An award-winning writer re-imagines the life of Jesus, from the points of view of four people closest to him before his death. This is the story of Yehoshuah, who wandered Roman-occupied Judea giving sermons and healing the sick. Now, a year after his death, four people tell their stories. His mother grieves, his friend Iehuda loses his faith, the High Priest of the Temple tries to keep the peace, and a rebel named Bar-Avo strives to bring that peace tumbling down. It was a time of political power-play and brutal tyranny. Men and women took to the streets to protest. Dictators put them down with iron force. In the midst of it all, one inconsequential preacher died. And either something miraculous happened, or someone lied. Viscerally powerful in its depictions of the period - massacres and riots, animal sacrifice and human betrayal - The Liars' Gospel makes the oldest story entirely new.
Author
Naomi Alderman (born 1974 in London) is a British author and novelist. Alderman was educated at South Hampstead High School and Lincoln College, Oxford where she read Philosophy, Politics and Economics. She then went on to study creative writing at the University of East Anglia before becoming a novelist. She was the lead writer for Perplex City, an Alternate reality game, at Mind Candy from 2004 through June, 2007.[1] Her father is Geoffrey Alderman, an academic who has specialised in Anglo-Jewish history. She and her father were interviewed in The Sunday Times "Relative Values" feature on 11 February 2007.[2] Her literary debut came in 2006 with Disobedience, a well-received (if controversial) novel about a rabbi's daughter from North London who becomes a lesbian, which won her the 2006 Orange Award for New Writers. Since its publication in the United Kingdom, it has been issued in the USA, Germany, Israel, Holland, Poland and France and is due to be published in Italy, Hungary and Croatia. She wrote the narrative for The Winter House, an online, interactive yet linear short story visualized by Jey Biddulph. The project was commissioned by Booktrust as part of the Story campaign, supported by Arts Council England. [3]
