Tiffany’s lived off the grid in the desert all her life. Miranda’s a world famous pop star who peaked in the early 2000s. Naomi’s a goth working at a corporate movie nostalgia theme park. What do these three women have in common? They were all created as super weapons by a clandestine government conspiracy called MK ULTRA. Together with a college student who can project his consciousness through space and a professional vampire hunter, they take a road trip for the truth, for freedom, and to fight back. It's like Zen and the Art of Motorcycle Maintenance meets The Men Who Stare At Goats. It's X-Files meets From Justin to Kelly. (Actually that's a bad comparison. Ignore that.)
Author
Bios are tough. I'm an author and game designer based out of Tokyo. I've a soft spot for horror, urban fantasy, and science fiction. I write about vampires, about social issues, and the intersection of mythology and real life. I believe stories about monsters are actually stories about people, and that every good story about monsters is a story about the way people live and interact. Should I have written that in the third person? That'd be weird, wouldn't it? "Olivia Hill is an author and game designer based out of..." It's really awkward, if you know I'm writing it about myself. But isn't this commentary kind of meta anyway? Is this really the purview of author bio? Do I really need to be worrying about this when the world could fall apart at any minute? Should I really be writing books when I only have a limited time on this earth, and could theoretically be doing something more meaningful? Does anything have meaning? Long story short, you should buy my books. Because what if they're actually very important? What if they change the world, the way Bill & Ted changed the world with Wyld Stallyns? Wouldn't you want to be part of that before it's a thing?
