Jerry Cornelius is a scientist, a rock star, and an assassin. He is the hippest adventurer of them all: tripping through a pop art nightmare in which kidnappings, murder, sex and drugs are a daily occurrence. Along with his savvy and ruthless partner-in-chaos, Miss Brunner, Cornelius is on a mission to control a revolutionary code for creating the ultimate human being, a modern messiah—the final programme. The first book in the Cornelius Quartet is the groundbreaking introduction to the misadventures and vendettas of Jerry Cornelius, one of modern literature’s most distinctive characters, the product of a bewildering post-modern culture, and an inspiration for generations of characters since. "Michael Moorcock, rechazando las disputas de límites que han reducido la novela a una confusión de subgéneros en conflicto, recobra en estos cuatro volúmenes una vitalidad y una amplitud proteicas que pudieran llamarse dickensianas si no pertenecieran tan por completo a nustro tiempo volátil. En verdad, ninguna obra reciente de ficción ha manejado mejor las contingencias vertiginosas de la imaginación del medio siglo que esta brava arlequinada de juegos de identidad, realidades falsificadas, historia paródica, y un pobre y ordinario apocalipsis" (W.L. Webb, The Guardian). "Moorcock ha creado una figura capaz de moverse a través de las versiones míticas de los problemas de hoy, sin intentar situarlas o situarse a sí mismo en contextos simplificados. Una ficción semejante, en un mundo de imaginación escasa, es un don necesario" (Harpers Bazaar) Michael Moorcock nació en Inglaterra, ha publicado más de 50 libros y fue animador principal de la célebre revista New Worlds, que introdujo el término "ficción especulativa"; una literatura "moderna, coherente y vital". En EL PROGRAMA FINAL, primera de una serie de cuatro novelas independientes, anticipa la herencia decepcionante y caótica de la década del 60, un dorado presente en el que todo parecía instantáneamente posible.

Michael Moorcock author.

The English Assassin is the third of Michael Moorcock's Jerry Cornelius novels. It looks through a many-sided lens at English assumptions about themselves, about class, and about the Empire over the past seventy years. It includes all the familiar characters from previous Cornelius novels (Miss Brunner, Bishop Beesley, Frank Cornelius, etc) and introduces us to a host of colourful new ones (especially Jerry's unforgettable mother). The philosophical and moral themes of the book touch on a profusion of problems - violent revolution, the responsibilities of colonialism, racialism, sex and superstition - while the novel as a whole is always highly readable and entertaining.

Civilization as we know it has been annihilated. The decay and chaos of the multiverse have left Europe in a surreal, yet ever-fashionable, mess. Jerry Cornelius finds himself in an increasingly futile series of guises, part of a cast of characters dancing the Entropy Tango towards oblivion. Will the legendary Cornelius ever be united with his true beloved, his sister Catherine? And will balance ever be restored to devastated London? Winner of the Guardian Fiction Prize, The Condition of Muzak is the fourth, climactic novel in the Cornelius Quartet. But this is by no means the last we will see of Jerry Cornelius—an indelible spirit of counter-culture who continues to inspire writers and artists to this day.