James Herriot is the pen name of James Alfred Wight, OBE, FRCVS also known as Alf Wight, an English veterinary surgeon and writer. Wight is best known for his semi-autobiographical stories, often referred to collectively as All Creatures Great and Small, a title used in some editions and in film and television adaptations. In 1939, at the age of 23, he qualified as a veterinary surgeon with Glasgow Veterinary College. In January 1940, he took a brief job at a veterinary practice in Sunderland, but moved in July to work in a rural practice based in the town of Thirsk, Yorkshire, close to the Yorkshire Dales and North York Moors, where he was to remain for the rest of his life. The original practice is now a museum, "The World of James Herriot". Wight intended for years to write a book, but with most of his time consumed by veterinary practice and family, his writing ambition went nowhere. Challenged by his wife, in 1966 (at the age of 50), he began writing. In 1969 Wight wrote If Only They Could Talk, the first of the now-famous series based on his life working as a vet and his training in the Royal Air Force during the Second World War. Owing in part to professional etiquette which at that time frowned on veterinary surgeons and other professionals from advertising their services, he took a pen name, choosing "James Herriot". If Only They Could Talk was published in the United Kingdom in 1970 by Michael Joseph Ltd, but sales were slow until Thomas McCormack, of St. Martin's Press in New York City, received a copy and arranged to have the first two books published as a single volume in the United States. The resulting book, titled All Creatures Great and Small, was an overnight success, spawning numerous sequels, movies, and a successful television adaptation. In his books, Wight calls the town where he lives and works Darrowby, which he based largely on the towns of Thirsk and Sowerby. He also renamed Donald Sinclair and his brother Brian Sinclair as Siegfried and Tristan Farnon, respectively. Wight's books are only partially autobiographical. Many of the stories are only loosely based on real events or people, and thus can be considered primarily fiction. The Herriot books are often described as "animal stories" (Wight himself was known to refer to them as his "little cat-and-dog stories"), and given that they are about the life of a country veterinarian, animals certainly play a significant role in most of the stories. Yet animals play a lesser, sometimes even a negligible role in many of Wight's tales: the overall theme of his stories is Yorkshire country life, with its people and their animals primary elements that provide its distinct character. Further, it is Wight's shrewd observations of persons, animals, and their close inter-relationship, which give his writing much of its savour. Wight was just as interested in their owners as he was in his patients, and his writing is, at root, an amiable but keen comment on the human condition. The Yorkshire animals provide the element of pain and drama; the role of their owners is to feel and express joy, sadness, sometimes triumph. The animal characters also prevent Wight's stories from becoming twee or melodramatic—animals, unlike some humans, do not pretend to be ailing, nor have they imaginary complaints and needless fears. Their ill-health is real, not the result of flaws in their character which they avoid mending. In an age of social uncertainties, when there seem to be no remedies for anything, Wight's stories of resolute grappling with mysterious bacterial foes or severe injuries have an almost heroic quality, giving the reader a sense of assurance, even hope. Best of all, James Herriot has an abundant humour about himself and his difficulties. He never feels superior to any living thing, and is ever eager to learn—about animal doctoring, and about his fellow human creature. http://us.macmillan.com/author/jamesh...

