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The Pirates of Penzance book cover
The Pirates of Penzance
1879
First Published
4.03
Average Rating
46
Number of Pages
(Vocal Score). The Pirates of Penzance, premiered in 1879, confirmed the comic genius of librettist W.S. Gilbert and composer Arthur Sullivan, following on the heels of their wildly successful H.M.S. Pinafore . Pirates invade the rocky coast of Cornwall in this topsy-turvy tale of love and duty, highlighted by the famous strains of "Poor Wandering One," "I Am the Very Model of a Modern Major-General," "Oh, Is There Not One Maiden Breast" and "With Cat-Like Tread, Upon Our Prey We Steal." This vocal score includes the complete music and all dialogue, a plot synopsis, articles on the famous partnership and the history of The Pirates of Penzance, a filmography and a discography.
Avg Rating
4.03
Number of Ratings
1,004
5 STARS
42%
4 STARS
28%
3 STARS
23%
2 STARS
4%
1 STARS
2%
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Author

W.S. Gilbert
W.S. Gilbert
Author · 23 books

British playwright and lyricist Sir William Schwenck Gilbert wrote a series of comic operas, including Her Majesty's Ship Pinafore (1878) and The Pirates of Penzance (1879), with composer Sir Arthur Sullivan. This English dramatist, librettist, poet, and illustrator in collaboration with this composer produced fourteen comic operas, which include The Mikado , one of the most frequently performed works in the history of musical theatre. Opera companies, repertory companies, schools and community theatre groups throughout and beyond the English-speaking world continue to perform regularly these operas as well as most of their other Savoy operas. From these works, lines, such as "short, sharp shock", "What, never? Well, hardly ever!", and "Let the punishment fit the crime," form common phrases of the English language. Gilbert also wrote the Bab Ballads , an extensive collection of light verse, which his own comical drawings accompany. His creative output included more than 75 plays and libretti, numerous stories, poems, lyrics and various other comic and serious pieces. His plays and realistic style of stage direction inspired other dramatists, including Oscar Wilde and George Bernard Shaw. According to The Cambridge History of English and American Literature , the "lyrical facility" of Gilbert "and his mastery of metre raised the poetical quality of comic opera to a position that it had never reached before and has not reached since."

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