards . . .

DI Edgar Stephens and the magician Max Mephisto discover once again that the line between art, life, and death is all too easily blurred. It's the holiday season and Max Mephisto and his daughter Ruby have landed a headlining gig at the Brighton Hippodrome, the biggest theater in the city, an achievement only slightly marred by the less-than-savory supporting act: a tableau show of naked "living statues." But when one of the girls goes missing and turns up dead not long after, Max and Ruby realize there's something far more sinister than obscenity afoot in the theater. DI Edgar Stephens is on the case. As he searches for the killer, he begins to suspect that her fatal vanishing act may very well be related to another case, the death of a quiet local florist.

The fifth gripping Brighton-based mystery from the bestselling author of the Dr Ruth Galloway series – a must-read for fans of Agatha Christie, cosy crime and TV series such as Grantchester and Midsomer Murders. One after another, young women go missing in Brighton, but who’s to say they didn’t leave of their own free choice? Ten years have passed since the events described in The Vanishing Box. Edgar Stephens is now a Superintendent and married to former DS Emma Holmes. Edgar’s wartime partner in arms, magician Max Mephisto, is a movie star in Hollywood, while his daughter Ruby has her own TV show, Ruby Magic. The funeral of Stan Parks, aka Diablo, actor and wartime comrade to Edgar and Max, throws the gang back together. The reunion sparks all sorts of feelings. Bob Willis, now a DI, is dealing with the disappearance of local schoolgirl Rhonda Miles. Emma, frustrated by living the life of a housewife and mother, keeps thinking how much better she would run the case. She is helped by Sam Collins, a woman reporter also hampered by sexism at work. Sam notices a pattern with other missing girls. Edgar listens to the theory but doesn’t give it much credence. He is preoccupied with the threatened invasion of Brighton by Mods and Rockers on the May Bank Holiday. The case takes a more sinister turn when one of the missing girls is found dead. Then Ruby fails to turn up for a rendezvous and it becomes clear that she too has disappeared. Emma takes risks to track down the killer herself while Edgar is working flat out dealing with violent clashes between rival gangs on Brighton’s seafront. With tension and anger hitting him on all sides, Edgar must keep the coolest of heads to track down the killer.

The sixth gripping Brighton-based mystery from the bestselling author of the Dr Ruth Galloway Series - a must-read for all fans of cosy - but not too cosy - crime fiction. Brighton, 1965 When theatrical impresario Bert Billington is found dead in his retirement home, no one suspects foul play. But when the postmortem reveals that he was poisoned, suspicion falls on his wife, eccentric ex-Music Hall star Verity Malone. Frustrated by the police response to Bert's death and determined to prove her innocence, Verity calls in private detective duo Emma Holmes and Sam Collins. This is their first real case, but as luck would have it they have a friend on the inside: Max Mephisto is filming a remake of Dracula, starring Seth Bellington, Bert's son. But when they question Max, they feel he isn't telling them the whole story. Emma and Sam must vie with the police to untangle the case and bring the killer to justice. They're sure the answers must lie in Bert's dark past and in the glamorous, occasionally deadly, days of Music Hall. But the closer they get to the truth, the more danger they find themselves in...

Magician Max Mephisto, now divorced and living in London, is on his way to visit daughter Ruby and her new-born baby when he is hailed by a voice from the past, fellow performer Ted English, aka the Great Deceiver. Ted's assistant, Cherry, has been found dead in her Brighton boarding house and he's convinced that he'll be accused of her murder. Max agrees to talk to his friend, Superintendent Edgar Stephens, who is investigating the case. What Max doesn't know is that the girl's family have hired private detective duo Emma Holmes (aka Mrs Stephens) and Sam Collins to do some digging of their own. The inhabitants of the boarding house, most of whom are performing in an Old Time Music Hall show on Brighton pier, are a motley crew. The house is also connected to a sinister radio personality called Pal. When a second magician's assistant is killed, Edgar suspects a serial killer. He persuades Max to come out of semi-retirement and take part in a summer show. But who can pose as his assistant? Edgar shocks the team by recommending someone close ...

From the internationally bestselling author of the Ruth Galloway Mysteries, an eclectic, thrilling collection of short stories, featuring many characters that readers have come to know and love. Elly Griffiths has always written short stories to experiment with different voices and genres as well as to explore what some of her fictional creations such as Ruth Galloway, Harbinder Kaur, and Max Mephisto might have done outside of the novels. The Man in Black gathers these bite-sized tales all together in one splendid volume. There are ghost stories, cozy mysteries, tales of psychological suspense, and poignant vignettes of love and loss. In the title story, Ruth Galloway crosses paths with a mysterious man in a bookstore, setting in motion a rescue mission that hinges on the legends and lore of Norfolk. Looking into the past, a young magician in 1920s Leeds wonders just what happened to his missing landlady in Max Mephisto and the Disappearing Act. In Justice Jones and the Etherphone, a witty girl detective investigates the dire prediction of a fortune teller in dreary postwar London. A flashback in time reveals Harbinder Kaur as a Detective Sergeant surviving her first day on the job at Shoreham DCI. To celebrate the holidays, Ruth gets her very first Christmas tree, and her beloved cat narrates his own seasonal story in Flint’s Fireside Tale. And readers can armchair travel with stories set on the Amalfi Coast, in Capri, and in Egypt as Ruth and DCI Nelson experience their very own version of Death on the Nile. The Man in Black illustrates the breadth and variety of Elly Griffiths’s talent for blood-chilling, page-turning stories all with her trademark humor and heart.