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The Other Voice in Early Modern Europe: The Toronto Series book cover 1
The Other Voice in Early Modern Europe: The Toronto Series book cover 2
The Other Voice in Early Modern Europe: The Toronto Series book cover 3
The Other Voice in Early Modern Europe: The Toronto Series
Series · 15
books · 1415-2021

Books in series

#24

The Christian Religion, as Professed by a Daughter of the Church of England

2013

The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars.The Age of Enlightenment profoundly enriched religious and philosophical understanding and continues to influence present-day thinking. Works collected here include masterpieces by David Hume, Immanuel Kant, and Jean-Jacques Rousseau, as well as religious sermons and moral debates on the issues of the day, such as the slave trade. The Age of Reason saw conflict between Protestantism and Catholicism transformed into one between faith and logic—a debate that continues in the twenty-first century.++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++Trinity College Library Watkinson CollectionT165508Daughter of the Church of England = Mary Astell. With an index. Printed by William Bowyer. Signatures: \[A\] B-Z{8} 2A-2B{4} 2C. Signatures from Bowyer ledgers.London: printed by W. B. for R. Wilkin, 1717. \[4\],351, \[21\]p.; 8.
Memoirs Of Sophia book cover
#25

Memoirs Of Sophia

Electress Of Hanover, 1630-1680

2013

Meet Prince George and Princess Charlotte’s Sophia of Hanover (1630-1714). Born a penniless princess in exile, she became one of the preeminent noblewomen and celebrities of her era, renowned at courts across Europe for her intelligence and wit. And she almost became queen of had she lived two months longer, she would have succeeded to the crown before her eldest son, who reigned as George I. At the age of fifty, Sophia wrote her memoirs, which paint a captivating and often humorous portrait of her rich and varied life. She recalls, with insight and verve, her interactions with leading men and ladies (Charles II, Louis XIV, Christina of Sweden) and long-forgotten bit players (cavaliers, concubines, clerics, and quacks). The memoirs, which Sophia wrote in French, appear here in English for the first time in their entirety. Their publication is particularly timely, as it coincides with the 300th anniversary of the Hanoverian succession (2014). Professor Elizabeth Goldsmith of Boston University said of this “This lively historical memoir was written by a fascinating, intelligent, and strong figure who was related to most of the royal houses of Europe. Sean Ward has succeeded marvelously in bringing Sophia of Hanover to life for a modern audience. Readers will be delighted to discover the wit, critical spirit, and storytelling skill of this woman who inhabited and visited many seventeenth-century courts and knew how to write a compelling narrative of her world.”
"My Rare Wit Killing Sin" book cover
#27

"My Rare Wit Killing Sin"

Poems of a Restoration Courtier

2013

This is the first modern edition of verse by Anne Killigrew, a poet and portrait painter born in 1660 at the very start of the Restoration, who grew up as part of the complicated political, religious, and artistic worlds of the Restoration courts of Charles II and his brother James, Duke of York. Killigrew never chose to print her verses, but instead participated in a literary circulation network including family, friends, and members of the court; her position in relation to court culture and her family's involvement with the London commercial stage gave her a unique perspective into the issues confronting a young single woman in a period during which libertinism was the dominant ethos of the courtiers. This edition lightly modernizes the spelling and punctuation of the posthumous volume of her collected verse, provides notes identifying the classical and biblical allusions which shape her works, and provides a historical context for her literary and artistic career in the introduction.
Russian Women Poets of the Eighteenth and Early Nineteenth Centuries book cover
#30

Russian Women Poets of the Eighteenth and Early Nineteenth Centuries

A Bilingual Edition

2014

In the wake of Peter the Great's westernizing reforms, Russians raced to build the kind of modern literary culture that Europeans had achieved centuries earlier. Until recently, women's contribution to this fascinating period of rapid assimilation and creation has been ignored. This volume challenges us to reimagine the early Russian literary canon, by considering a broad range of pioneering women poets who remain largely unknown, even in their homeland. Readers of Russian and English alike will appreciate this unprecedented bilingual collection of fully annotated texts, with critical introductions for each poet. "Russian Women Poets of the Eighteenth and Early Nineteenth Centuries" is a bold, pioneering achievement. Not only does it bring to light a poetic tradition that has been totally forgotten for over two centuries, even in its country of origin, but it does so in a broadly inclusive fashion. This corpus of texts sheds significant light on the genesis and formation of modern Russian verse and on the ways in which this new cohort of poets strove to find their voice during a complex era of shifting literary, cultural and gender values, navigating between the male-oriented high genres of Neoclassicism and the 'feminized' modes of Sentimentalism." \- Marcus C. Levitt, Professor, Slavic Languages, University of Southern California
Poems, Emblems, and The Unfortunate Florinda (Volume 32) book cover
#32

