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The Haunted Stage
The Theatre as Memory Machine
2001
First Published
4.18
Average Rating
216
Number of Pages

Throughout theatrical history, almost every element in stage production has been recycled. Indeed any regular theatergoer is familiar with the experience of a performance that conjures the ghosts of previous productions. The Haunted Stage explores this theatrical déjà vu, and examines how it stimulates the spectator's memory. Relating the dynamics of reception to the interaction between theater and memory, The Haunted Stage uncovers the ways in which the memory of the spectator informs the process of theatrical reception. Marvin Carlson is Sidney E. Cohn Distinguished Professor of Theatre and Comparative Literature at the City University of New York.

Avg Rating
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Number of Ratings
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3 STARS
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Author

Marvin A. Carlson
Marvin A. Carlson
Author · 6 books

Ph.D.in Drama and Theatre, Cornell University. Sidney E. Cohn Distinguished Professor of Theatre, Comparative Literature and Middle Eastern Studies. Research and teaching interests include dramatic theory and Western European theatre history and dramatic literature, especially of the 18th, 19th, and 20th centuries. He has been awarded the ATHE Career Achievement Award, the George Jean Nathan Prize, the Bernard Hewitt prize, the George Freedley Award, and a Guggenheim Fellowship. He has been a Walker-Ames Professor at the University of Washington, a Fellow of the Institute for Advanced Studies at Indiana University, a Visiting Professor at Freie Universität Berlin, and a Fellow of the American Theatre. In 2005 he was awarded an honorary doctorate by the University of Athens. His best-known book, Theories of the Theatre (Cornell University Press, 1993), has been translated into seven languages. His 2001 book, The Haunted Stage won the Calloway Prize. His newest book, Speaking in Tongues, was published by the University of Michigan Press in 2006.

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The Haunted Stage