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The Crime Wave at Blandings book cover
The Crime Wave at Blandings
1936
First Published
4.33
Average Rating
112
Number of Pages
One of P.G. Wodehouse's most gloriously funny stories, this is the tale of bumbling Lord Emsworth, whose quiet life reading "The Care Of The Pig" and pottering among the flowers at Blandings Castle is shattered by an outbreak of lawlessness involving his niece Jane (the third prettiest girl in Shropshire), an airgun - and the trouser seat of the abominable Baxter.
Avg Rating
4.33
Number of Ratings
467
5 STARS
51%
4 STARS
34%
3 STARS
12%
2 STARS
3%
1 STARS
0%
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Author

P.G. Wodehouse
P.G. Wodehouse
Author · 205 books

Sir Pelham Grenville Wodehouse, KBE, was a comic writer who enjoyed enormous popular success during a career of more than seventy years and continues to be widely read over 40 years after his death. Despite the political and social upheavals that occurred during his life, much of which was spent in France and the United States, Wodehouse's main canvas remained that of prewar English upper-class society, reflecting his birth, education, and youthful writing career. An acknowledged master of English prose, Wodehouse has been admired both by contemporaries such as Hilaire Belloc, Evelyn Waugh and Rudyard Kipling and by more recent writers such as Douglas Adams, Salman Rushdie and Terry Pratchett. Sean O'Casey famously called him "English literature's performing flea", a description that Wodehouse used as the title of a collection of his letters to a friend, Bill Townend. Best known today for the Jeeves and Blandings Castle novels and short stories, Wodehouse was also a talented playwright and lyricist who was part author and writer of fifteen plays and of 250 lyrics for some thirty musical comedies. He worked with Cole Porter on the musical Anything Goes (1934) and frequently collaborated with Jerome Kern and Guy Bolton. He wrote the lyrics for the hit song Bill in Kern's Show Boat (1927), wrote the lyrics for the Gershwin/Romberg musical Rosalie (1928), and collaborated with Rudolf Friml on a musical version of The Three Musketeers (1928).

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