From Trial by Jury to The Pirates of Penzance: the complete librettos of all fourteen Gilbert and Sullivan operas. Gilbert's verses for Sullivan's music are the most fastidiously turned and inventively rhymed in all lyric comedy. As the Savoy Operas enter their second century on a swell of renewed popularity, Gilbert's reputation as the supreme wordsmith of light opera remains secure. Complete and authentic, these are the librettos on which modern performances and recordings are based. Scattered among the songs are over seventy of the amusing, quirky pictures Gilbert drew to illustrate them. A chronology prepared for this edition sketches the authors' lives and careers. This is a book that no lover of Gilbert and Sullivan, musical comedy, or indeed the English theater will want to be without.
Author
British playwright and lyricist Sir William Schwenck Gilbert wrote a series of comic operas, including Her Majesty's Ship Pinafore (1878) and The Pirates of Penzance (1879), with composer Sir Arthur Sullivan. This English dramatist, librettist, poet, and illustrator in collaboration with this composer produced fourteen comic operas, which include The Mikado , one of the most frequently performed works in the history of musical theatre. Opera companies, repertory companies, schools and community theatre groups throughout and beyond the English-speaking world continue to perform regularly these operas as well as most of their other Savoy operas. From these works, lines, such as "short, sharp shock", "What, never? Well, hardly ever!", and "Let the punishment fit the crime," form common phrases of the English language. Gilbert also wrote the Bab Ballads , an extensive collection of light verse, which his own comical drawings accompany. His creative output included more than 75 plays and libretti, numerous stories, poems, lyrics and various other comic and serious pieces. His plays and realistic style of stage direction inspired other dramatists, including Oscar Wilde and George Bernard Shaw. According to The Cambridge History of English and American Literature , the "lyrical facility" of Gilbert "and his mastery of metre raised the poetical quality of comic opera to a position that it had never reached before and has not reached since."
