“She always said she’d find a way to let me know that death wasn’t the end …” When Ivy Everton, a children’s book illustrator, moves to Cornwall to start a new life with her husband Stuart, she gets given her mother’s old writing desk, a bittersweet token from a mother who made childhood magical. When she clears it, she finds that the desk holds an unexpected surprise; one she wishes, in a way, that she hadn’t found, as wedged in the corner is a blank, faded postcard addressed to her, in her mother’s hand. At first, the postcard serves only to haunt her; a constant reminder of her mother’s last message, now forever silenced, and she can’t help but wonder what unwritten secret lies unsaid. Yet, as the days pass mysterious inexplicable things begin to happen, odd items go missing from her studio, only to reappear, ethereally transformed in the seemingly empty desk. Soon Ivy realises that the postcard was never really blank, it was simply waiting … waiting for her to find it. Part ghost story, part magical Christmas tale, The Postcard is about a love that transcends time and space to transform and heal.
Author
Lily Graham grew up in South Africa and is a former journalist. As a child she dreamt of being an author, and had half-finished manuscripts bulging out of her desk drawers, but it wasn't until she reached her thirties that she finally finished one of them. Her first books were written for children, but when her mother was diagnosed with cancer she wrote a story to deal with the fear and pain she was going through - this became her first women's fiction novel, which was published by Bookouture (Hachette) in 2016. Since then she has written six novels, covering many topics, her first four novels were a blend of light hearted women's fiction and drama, but in recent years she has found her niche in historical fiction, after she wrote The Island Villa - a story about a secret community of Jews, who some believed were living on the island of Formentera during the Inquisition. It is a story about love, betrayal, and courage. It took getting to her mid-thirties for her to realise that these were the types of stories she truly wanted to write. Since then she has written two other historical fiction novels, including The Paris Secret, a story about a woman, a bookshop and a secret that goes back to the occupation, and most recently, her most daunting book to date - The Child of Auschwitz, which was a story she never meant to write, but found herself compelled to after reading a story about a woman who gave birth to a child after surviving a concentration camp.
