In the follow-up to his acclaimed England’s Screaming, Sean Hogan acts as your guide through the liminal spaces of North American horror, down Nightmare Alleys and across High Plains, following the Lost Highway all the way to the Bates Motel. At once fiction and criticism, Twilight’s Last Screaming masterfully examines how our experience of cinema takes on an imaginative life of its own. It deconstructs and reassembles genre film into unfamiliar but recognisable shapes, mapping the history of the American horror movie and, ultimately, the dark heart of America itself.
