Akiyuki Nosaka (野坂 昭如 Nosaka Akiyuki) is a Japanese novelist, singer, lyricist, and former member of the House of Councillors. As a broadcasting writer he uses the name Yukio Aki (阿木 由紀夫 Aki Yukio) and his alias as a chanson singer is Claude Nosaka (クロード 野坂 Kurōdo Nosaka). Nosaka was born in Kamakura, Kanagawa, the son of Sukeyuki Nosaka, who was a sub-governor of Niigata. Together with his sisters he grew up as an adopted child of Harimaya in Nada, Kobe, Hyōgo. One of his sisters died as the result of sickness, and his adoptive father died during the 1945 bombing of Kobe in World War II. Another sister died of malnutrition in Fukui. Nosaka would later base his short story Grave of the Fireflies on these experiences. He is well known for children's stories about war. His Grave of the Fireflies and American Hijiki won the Naoki Prize in 1967. His novel, The Pornographers, was translated into English by Michael Gallagher and published in 1968. It was also filmed as The Pornographers by Shohei Imamura. In December 1978, he was credited for giving former rugby player-turned pro wrestler Susumu Hara his ring name, Ashura Hara. He was elected to the Japanese Diet in 1983. Nosaka suffered a stroke in 2003 and although still affected by it, he keeps writing a column for the daily Mainichi Shimbun. (from Wikipedia)

Taeko KŌNO (河野 多惠子) is a Japanese author. Taeko Kōno was born April 30, 1926 in Osaka, Japan to Tameji and Yone Kōno; her father was a wholesale merchant. She was ill as a child and as a teenager, she was conscripted to work in a factory during World War II. After the war, she finished her economics degree at Women’s University (currently Osaka Prefecture University), graduating in 1947. She has said that at this time "she felt a new sense of freedom and had an urge to do something, but was not sure what". She joined literary groups, eventually moving to Tokyo, Japan. She worked full-time and wrote in the evening. In 1962 "Toddler Hunting" (幼児狩り) was published and awarded the Shinchosha Prize. In the early 1960s, just before she was awarded the prestigious Akutagawa Prize for "Kani" (Crabs) (蟹) in 1963, she quit her job to focus on her writing. In 1965 she married the painter Yasushi Ichikawa. In 1967 she received the Women's Literary Prize for Saigo no toki and subsequently the Yomiuri Prize for "A Sudden Voice" (不意の声) in 1968, as well as the Tanizaki prize in 1980 for "A Year-long Pastoral" (一年の牧歌). She also received a literary prize from the Japanese Art Academy in 1984 and the Noma Literary Prize in 1991 for her novel Miiratori ryōkitan (Mummy-Hunting for the Bizarre, 1990). Kōno became popular and received critical attention after the publication of an English translation of Toddler-Hunting and Other Stories in 1996. (from Wikipedia)

Yūko Tsushima is the pen name of Satoko Tsushima, a contemporary Japanese fiction writer, essayist and critic. She is the daughter of famed novelist Osamu Dazai, who died when she was one year old. She is considered "one of the most important Japanese writers of her generation" (The New York Times). She has won many major literary prizes, including the Kawabata for "The Silent Traders," one of the stories in The Shooting Gallery, and the Tanizaki for Mountain of Fire. Her early fiction, from which The Shooting Gallery is drawn, was largely based on her experience as a single mother. Her multilayered narrative techniques have increasingly taken inspiration from the Ainu oral epics (yukar) and the tales of premodern Japan. When invited to teach Japanese literature to graduate students in Paris, she taught the yukar, and her seminar led to the publication of Tombent, tombent les gouttes d’argent: Chants du peuple aïnou (1996), the first French edition of the epic poems. Tsushima is active in networks such as the Japan-India Writers’ Caravans and dialogues with Korean and Chinese writers. Recent novels have been set in Taiwan during Japanese colonial rule, among the Kyrgyz, in medieval Nara, and in post-3/11 Tokyo. Her work has been translated into a dozen languages.

