Margins
Cerbero son las sombras book cover
Cerbero son las sombras
1975
First Published
3.39
Average Rating
176
Number of Pages
La primera novela de Juan José Millás. Cerbero son las sombras (Premio Sésamo 1974) es la primera novela de Juan José Millás. Tras ella vinieron otras como Visión del ahogado, El jardín vacío, Letra muerta o El desorden de tu nombre - un título mayor de la nueva novela española-. Pero Cerbero son las sombras aparece hoy como una auténtica novedad. Los lectores tienen ahora en sus manos el proyecto inicial de todo un mundo novelesco, en un relato donde un hombre joven se enfrenta a las nieblas y los fantasmas de su propia realidad a través de una carta al padre, de un monólogo desde la sociedad y el abandono.
Avg Rating
3.39
Number of Ratings
89
5 STARS
18%
4 STARS
27%
3 STARS
37%
2 STARS
12%
1 STARS
6%
goodreads

Author

Juan José Millás
Juan José Millás
Author · 32 books

Juan José Millás is a Spanish writer and winner of the 1990 Premio Nadal. He was born in Valencia and has spent most of his life in Madrid where he studied Philosophy and Literature at the Universidad Complutense. His first novel was influenced by Julio Cortázar and consequently shows the influence of the then-prevalent literary experimentalism, as well as the uncertainty of a fledgling author. Although very original, his second book, Cerbero son las sombras (1975), obtained the Premio Sésamo and received a positive critical response. Thanks to an enthusiastic member of the judges panel for the Premio Sésamo, Juan García Hortelano, he was able to publish Visión del ahogado (1977) and El jardín vacío (The empty garden) (1981) with the prestigious publisher Alfaguara. But his most popular novel was Papel mojado (1983), an assignment for a publisher of young adult literature that was a commercial success and continues to sell well. Simultaneously, he began to publish articles in the Spanish press with great success, so he left the employment of the Iberian press and now makes a living as a journalist and author. In his numerous works, which are mostly psychological and introspective, any daily fact can become a fantastic event. He created his own personal literary genre, the articuento, in which an everyday story is transformed into a fantasy that allows the reader to see reality more critically. His weekly columns in El País have generated a great number of followers who appreciate the subtlety and originality of his point of view in dealing with current events, as well as his commitment to social justice and the quality of his writing. On the program La Ventana, on the channel Ser, he has a time slot (Fridays at 4:00) in which he encourages viewers to send short accounts about words from the dictionary. Currently, he is constructing a glossary, within which these accounts have a large role. His works have been translated into 23 languages, among them: English, French, German, Portuguese, Italian, Swedish, Danish, Norwegian, and Dutch. In his 2006 novel, titled Laura y Julio, we find his principal obsessions expressed: the problem of identity, symmetry, other inhabitable spaces within our space, love, fidelity, and jealousy.

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