Margins
Verzauberung in Ithaka book cover
Verzauberung in Ithaka
1952
First Published
3.70
Average Rating
410
Number of Pages
After years of wandering, Ulysses finally returns home to Ithaca. But however much he longed for domestic peace and tranquility, he has become a stranger to his wife and children. He can no longer find his place. In Peace on Ithaca, Sándor Márai transforms the mythical figure of Ulysses (as Odysseus is called in this work) into a man of flesh and blood, a man who is fully engaged in life and believes he is master of his own destiny. But the gods have decided otherwise. Just as in Turning Point of a Marriage, Márai uses three narrators in Peace on Ithaca, each with their own perspective on the protagonist Ulysses: his wife Penelope, his son Telemachus, and his illegitimate son Telegonus each tell their story of the man they believe they know. This results in three completely different narratives. In the epilogue, Márai adds his own perspective on Ulysses. In this novel, he thus poses the universal question of the extent to which we are truly able to know another person, while each of us longs for genuine connection.
Avg Rating
3.70
Number of Ratings
158
5 STARS
21%
4 STARS
42%
3 STARS
25%
2 STARS
9%
1 STARS
3%
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Author

Sándor Márai
Sándor Márai
Author · 37 books

Sándor Márai (originally Sándor Károly Henrik Grosschmied de Mára) was a Hungarian writer and journalist. He was born in the city of Kassa in Austria-Hungary (now Košice in Slovakia) to an old family of Saxon origin who had mixed with magyars through the centuries. Through his father he was a relative of the Ország-family. In his early years, Márai travelled to and lived in Frankfurt, Berlin, and Paris and briefly considered writing in German, but eventually chose his mother language, Hungarian, for his writings. He settled in Krisztinaváros, Budapest, in 1928. In the 1930s, he gained prominence with a precise and clear realist style. He was the first person to write reviews of the work of Kafka. He wrote very enthusiastically about the Vienna Awards, in which Germany forced Czechoslovakia and Romania to give back part of the territories which Hungary lost in the Treaty of Trianon. Nevertheless, Márai was highly critical of the Nazis as such and was considered "profoundly antifascist," a dangerous position to take in wartime Hungary. Marai authored forty-six books, mostly novels, and was considered by literary critics to be one of Hungary's most influential representatives of middle class literature between the two world wars. His 1942 book Embers (Hungarian title: A gyertyák csonkig égnek, meaning "The Candles Burn Down to the Stump") expresses a nostalgia for the bygone multi-ethnic, multicultural society of the Austro-Hungarian Empire, reminiscent of the works of Joseph Roth. In 2006 an adaptation of this novel for the stage, written by Christopher Hampton, was performed in London. He also disliked the Communist regime that seized power after World War II, and left – or was driven away – in 1948. After living for some time in Italy, Márai settled in the city of San Diego, California, in the United States. He continued to write in his native language, but was not published in English until the mid-1990s. Márai's Memoir of Hungary (1944-1948) provides an interesting glimpse of post World War II Hungary under Soviet occupation. Like other memoirs by Hungarian writers and statesmen, it was first published in the West, because it could not be published in the Hungary of the post-1956 Kádár era. The English version of the memoir was published posthumously in 1996. After his wife died, Márai retreated more and more into isolation. He committed suicide by a gunshot to his head in San Diego in 1989. Largely forgotten outside of Hungary, his work (consisting of poems, novels, and diaries) has only been recently "rediscovered" and republished in French (starting in 1992), Polish, Catalan, Italian, English, German, Spanish, Portuguese, Czech, Danish, Icelandic, Korean, Dutch, and other languages too, and is now considered to be part of the European Twentieth Century literary canon.

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