Thurber was born in Columbus, Ohio to Charles L. Thurber and Mary Agnes (Mame) Fisher Thurber. Both of his parents greatly influenced his work. His father, a sporadically employed clerk and minor politician who dreamed of being a lawyer or an actor, is said to have been the inspiration for the small, timid protagonist typical of many of his stories. Thurber described his mother as a "born comedienne" and "one of the finest comic talents I think I have ever known." She was a practical joker, on one occasion pretending to be crippled and attending a faith healer revival, only to jump up and proclaim herself healed. Thurber had two brothers, William and Robert. Once, while playing a game of William Tell, his brother William shot James in the eye with an arrow. Because of the lack of medical technology, Thurber lost his eye. This injury would later cause him to be almost entirely blind. During his childhood he was unable to participate in sports and activities because of his injury, and instead developed a creative imagination, which he shared in his writings. From 1913 to 1918, Thurber attended The Ohio State University, where he was a member of the Phi Kappa Psi Fraternity. He never graduated from the University because his poor eyesight prevented him from taking a mandatory ROTC course. In 1995 he was posthumously awarded a degree. From 1918 to 1920, at the close of World War I, Thurber worked as a code clerk for the Department of State, first in Washington, D.C. and then at the American Embassy in Paris, France. After this Thurber returned to Columbus, where he began his writing career as a reporter for the Columbus Dispatch from 1921 to 1924. During part of this time, he reviewed current books, films, and plays in a weekly column called "Credos and Curios," a title that later would be given to a posthumous collection of his work. Thurber also returned to Paris in this period, where he wrote for the Chicago Tribune and other newspapers. In 1925, he moved to Greenwich Village in New York City, getting a job as a reporter for the New York Evening Post. He joined the staff of The New Yorker in 1927 as an editor with the help of his friend and fellow New Yorker contributor, E.B. White. His career as a cartoonist began in 1930 when White found some of Thurber's drawings in a trash can and submitted them for publication. Thurber would contribute both his writings and his drawings to The New Yorker until the 1950s. Thurber was married twice. In 1922, Thurber married Althea Adams. The marriage was troubled and ended in divorce in May 1935. Adams gave Thurber his only child, his daughter Rosemary. Thurber remarried in June, 1935 to Helen Wismer. His second marriage lasted until he died in 1961, at the age of 66, due to complications from pneumonia, which followed upon a stroke suffered at his home. His last words, aside from the repeated word "God," were "God bless... God damn," according to Helen Thurber.

Sir Pelham Grenville Wodehouse, KBE, was a comic writer who enjoyed enormous popular success during a career of more than seventy years and continues to be widely read over 40 years after his death. Despite the political and social upheavals that occurred during his life, much of which was spent in France and the United States, Wodehouse's main canvas remained that of prewar English upper-class society, reflecting his birth, education, and youthful writing career. An acknowledged master of English prose, Wodehouse has been admired both by contemporaries such as Hilaire Belloc, Evelyn Waugh and Rudyard Kipling and by more recent writers such as Douglas Adams, Salman Rushdie and Terry Pratchett. Sean O'Casey famously called him "English literature's performing flea", a description that Wodehouse used as the title of a collection of his letters to a friend, Bill Townend. Best known today for the Jeeves and Blandings Castle novels and short stories, Wodehouse was also a talented playwright and lyricist who was part author and writer of fifteen plays and of 250 lyrics for some thirty musical comedies. He worked with Cole Porter on the musical Anything Goes (1934) and frequently collaborated with Jerome Kern and Guy Bolton. He wrote the lyrics for the hit song Bill in Kern's Show Boat (1927), wrote the lyrics for the Gershwin/Romberg musical Rosalie (1928), and collaborated with Rudolf Friml on a musical version of The Three Musketeers (1928).

Sir Noël Peirce Coward was an English actor, playwright, and composer of popular music. Among his achievements, he received an Academy Certificate of Merit at the 1943 Academy Awards for "outstanding production achievement for In Which We Serve." Known for his wit, flamboyance, and personal style, his plays and songs achieved new popularity in the 1960s and 1970s, and his work and style continue to influence popular culture. The former Albery Theatre (originally the New Theatre) in London was renamed the Noël Coward Theatre in his honour in 2006.

Librarian Note: There is more than one author in the GoodReads database with this name. See this thread for more information. Susan Lillian "Sue" Townsend was a British novelist, best known as the author of the Adrian Mole series of books. Her writing tended to combine comedy with social commentary, though she has written purely dramatic works as well. She suffered from diabetes for many years, as a result of which she was registered blind in 2001, and had woven this theme into her work.