Kōji Uno (宇野 浩二 Uno Kōji?, July 26, 1891 - September 21, 1961) was a noted Japanese novelist and short story writer. Uno was born in Fukuoka to parents of Samurai origin. His grandfather was a police captain and his father a teacher. After his father's death when Uno was four, his family lost all their savings speculating in the stock market. When Uno was eight, he was sent to live with his grandmother and an uncle in Sōemonchō as his mother became a waitress. There he lived, beside the Dōtonbori entertainment district, among geisha, prostitutes, wig-makers, and gamblers, as he attended Rikugun elementary school from 1899-1901. He attended Tennōji middle school, where he learned to read English and acquired a taste for Nikolai Gogol's fiction. In 1910 he moved to Tokyo to study English literature at Waseda University, where he read Symbolist poetry and Russian modernists including Leonid Andreyev, Mikhail Artsybashev, Konstantin Balmont, Aleksandr Kuprin, Fyodor Sologub, and Boris Konstantinovich Zaytsev. At age 28, Uno published his first major work, "In the Storehouse", whose colloquial and ironic style was criticized as "flippant" and "popular". After seven years of mental illness and silence, 1927-1933, his publications became more conventional and Uno participated in the literary life of the day. During World War II he wrote essays on literary life in the Taishō period (1912-1926). He received the Yomiuri Prize in 1950 for his 1948 novel Omoigawa (思ひ川, River of Thought), and highly praised for his 1951 critical biography of author Ryūnosuke Akutagawa. In 1953 he campaigned for the release of 20 Communist factory workers accused of sabotaging a Japan National Railways freight train, publishing two novels on their behalf, and touring China in 1956 on a personal invitation from Zhou Enlai. Uno died of pulmonary tuberculosis. (from Wikipedia)

Is an award-winning, postwar, Chinese born, Japanese novelist, essayist and playwright. He is well known for his work in the Nansensu (nonsense) genre. A motif of his being the nuclear bomb and its aftermath. He has written over 130 plays since 1961, and in that time has also written books for children, essays, and novels.

Yōko Ogawa (小川 洋子) was born in Okayama, Okayama Prefecture, graduated from Waseda University, and lives in Ashiya. Since 1988, she has published more than twenty works of fiction and nonfiction. Her novel The Professor and his Beloved Equation has been made into a movie. In 2006 she co-authored „An Introduction to the World's Most Elegant Mathematics“ with Masahiko Fujiwara, a mathematician, as a dialogue on the extraordinary beauty of numbers. A film in French, "L'Annulaire“ (The Ringfinger), directed by Diane Bertrand, starring Olga Kurylenko and Marc Barbé, was released in France in June 2005 and subsequently made the rounds of the international film festivals; the film, some of which is filmed in the Hamburg docks, is based in part on Ogawa's "Kusuriyubi no hyōhon“ (薬指の標本), translated into French as "L'Annulaire“ (by Rose-Marie Makino-Fayolle who has translated numerous works by Ogawa, as well as works by Akira Yoshimura and by Ranpo Edogawa, into French). Kenzaburō Ōe has said, 'Yōko Ogawa is able to give expression to the most subtle workings of human psychology in prose that is gentle yet penetrating.' The subtlety in part lies in the fact that Ogawa's characters often seem not to know why they are doing what they are doing. She works by accumulation of detail, a technique that is perhaps more successful in her shorter works; the slow pace of development in the longer works requires something of a deus ex machina to end them. The reader is presented with an acute description of what the protagonists, mostly but not always female, observe and feel and their somewhat alienated self-observations, some of which is a reflection of Japanese society and especially women's roles within in it. The tone of her works varies, across the works and sometimes within the longer works, from the surreal, through the grotesque and the—sometimes grotesquely—humorous, to the psychologically ambiguous and even disturbing.

