La poesía de Sharon Olds es fiel a la profunda verdad de la existencia, de un enorme poder dramático y narrativo, rica en lo que Pound llamaba “detalles luminosos”. Sus imágenes revelan la esencia del mundo cotidiano y las emociones más profundas de nuestra condición. El sexo, la maternidad, los padres y la guerra; el cuerpo como experiencia principal y prueba fehaciente del ser, y el contacto físico como la manera más primaria del contacto humano. Inés Garland e Ignacio Di Tullio
Author
Born in San Francisco on November 19, 1942, Sharon Olds earned a B.A. at Stanford University and a Ph.D. at Columbia University. Her first collection of poems, Satan Says (1980), received the inaugural San Francisco Poetry Center Award. Olds' following collection, The Dead & the Living (1983), received the Lamont Poetry Selection in 1983 and the National Book Critics Circle Award. Her other collections include Strike Sparks: Selected Poems (2004, Knopf), The Unswept Room (2002), Blood, Tin, Straw (1999), The Gold Cell (1997), The Wellspring (1995), and The Father (1992), which was shortlisted for the T. S. Eliot Prize and was a finalist for the National Book Critics Circle Award. About Olds' poetry, one reviewer for the New York Times said, "Her work has a robust sensuality, a delight in the physical that is almost Whitmanesque. She has made the minutiae of a woman's everyday life as valid a subject for poetry as the grand abstract themes that have preoccupied other poets." Olds' numerous honors include a National Endowment for the Arts grant and a Guggenheim Foundation Fellowship. Her poetry has appeared in The New Yorker, The Paris Review, and Ploughshares, and has been anthologized in more than a hundred collections. Olds held the position of New York State Poet from 1998 to 2000. She currently teaches poetry workshops at New York University's Graduate Creative Writing Program as well as a workshop at Goldwater Hospital on Roosevelt Island in New York. She was elected an Academy Chancellor in 2006. She lives in New York City.
