Between the New Poems of 1907 and 1908 and his death in 1926, Rainer Maria Rilke published only two major volumes of poetry—the Duino Elegies and the Sonnets to Orpheus, both in 1923. But during this period he was writing verse continually, often prolifically—in letters, in guest books, in presentation copies, and chiefly in the pocket-books he always carried with him. This body of uncollected work exceeds five hundred finished poems of great poise and brilliance, headlong statements that hurtle through their subjects, haunting "fragments," and short bursts that arc into the unpursuable. A remarkable number of them are among Rilke's finest poems. Snow's selection of more than a hundred of these little-known works distills the best of the uncollected poetry while offering a wide enough choice to convey Rilke's variety and industry during the years he wrote them. Uncollected Poems will lead students, scholars, and other readers to a fresh—and more accurate—understanding of this great poet's life and work.
Author
A mystic lyricism and precise imagery often marked verse of German poet Rainer Maria Rilke, whose collections profoundly influenced 20th-century German literature and include The Book of Hours (1905) and The Duino Elegies (1923). People consider him of the greatest 20th century users of the language. His haunting images tend to focus on the difficulty of communion with the ineffable in an age of disbelief, solitude, and profound anxiety—themes that tend to position him as a transitional figure between the traditional and the modernist poets. His two most famous sequences include the Sonnets to Orpheus , and his most famous prose works include the Letters to a Young Poet and the semi-autobiographical The Notebooks of Malte Laurids Brigge . He also wrote more than four hundred poems in French, dedicated to the canton of Valais in Switzerland, his homeland of choice.