Jun'ichirō Tanizaki (谷崎 潤一郎) was a Japanese author, and one of the major writers of modern Japanese literature, perhaps the most popular Japanese novelist after Natsume Sōseki. Some of his works present a rather shocking world of sexuality and destructive erotic obsessions; others, less sensational, subtly portray the dynamics of family life in the context of the rapid changes in 20th-century Japanese society. Frequently his stories are narrated in the context of a search for cultural identity in which constructions of "the West" and "Japanese tradition" are juxtaposed. The results are complex, ironic, demure, and provocative.

Mieko Kawakami (川上未映子, born in August 29, 1976) is a Japanese singer and writer from Osaka. She was awarded the 138th Akutagawa Prize for promising new writers of serious fiction (2007) for her novel Chichi to Ran (乳と卵) (Breasts and Eggs). Kawakami has released three albums and three singles as a singer.

Yasunari Kawabata (川端 康成) was a Japanese short story writer and novelist whose spare, lyrical, subtly-shaded prose works won him the Nobel Prize for Literature in 1968, the first Japanese author to receive the award. His works have enjoyed broad international appeal and are still widely read today. Nobel Lecture: 1968 http://www.nobelprize.org/nobel\_prize...

Akutagawa Ryūnosuke (芥川 龍之介) was one of the first prewar Japanese writers to achieve a wide foreign readership, partly because of his technical virtuosity, partly because his work seemed to represent imaginative fiction as opposed to the mundane accounts of the I-novelists of the time, partly because of his brilliant joining of traditional material to a modern sensibility, and partly because of film director Kurosawa Akira's masterful adaptation of two of his short stories for the screen. Akutagawa was born in the Kyōbashi district Tokyo as the eldest son of a dairy operator named Shinbara Toshizō and his wife Fuku. He was named "Ryūnosuke" ("Dragon Offshoot") because he was born in the Year of the Dragon, in the Month of the Dragon, on the Day of the Dragon, and at the Hour of the Dragon (8 a.m.). Seven months after Akutagawa's birth, his mother went insane and he was adopted by her older brother, taking the Akutagawa family name. Despite the shadow this experience cast over Akutagawa's life, he benefited from the traditional literary atmosphere of his uncle's home, located in what had been the "downtown" section of Edo. At school Akutagawa was an outstanding student, excelling in the Chinese classics. He entered the First High School in 1910, striking up relationships with such classmates as Kikuchi Kan, Kume Masao, Yamamoto Yūzō, and Tsuchiya Bunmei. Immersing himself in Western literature, he increasingly came to look for meaning in art rather than in life. In 1913, he entered Tokyo Imperial University, majoring in English literature. The next year, Akutagawa and his former high school friends revived the journal Shinshichō (New Currents of Thought), publishing translations of William Butler Yeats and Anatole France along with original works of their own. Akutagawa published the story Rashōmon in the magazine Teikoku bungaku (Imperial Literature) in 1915. The story, which went largely unnoticed, grew out of the egoism Akutagawa confronted after experiencing disappointment in love. The same year, Akutagawa started going to the meetings held every Thursday at the house of Natsume Sōseki, and thereafter considered himself Sōseki's disciple. The lapsed Shinshichō was revived yet again in 1916, and Sōseki lavished praise on Akutagawa's story Hana (The Nose) when it appeared in the first issue of that magazine. After graduating from Tokyo University, Akutagawa earned a reputation as a highly skilled stylist whose stories reinterpreted classical works and historical incidents from a distinctly modern standpoint. His overriding themes became the ugliness of human egoism and the value of art, themes that received expression in a number of brilliant, tightly organized short stories conventionally categorized as Edo-mono (stories set in the Edo period), ōchō-mono (stories set in the Heian period), Kirishitan-mono (stories dealing with premodern Christians in Japan), and kaika-mono (stories of the early Meiji period). The Edo-mono include Gesaku zanmai (A Life Devoted to Gesaku, 1917) and Kareno-shō (Gleanings from a Withered Field, 1918); the ōchō-mono are perhaps best represented by Jigoku hen (Hell Screen, 1918); the Kirishitan-mono include Hokōnin no shi (The Death of a Christian, 1918), and kaika-mono include Butōkai(The Ball, 1920). Akutagawa married Tsukamoto Fumiko in 1918 and the following year left his post as English instructor at the naval academy in Yokosuka, becoming an employee of the Mainichi Shinbun. This period was a productive one, as has already been noted, and the success of stories like Mikan (Mandarin Oranges, 1919) and Aki (Autumn, 1920) prompted him to turn his attention increasingly to modern materials. This, along with the introspection occasioned by growing health and nervous problems, resulted in a series of autobiographically-based stories known as Yasukichi-mono, after the name of the main character. Works such as Daidōji Shinsuke no hansei(The Early Life of