Poems, Emblems, and The Unfortunate Florinda (Volume 32)

2014

Scholars who study early modern women’s writing have been eager for a full-text edition of the works of Hester Pulter since her manuscript was discovered in the mid-1990s. Now that Alice Eardley has brought together all of Pulter’s writing—poetry, emblems, and a prose romance—in a modern-spelling edition, students and academics will be able to access a remarkable body of work. The introduction does a brilliant job of situating Pulter in various milieux (the Civil War, religion, science) and in assessing the genres in which she worked. Eardley’s edition is clear and comprehensive enough to be useful to a wide audience of non-specialists, but its learned glosses are also illuminating for more experienced readers of early modern texts.
Complete Poems book cover
#34

Complete Poems

A Bilingual Edition

2014

Veronica Gambara (1485-1550) was one of the most celebrated lyric poets of early sixteenth-century Italy. Equally significant to her literary repute was her political standing as the dowager Countess of Correggio-a role she assumed upon her husband's death in 1519 and held to the end or her life. Gambara's early amorous poetry in the Petrarchan style led her to be hailed by Pietro Bembo as "the voice \[...\] that honors Brescia," while the poetry she composed throughout her governing years was deeply engaged in the political discourses of her time. Though she never published a collected edition of her poetry, Gambara produced an extensive oeuvre of vernacular verse that has been extensively anthologized. This book presents the first complete bilingual edition of Gambara's verse, with critical notes that illuminate her sophisticated literary interplay with the Petrarchan and Classical traditions. The critical introduction sheds light on the unique interrelationship between Gambara's cultural currency and her political power, as she drew on her literary talent to participate in the political arena to emerge as one of the first women poet-rulers of the Early Modern Italian tradition. "This edition brings all \[Gambara's\] poems together for the first time, provides a richly informed introduction filling in her biography, including her many social circles, and offers an excellent set of historical data and literary-critical references." \-Ann Rosalind Jones Ester Cloudman Dunn Professor of Comparative Literature, Smith College
The Wealth of Wives book cover
#42

The Wealth of Wives

A Fifteenth-Century Marriage Manual

1415

In 1415, Francesco Barbaro produced a marriage manual intended at once for his friend, a scion of the Florentine Medici family, and for the whole set of his peers, the young nobility of Venice. Countering the trends of the day toward dowry chasing and dowry inflation, Barbaro insisted that the real wealth of wives was their capacity to conceive, birth, and rear children worthy of their heritage. The success of the patriciate depended, ironically, on for they alone could ensure the biological, cultural, and spiritual reproduction of their marital lineage. The Wealth of Wives circulated in more than 100 manuscript versions, five Latin editions, and translations into German, Italian, French, and English, far outstripping in its influence Leon Battista Alberti’s On the Family (1434).
Orphan Girl book cover
#45

Orphan Girl

A Transaction, or an Account of the Entire Life of an Orphan Girl by way of Plaintful Threnodies in the Year 1685. The Aesop Episode ... in Early Modern Europe: The Toronto Series)

2016

Writing years after terrible events which colored her life forever, Anna Stanislawska (1651-1701) meticulously reconstructed in an epic poem the episode of her forced marriage to the deviant son of the Castellan of Kraków. He was deemed to be so ugly that Stanislawska called her new husband Aesop, who was said to have been one of the ugliest men in Antiquity. Barry Keane's idiomatic and inventive verse translation brings to life this half-forgotten poetic account of a remarkable tale of triumph in the face of overwhelming oppression and allows Anna Stanislawska to take her place among the women poets of early modern Europe.
Ippolita Maria Sforza book cover
#55

Ippolita Maria Sforza

Duchess and Hostage in Renaissance Naples: Letters and Orations

2017

This volume presents in translation 100 previously unknown letters of Ippolita Maria Sforza (1445–1488), daughter of the Duke of Milan, who was sent at age twenty to marry the son of the infamously brutal King Ferrante of Naples. Sforza’s letters display the adroit diplomacy she used to strengthen the alliance between Milan and Naples, then the two most powerful states in Italy, amid such grave crises as her brother’s assassination in Milan and the Turkish invasion of Otranto. Still, Ippolita lived as a hostage at the Neapolitan court, subject not only to the threat of foreign invasion but also to her husband’s well-known sexual adventures and her father-in-law’s ruthlessness. Soon after Ippolita’s mysterious death in 1488, the fraught Naples-Milan alliance collapsed.
Letter of Othea to Hector book cover
#57

Letter of Othea to Hector

1970

Christine de Pizan (1364-?1430) was the first French woman poet to make her living by the pen, and the first female interpreter of classical myths; she held enormous power in the French court and influenced late medieval culture in France and in England in a number of ways. The Letter of Othea to Hector, her most popular work, is a series of a hundred verse texts about a mythological figure or moment, with prose moral glosses explaining how to readthe myth in order to improve human character. It is translated here with introduction, notes, and interpretative essay.
#62

