L’Alligatore è un ex bluesman. Ingiustamente condannato a sette anni di carcere, gli è rimasta addosso la fragilità degli ex detenuti e l’ossessione della giustizia, e ha deciso di mettere a frutto le sue conoscenze nella malavita diventando un investigatore: più a suo agio fuori dalla legalità che tra poliziotti e magistrati, ricorre volentieri all’aiuto di strani «personaggi», primo fra tutti il malavitoso milanese Beniamino Rossini. I due intuiscono presto che gli omicidi imputati a un povero tossico, sono in realtà maturati nei corrotti ambienti di una certa borghesia di provincia...

Seconda puntata delle avventure dell'Alligatore, ovvero Marco Buratti, strano tipo di investigatore con la passione del blues, del calvados, e degli assistenti malavitosi, come Beniamino Rossini, gangster di vecchio stampo. Stavolta la vicenda si svolge tra la Sardegna e la Corsica: l'Alligatore ha ricevuto un incarico assai delicato - ovvero "rognoso" - da tre avvocati cagliaritani che hanno scontato anni di carcere per l'omicidio (presunto) di un altro avvocato, tale Giampaolo Siddi. Che però morto non è, anzi gode di ottima salute, soprattutto finanziaria, grazie a lucrosi traffici illegali. Seguendo la pista del Siddi viene alla luce l'esistenza di una vera e propria banda criminale di eterogenea composizione - ex funzionari del Sisde, trafficanti di droga, avvocati corrotti, delinquenti francesi assoldati per stroncare l'indipendentismo corso - ma unita da un curioso gergo derivato da un vecchio film francese.

Questo romanzo di Massimo Carlotto - terzo della serie dell'Alligatore - racconta dall'interno le trasformazioni del panorama criminale del nostro paese, i mezzi e le strategie dei soggetti di questa battaglia sanguinosa che si svolge sotto i nostri occhi. Si parla della mafia del Brenta, della mafia russa, della nuova criminalità albanese, dell'uso spregiudicato dei criminali pentiti da parte della magistratura. L'Alligatore è entrato nel mondo degli investigatori e della giustizia dalla porta di servizio (la galera). Usa mezzi illegali, lavora assieme a un contrabbandiere piuttosto violento e a un reduce (però sempre in gamba) della controinformazione degli anni Settanta. Ma il suo obiettivo resta sempre alto: la giustizia.

When Colombian Arias Cuevas is caught trying to smuggle drugs through Venice airport, his fear isn't fuelled by the idea of prison. He's much more frightened of his aunt—it was her coke he took off with. He comes clean to avoid her wrath. The cops set up a sting to find out who was to be the recipient of the drugs, and art smuggler Nazzareno Corradi falls straight into the trap. But he's been set up. His lawyer hires "the Alligator," and his fixer, Max, to find out what's going on. Soon it becomes apparent why Cuevas was so afraid—the aunt, La Tia, has left a bloody trail in her wake, and is now looking to do some business in Italy, and she's not about to let anybody get in her way.

A woman has gone missing. Her husband, too ashamed to admit to the police that he and his wife were part of a ring of sexual adventurers that organized sadomasochistic orgies, turns instead to the Alligator. Burrati enters a depraved demi-world where ferocious deviates prey upon lonely victims. But the savagery of this world is only the first surprise this investigation holds in store for the Alligator. Encountering such violence and desperation triggers memories of his own time in prison. And while the unwritten rule of ex-cons is that you must never talk about your experiences behind bars, the Alligator and his two long-time associates, Max Memory and Beniamino Rossini, are forced to confront demons they thought long buried. In The Master of Knots, “the reigning king of Mediterranean noir,” Massimo Carlotto, gives his readers a work of hardboiled noir fiction that is darker than ever before as he digs into the shadowy corners of human experience. This stunning novel sets a new high-water mark in the literary history of the Mediterranean Noir novel.

Massimo Carlotto has been described as “the reigning king of Mediterranean noir” (Boston Phoenix), “more noir than even the toughest American noir” (Josh Bazell, author of Beat the Reaper), “about as gritty as they come” (The New York Times), and “the best living Italian crime writer” (Il Manifesto). Here, making his American debut, is Carlotto’s most famous and beloved serial character: ex-con turned private investigator Marco Buratti, a.k.a The Alligator. Closing the door on a crime ridden past, Marco Buratti plans to spend the rest of his days in the darkness of a seedy nightclub sipping Calvados and listening to the blues. But things don’t quite work out as he planned: though he may be through with his past, his past isn’t through with him. When his gangster friend, Beniamino Rossini’s girlfriend is kidnapped, Buratti is forced to investigate a case of international drug dealing. He will be thrown headfirst into the underworld he had struggled to escape. Here, new and old criminal organizations collide and innocent bystanders are as hard to find as straight cops. Marco “The Alligator” Buratti is not only one of the most fully realized characters in contemporary crime fiction but also the ideal vivisector of a world in which criminals hold all the cards.

Padua, Italy. An unremarkable man, a husband and father, disappears without a trace. After a few months of searching, the police send his file to the cold cases department to be thrown in with the files of other missing persons. One woman knows the truth about his disappearance, but, being the daughter of a prominent and wealthy Swiss industrialist she fears coming forward with what she knows: that she was his lover and that there is more to his disappearance than another bored suburban husband running out on his. Stricken by guilt, she finally confides in a lawyer who advises her to turn to Marco Buratti, aka The Alligator, for help. Buratti agrees to assist the woman. Initially, the case of the woman’s missing lover seems like a lost cause, but a clue puts the Alligator and his trusted associates, Max the Memory and Beniamino Rossini, on the trail of the unscrupulous and brilliant criminal, Giorgio Pellegrini, protagonist of The Goodbye Kiss and At the End of a Dull Day. The deadly game of chicken in which the good guys and the bad guys are often hard to tell apart is Carlotto’s specialty. But good or bad, these men are survivors in a world where the once ironclad criminal codes of conduct are disappearing and new criminal syndicates do vicious battle with old.

This novel, by one of Italy’s bestselling crime novelists, provides a unique perspective on the criminal and social dynamics that dominate contemporary Italy. One of the many robberies that plague Northeast Italy goes wrong and ends with a brutal murder. The police investigation turns up nothing. Two years later, Marco Buratti, alias “the Alligator,” is asked to look into the crime and find out who was responsible. Buratti’s employer is young, the youngest client he has ever had; he is only twelve years old and is the son of one of the victims. The Alligator realizes right from the start that the truth is cloaked, twisted, shocking. Together with his associates, Beniamino Rossini and Max the Memory, he finds himself mixed up in a story involving contraband gold and blood vendettas between criminal gangs.

International secret police operations, drug trafficking, prostitution, and identity theft set the stage for the eternal struggle between Good and Evil. Acclaimed as one of today’s best contemporary noir writers, Massimo Carlotto reaches new heights in the most complex “Alligator” novel to date. Rich with biting humor, humanity, and psychological insight, this is an exemplary noir novel from a crime writer at the top of his game. Marco Buratti, a.k.a. the Alligator, and his partners Max the Memory and Beniamino Rossini have fallen into a trap laid by their worst enemy, Giorgio Pellegrini, a wanted man who has no intention of living as a fugitive for the rest of his life and turns state evidence, but something goes wrong. Blackmailed by a high government official, the Alligator and his partners are forced to investigate. But they’ve been framed: even if they discover who’s behind the crime, they’ll rot in prison. To survive, some rules will have to be bent, and others broken.