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The Figure in the Carpet and Other Stories book cover
The Figure in the Carpet and Other Stories
1896
First Published
3.94
Average Rating
462
Number of Pages

The stories in this collection were written mostly between 1888 and 1897, a time when Henry James’s writing was concerned with the art of fiction and the position of the artist in society. The motif and title story, ‘The Figure in the Carpet’, is an inspired joke, a masterpiece of double-entendre that demands the reader’s undivided love and attention and continues to baffle its critics. Also included are ‘The Author of Beltraffio’, an absorbing story of family infighting, authorship and tragedy, and ‘The Private Life’, a spirited tale that considers the contrast between the artist alone and at work. While many of these stories appear to be elaborate Jamesian games, all employ irony and humour to allegorize artistic creation. The Author of Betraffio—The Lesson of the Master—The Private Life—The Middle Years—The Death of the Lion—The Next Time—The Figure in the Carpet—John Delavoy.

Avg Rating
3.94
Number of Ratings
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5 STARS
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4 STARS
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3 STARS
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2 STARS
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1 STARS
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Author

Henry James
Henry James
Author · 172 books

Henry James, OM (1843-1916), son of theologian Henry James Sr., brother of the philosopher and psychologist William James and diarist Alice James, was an American-born author, one of the founders and leaders of a school of realism in fiction. He spent much of his life in England and became a British subject shortly before his death. He is primarily known for a series of major novels in which he portrayed the encounter of America with Europe. His plots centered on personal relationships, the proper exercise of power in such relationships, and other moral questions. His method of writing from the point of view of a character within a tale allowed him to explore the phenomena of consciousness and perception, and his style in later works has been compared to impressionist painting. James insisted that writers in Great Britain and America should be allowed the greatest freedom possible in presenting their view of the world, as French authors were. His imaginative use of point of view, interior monologue and unreliable narrators in his own novels and tales brought a new depth and interest to realistic fiction, and foreshadowed the modernist work of the twentieth century. An extraordinarily productive writer, in addition to his voluminous works of fiction he published articles and books of travel writing, biography, autobiography, and criticism,and wrote plays, some of which were performed during his lifetime with moderate success. His theatrical work is thought to have profoundly influenced his later novels and tales.

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