Mirtilla

A Pastoral

2013

Isabella Andreini was the most famous actress of the Italian Renaissance, the darling of dukes and kings, as well as of less-moneyed theatergoers. As a founding member with her husband, Francesco, of the Compagnia dei Gelosi, she performed ceaselessly throughout Italy and France, and was prized for the new role she invented for women on stage, that of the ingénue with a comic bent. She was also a playwright; in fact, the first woman to publish a pastoral. This modern edition and translation subtly captures the novelty, as well as the imaginative pyrotechnics, of a brilliant, self-made virtuosa of the stage. The Other Voice in Early Modern Europe - The Toronto Series: Volume 62
Women's Household Drama book cover
#66

Women's Household Drama

Loves Victorie, A Pastorall, and The concealed Fansyes

2018

This volume presents three plays by women that were written in specific household contexts and survive in distinctive handwritten copies dating from their authors’ lifetimes. Care is taken in the introductions, notes, and apparatus to make the plays accessible to non-specialist readers while also preserving early modern orthography, punctuation, and manuscript practices. Each play is presented in an edited old-spelling text and set within its literary, biographical, and theatrical context. The volume as a whole foregrounds the early modern household as a uniquely productive setting for women’s theatrical and literary activity. Volume 66 in the Other Voice in Early Modern Europe - The Chicago Series
Charlotte Arbaleste Duplessis-Mornay, Anne de Chaufepié, and Anne Marguerite Petit Du Noyer book cover
#68

Charlotte Arbaleste Duplessis-Mornay, Anne de Chaufepié, and Anne Marguerite Petit Du Noyer

The Huguenot Experience of Persecution and Exile: Three Women’s Stories

2019

This volume provides an English translation of firsthand testimonies by three early modern French women. It illustrates the Huguenot experience of persecution and exile during the bloodiest times in the history of Protestantism: the St. Bartholomew’s Day Massacre, the dragonnades, and the Huguenot exodus following the Revocation of the Edict of Nantes. The selections given here feature these women’s experiences of escape, the effects of religious strife on their families, and their reliance on other women amid the terrors of war. Edited by Colette H. Winn. Translated by Lauren King and Colette H. Winn The Other Voice in Early Modern Europe: The Toronto Series, Vol. 68
#70

Arcangela Tarabotti

Antisatire: In Defense of Women Against Francesco Buoninsegni

2019

Arcangela Tarabotti (1604–1652), Venetian nun and polemicist, was known for her protest against forced monachization and her advocacy for the education of women and their participation in public life. She responded to Francesco Buoninsegni’s Against the Vanities of Women (1638) with the Antisatire (1644), a defense of women’s fashions and a denunciation of men, but also a strong condemnation of men’s treatment of women and of the subordination of women in society. Both Buoninsegni and Tarabotti write with the exaggeration and absurd arguments typical of Menippean satire; they flaunt their knowledge of ancient and contemporary literature in a prose interspersed with poetry and replete with the astonishing Baroque conceits that delighted their contemporaries. The Other Voice in Early Modern Women: The Toronto Series volume 70
"The God of Love’s Letter" and "The Tale of the Rose" book cover
#79

"The God of Love’s Letter" and "The Tale of the Rose"

A Bilingual Edition. With Jean Gerson, “A Poem on Man and Woman,” Translated from the Latin by ... in Early Modern Europe: The Toronto Series)

2021

Christine de Pizan was born in Italy and moved to the French court of Charles V when she was four years old. She led a life of learning, stimulated by her reading and by her drive to engage with the cultural and political issues of her day. As a young widow she sought to support her family through writing, and she broke new ground by pursuing a life as an author and self-publisher, producing an astonishingly large and varied body of work. Her books, owned and read by some of the most important figures of her day, addressed politics, philosophy, government, ethics, the conduct of war, autobiography and biography, and religious subjects. The God of Love’s Letter (1399), Christine de Pizan’s first defense of women, is arguably her most succinct statement about gender. It also rebukes the thirteenth-century Romance of the Rose and anticipates Christine’s City of Ladies . The Tale of the Rose (1402) responds to the growth in chivalric orders for the defense of women by arguing that women, not men, should choose members of the “Order of the Rose.” Both poems are freshly edited here from their earliest manuscripts and each is newly translated into English.

