
Born of German-Jewish stock, Kathy Acker was brought up by her mother and stepfather (her natural father left her mother before Kathy was born) in a prosperous district of NY. At 18, she left home and worked as a stripper. Her involvement in the sex industry helped to make her a hit on the NY art scene, and she was photographed by the newly fashionable Robert Mapplethorpe. Preferring to be known simply as 'Acker' (the name she took from her first husband Robert, and which she continued to use even after a short-lived second marriage to composer Peter Gordon), she moved to London in the mid-eighties and stayed in Britain for five years. Acker's writing is as difficult to classify into any particular genre as she herself was. She writes fluidly, operating in the borderlands and junkyards of human experience. Her work is experimental, playful, and provocative, engagingly alienating, narratively non sequitur.

1978

A Series of Invocations Because Nothing Else Works
1984

1984

1984

1996

1973

Untitled Horrors
2013

1986

1988

The Selected Writings
2002

1998

1982

1991

1974

Correspondence 1995-1996
2015

1990

The Last Interview and Other Conversations
2018

1978

1987

1987

Demonology
1993

1981

1992

1996

1995

2002

1989