Of the great poets, Dante is one of the most elusive and therefore one of the most difficult to adequately render into English verse. In the Inferno, Dante not only judges sin but strives to understand it so that the reader can as well. With this major new translation, Anthony Esolen has succeeded brilliantly in marrying sense with sound, poetry with meaning, capturing both the poem’s line-by-line vigor and its allegorically and philosophically exacting structure, yielding an Inferno that will be as popular with general readers as with teachers and students. For, as Dante insists, without a trace of sentimentality or intellectual compromise, even Hell is a work of divine art. Esolen also provides a critical Introduction and endnotes, plus appendices containing Dante’s most important sources—from Virgil to Saint Thomas Aquinas and other Catholic theologians—that deftly illuminate the religious universe the poet inhabited.

\The Divine Comedy\ is perhaps the greatest Christian classic ever written, and probably the greatest adventure story ever told. Dante wrote it to entertain, guide, and enrich ordinary readers, not just the intellectual elite. This clear new version with unique aids makes the fascinating story accessible to such readers today. Those who love Dante best as a storyteller and teacher will find in this book what they have been waiting for...the freshest, clearest, most exact, and most readable Divine Comedy in the English language, with full-page illustrations and original notes.

Dorothy L. Sayers' landmark translation follows Dante's terza rima stanza's and brings his poetry vividly to life. Her work was completed after her death by Barbara Reynolds, who provides a foreword on the importance of the translation and an introduction on Dante's view of Heaven. This edition also includes a new foreword, updated further reading, notes, appendices, a glossary, diagrams and genealogical tables.

This Everyman’s Library edition–containing in one volume all three cantos, Inferno, Purgatorio, and Paradiso–includes an introduction by Nobel Prize—winning poet Eugenio Montale, a chronology, notes, and a bibliography. Also included are forty\-two drawings selected from Botticelli’s marvelous late\-fifteenth\-century series of illustrations. Translated in this edition by Allen Mandelbaum, The Divine Comedy begins in a shadowed forest on Good Friday in the year 1300\. It proceeds on a journey that, in its intense recreation of the depths and the heights of human experience, has become the key with which Western civilization has sought to unlock the mystery of its own identity. Mandelbaum’s astonishingly Dantean translation, which captures so much of the life of the original, renders whole for us the masterpiece of that genius whom our greatest poets have recognized as a central model for all poets.