Authors

Francesco Barbaro
Author · 1 book
Francesco Barbaro (1390–1454) was an Italian politician, diplomat, and humanist from Venice and a member of the patrician Barbaro family.
Jane Cavendish
Author · 1 book
Lady Jane Cavendish (1621–1669) was a noted poet and playwright, the daughter of William Cavendish, Duke of Newcastle and later the wife of Charles Cheyne, Viscount Newhaven. Along with her literary achievements, Jane helped manage her father's properties while he spent the English Civil War in exile; she was responsible for a variety of military correspondences and for salvaging many of her family's valuable possessions. Later in life, she became an important community member in Chelsea, using her resources to make improvements on Chelsea Church and otherwise benefit her friends and neighbours. Marked by vitality, integrity, perseverance and creativity, Jane's life and works tell the story of a Royalist woman's indomitable spirit during the English Civil War and the English Restoration.
Anne Killigrew
Author · 1 book

1660–1685 English poet and painter

Christine de Pizan
Christine de Pizan
Author · 14 books

Christine de Pizan (also seen as de Pisan) (1363–c.1434) was a writer and analyst of the medieval era who strongly challenged misogyny and stereotypes that were prevalent in the male-dominated realm of the arts. De Pizan completed forty-one pieces during her thirty-year career (1399–1429). She earned her accolade as Europe’s first professional woman writer (Redfern 74). Her success stems from a wide range of innovative writing and rhetorical techniques that critically challenged renowned male writers such as Jean de Meun who, to Pizan’s dismay, incorporated misogynist beliefs within their literary works. In recent decades, de Pizan's work has been returned to prominence by the efforts of scholars such as Charity Cannon Willard and Earl Jeffrey Richards. Certain scholars have argued that she should be seen as an early feminist who efficiently used language to convey that women could play an important role within society, although this characterisation has been challenged by other critics who claim either that it is an anachronistic use of the word, or that her beliefs were not progressive enough to merit such a designation

Isabella Andreini
Author · 1 book
Isabella Andreini (born Isabella Canali; also known as Isabella Da Padova) (1562 – 1604) was an Italian actress and writer.
Mary Astell
Author · 3 books

Mary Astell was an English feminist writer. Her advocacy of equal educational opportunities for women has earned her the title "the first English feminist." Few records of Mary Astell's life have survived. As biographer Ruth Perry explains, "as a woman she had little or no business in the world of commerce, politics, or law. She was born, she died; she owned a small house for some years; she kept a bank account; she helped to open a charity school in Chelsea: these facts the public listings can supply." Only four of her letters were saved and these because they had been written to important men of the period. Researching the biography, Perry uncovered more letters and manuscript fragments, but she notes that if Astell had not written to wealthy aristocrats who could afford to pass down entire estates, very little of her life would have survived. Mary Astell was born in Newcastle upon Tyne on 12 November 1666, to Peter and Mary (Errington) Astell. Her parents had two other children, William, who died in infancy, and Peter, her younger brother. Her family was upper-middle-class and lived in Newcastle throughout her early childhood. Her father was a conservative royalist Anglican who managed a local coal company. As a woman, Mary received no formal education, although she did receive informal education from her uncle, an ex-clergyman whose bouts with alcoholism prompted his suspension from the Church of England. Mary's father died when she was twelve, leaving her without a dowry. With the remainder of the family finances invested in her brother's higher education, Mary and her mother relocated to live with Mary's aunt. After the death of her mother and aunt in 1688, Mary moved to London. Her location in Chelsea meant that Astell was fortunate enough to become acquainted with a circle of literary and influential women (including Lady Mary Chudleigh, Elizabeth Thomas, Judith Drake, Elizabeth Elstob, and Lady Mary Wortley Montagu), who assisted in the development and publication of her work. She was also in contact with the Archbishop of Canterbury, William Sancroft, who was known for his charitable works; Sancroft assisted Astell financially and furthermore introduced her to her future publisher. Astell died in 1731, a few months after a mastectomy to remove a cancerous right breast. In her last days, she refused to see any of her acquaintances and stayed in a room with her coffin, thinking only of God. She is remembered now for her ability to debate freely with both contemporary men and women, and particularly her groundbreaking methods of negotiating the position of women in society by engaging in philosophical debate (Descartes was a particular influence) rather than basing her arguments in historical evidence as had previously been attempted. Descartes' theory of dualism, a separate mind and body, allowed Astell to promote the idea that women as well as men had the ability to reason, and subsequently they should not be treated so poorly: "If all Men are born Free, why are all Women born Slaves?"

Mary Wroth
Mary Wroth
Author · 5 books
Lady Mary Wroth (1587–1651/3) was an English poet of the Renaissance. A member of a distinguished literary English family, Wroth was among the first female British writers to have achieved an enduring reputation. She is perhaps best known for having written The Countesse of Mountgomeries Urania, the first extant prose romance by an English woman, and for Pamphilia to Amphilanthus, the first known sonnet sequence by an English woman.
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The Other Voice in Early Modern Europe: The Toronto Series