Margins
The Woodcutter book cover
The Woodcutter
2010
First Published
3.71
Average Rating
308
Number of Pages

Deep within the Wood, a young woman lies dead. Not a mark on her body. No trace of her murderer. Only her chipped glass slippers hint at her identity. The Woodcutter, keeper of the peace between the Twelve Kingdoms of Man and the Realm of the Faerie, must find the maiden’s killer before others share her fate. Guided by the wind and aided by three charmed axes won from the River God, the Woodcutter begins his hunt, searching for clues in the whispering dominions of the enchanted unknown. But quickly he finds that one murdered maiden is not the only nefarious mystery afoot: one of Odin’s hellhounds has escaped, a sinister mansion appears where it shouldn’t, a pixie dust drug trade runs rampant, and more young girls go missing. Looming in the shadows is the malevolent, power-hungry queen, and she will stop at nothing to destroy the Twelve Kingdoms and annihilate the Royal Fae…unless the Woodcutter can outmaneuver her and save the gentle souls of the Wood. Blending magic, heart-pounding suspense, and a dash of folklore, The Woodcutter is an extraordinary retelling of the realm of fairy tales.

Avg Rating
3.71
Number of Ratings
10,540
5 STARS
27%
4 STARS
34%
3 STARS
26%
2 STARS
10%
1 STARS
4%
goodreads

Author

Kate Danley
Kate Danley
Author · 37 books
Kate Danley began her writing career as an indie author in 2010. Since then, her books have been published by 47North, she spent five weeks on the USA Today bestseller list, and she has been honored with various awards, including the Garcia Award for Best Fiction Book of the Year (The Woodcutter), McDougall Previews Award for Best Fantasy Book of the Year (Queen Mab), Best of 2014 by Suspense Magazine (M&K Tracking), and the 2017 Utopia Award for Best Anthology of the Year (Once Upon A Kiss - "Galatea & Pygmalion"). Her play Building Madness won the prestigious Panowski Playwriting Award and her play Bureaucrazy was a semi-finalist for the O'Neill National Playwrights Conference. Her works have been produced in New York, Chicago, Los Angeles, Canada, and the UK. She has over 300+ film, television, and theatre credits to her name, and specializes in sketch, improv, and Shakespeare. She wrote sketch for a weekly show in Hollywood and has performed her original stand-up at various clubs in LA. She learned on-camera puppetry from the man who played Mr. Snuffleupagus and performed the head of a 20-foot dinosaur on an NBC pilot. She lost on Hollywood Squares.
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