Banana Yoshimoto (よしもと ばなな or 吉本 ばなな) is the pen name of Mahoko Yoshimoto (吉本 真秀子), a Japanese contemporary writer. She writes her name in hiragana. (See also 吉本芭娜娜 (Chinese).) Along with having a famous father, poet Takaaki Yoshimoto, Banana's sister, Haruno Yoiko, is a well-known cartoonist in Japan. Growing up in a liberal family, she learned the value of independence from a young age. She graduated from Nihon University's Art College, majoring in Literature. During that time, she took the pseudonym "Banana" after her love of banana flowers, a name she recognizes as both "cute" and "purposefully androgynous." Despite her success, Yoshimoto remains a down-to-earth and obscure figure. Whenever she appears in public she eschews make-up and dresses simply. She keeps her personal life guarded, and reveals little about her certified Rolfing practitioner, Hiroyoshi Tahata and son (born in 2003). Instead, she talks about her writing. Each day she takes half an hour to write at her computer, and she says, "I tend to feel guilty because I write these stories almost for fun."

Mori Ōgai, pseudonym of Mori Rintarō (born February 17, 1862, Tsuwano, Japan—died July 9, 1922, Tokyo), one of the creators of modern Japanese literature. The son of a physician of the aristocratic warrior (samurai) class, Mori Ōgai studied medicine, at first in Tokyo and from 1884 to 1888 in Germany. In 1890 he published the story “Maihime” (“The Dancing Girl”), an account closely based on his own experience of an unhappy attachment between a German girl and a Japanese student in Berlin. It represented a marked departure from the impersonal fiction of preceding generations and initiated a vogue for autobiographical revelations among Japanese writers. Ōgai’s most popular novel, Gan (1911–13; part translation: The Wild Goose), is the story of the undeclared love of a moneylender’s mistress for a medical student who passes by her house each day. Ōgai also translated Hans Christian Andersen’s autobiographical novel Improvisatoren. In 1912 Ōgai was profoundly moved by the suicide of General Nogi Maresuke, following the death of the emperor Meiji, and he turned to historical fiction depicting the samurai code. The heroes of several works are warriors who, like General Nogi, commit suicide in order to follow their masters to the grave. Despite his early confessional writings, Ōgai came to share with his samurai heroes a reluctance to dwell on emotions. His detachment made his later works seem cold, but their strength and integrity were strikingly close to the samurai ideals he so admired.

See 中上 健次. Kenji Nakagami (中上健次 Nakagami Kenji, August 2, 1946 – August 12, 1992) was a Japanese novelist and essayist. He is well known as the first, and so far the only, post-war Japanese writer to identify himself publicly as a Burakumin, a member of one of Japan’s long-suffering outcaste groups. His works depict the intense life-experiences of men and women struggling to survive in a Burakumin community in western Japan. His most celebrated novels include “Misaki” (The Cape), which won the Akutagawa Prize in 1976, and “Karekinada” (The Sea of Withered Trees), which won both the Mainichi and Geijutsu Literary Prizes in 1977. During the 1980s Nakagami was an active and controversial figure in the Japanese literary world, and his work was the subject of much debate among scholars and literary critics. As one reviewer put it, "Nakagami was the first writer from the ghetto to make it into the mainstream and to attempt to tell other Japanese, however fictively or even fantastically, about life at the rough end of the economic miracle." Nakagami was at the height of his fame when he died, of kidney cancer, at the age of 46. (from Wikipedia)