After Catullus and Horace only the manners of centuries ago can teach me how to address you my lover as who you are O Sestius, how could you put up with my children thinking all the while you were bearing me as in your mirror it doesn’t matter anymore if spring wreaks its fiery or lamblike dawn on my new-found asceticism, some joke I wouldn’t sleep with you or any man if you paid me and most of you poets don’t have the cash anyway so please rejoin your fraternal books forever while you miss in your securest sleep Ms. Rosy-fingered dawn who might’ve been induced to digitalize a part of you were it not for your self-induced revenge of undoneness it’s good to live without a refrigerator! why bother to chill the handiwork of Ceres and of Demeter? and of the lonesome Sappho. let’s have it warm for now.
Author
Bernadette Mayer (born May 12, 1945) is an American poet, writer, and visual artist associated with both the Language poets and the New York School. Mayer's record-keeping and use of stream-of-consciousness narrative are two trademarks of her writing, though she is also known for her work with form and mythology. In addition to the influence of her textual-visual art and journal-keeping, Mayer's poetry is widely acknowledged as some of the first to speak accurately and honestly about the experience of motherhood. Mayer edited the journal 0 TO 9 with Vito Acconci, and, until 1983, United Artists books and magazines with Lewis Warsh. Mayer taught at the New School for Social Research, where she earned her degree in 1967, and, during the 1970s, she led a number of workshops at the Poetry Project at St. Mark's Church in New York. From 1980 to 1984, Mayer served as director of the Poetry Project, and her influence in the contemporary avant-garde is felt widely, with writers like Kathy Acker, Charles Bernstein, John Giorno, and Anne Waldman having sat in on her workshops. (from Wikipedia)
