
Authors

Thomas Bernhard was an Austrian writer who ranks among the most distinguished German-speaking writers of the second half of the 20th century. Although internationally he's most acclaimed because of his novels, he was also a prolific playwright. His characters are often at work on a lifetime and never-ending major project while they deal with themes such as suicide, madness and obsession, and, as Bernhard did, a love-hate relationship with Austria. His prose is tumultuous but sober at the same time, philosophic by turns, with a musical cadence and plenty of black humor. He started publishing in the year 1963 with the novel Frost. His last published work, appearing in the year 1986, was Extinction. Some of his best-known works include The Loser (about a student's fictionalized relationship with the pianist Glenn Gould), Wittgenstein's Nephew, and Woodcutters.

Johann Peter Hebel (10 May 1760 – 22 September 1826) was a German short story writer, dialectal poet, evangelical theologian and pedagogue, most famous for a collection of Alemannic lyric poems (Allemannische Gedichte) and one of German tales (Schatzkästlein des rheinischen Hausfreundes – Treasure Chest of the Family Friend from the Rhine). Goethe, Tolstoy, Gottfried Keller, Hermann Hesse and other writers have praised his works.

Austrian writer. He graduated military boarding school at Eisenstadt (1892-1894) and then Hranice, in that time also known as Mährisch Weißkirchen, (1894-1897). These school experiences are reflected in his first novel, The Confusions of Young Törless. He served in the army during The First World War. When Austria became a part of the Third Reich in 1938, Musil left for exile in Switzerland, where he died of a stroke on April 15, 1942. Musil collapsed in the middle of his gymnastic exercises and is rumoured to have died with an expression of ironic amusement on his face. He was 61 years old.

Novels, notably The Tin Drum (1959) and Dog Years (1963), of German writer Günter Wilhelm Grass, who won the Nobel Prize of 1999 for literature, concern the political and social climate of Germany during and after World War II. This novelist, poet, playwright, illustrator, graphic artist, and sculptor since 1945 lived in West Germany but in his fiction frequently returned to the Danzig of his childhood. He always identified as a Kashubian. He is best known for his first novel, The Tin Drum (1959), a key text in European magic realism. He named this style “broadened reality.” “Cat and Mouse” (1961) and Dog Years (1963) also succeeded in the period. These three novels make up his “Danzig trilogy.” Helene Grass (née Knoff, 1898 - 1954), a Roman Catholic of Kashubian-Polish origin, bore Günter Grass to Willy Grass (1899 - 1979), a Protestant ethnic German. Parents reared Grass as a Catholic. The family lived in an apartment, attached to its grocery store in Danzig-Langfuhr (now Gdańsk-Wrzeszcz). He has one sister, born in 1930. Grass attended the Danzig gymnasium Conradinum. He volunteered for submarine service with the Kriegsmarine "to get out of the confinement he felt as a teenager in his parents' house" which he considered - in a very negative way - civic Catholic lower middle class. In 1943 he became a Luftwaffenhelfer, then he was drafted into the Reichsarbeitsdienst, and in November 1944, shortly after his seventeenth birthday, into the Waffen-Schutzstaffel. The seventeen-year-old Grass saw combat with the 10th Schutzstaffel panzer division Frundsberg from February 1945 until he was wounded on 20 April 1945 and sent to an American prisoner of war camp. In 1946 and 1947, he worked in a mine and received an education of a stonemason. For many years, he studied sculpture and graphics, first at the Kunstakademie Düsseldorf and then at the Universität der Künste Berlin. He also worked as an author and traveled frequently. He married in 1954 and from 1960 lived in Berlin as well as part-time in Schleswig-Holstein. Divorced in 1978, he remarried in 1979. From 1983 to 1986 he held the presidency of the Berlin Akademie der Künste (Berlin Academy of Arts). During the German unification process in 1989 he argued for separation of the two states, because he thought a unified Germany would resume its past aggression. He moved to the northern German city of Lübeck in 1995. He was awarded the Nobel Prize in Literature in 1999. In 2006, Grass caused controversy with his disclosure of his Waffen-Schutzstaffel service during the final months of World War II, which he had kept a secret until publishing his memoir that year. He died of complications of lung infection on 13th of April, 2015 at a Lübeck hospital. He was 87.


Peter Handke (* 6. Dezember 1942 in Griffen, Kärnten) ist ein österreichischer Schriftsteller und Übersetzer. Peter Handke is an Avant-garde Austrian novelist and playwright. His body of work has been awarded numerous literary prizes, including the Nobel Prize in Literature in 2019. He has also collaborated with German director Wim Wenders, writing the script for The Wrong Move and co-writing the screenplay for Wings of Desire.

Stefan Zweig was one of the world's most famous writers during the 1920s and 1930s, especially in the U.S., South America, and Europe. He produced novels, plays, biographies, and journalist pieces. Among his most famous works are Beware of Pity, Letter from an Unknown Woman, and Mary, Queen of Scotland and the Isles. He and his second wife committed suicide in 1942. Zweig studied in Austria, France, and Germany before settling in Salzburg in 1913. In 1934, driven into exile by the Nazis, he emigrated to England and then, in 1940, to Brazil by way of New York. Finding only growing loneliness and disillusionment in their new surroundings, he and his second wife committed suicide. Zweig's interest in psychology and the teachings of Sigmund Freud led to his most characteristic work, the subtle portrayal of character. Zweig's essays include studies of Honoré de Balzac, Charles Dickens, and Fyodor Dostoevsky (Drei Meister, 1920; Three Masters) and of Friedrich Hölderlin, Heinrich von Kleist, and Friedrich Nietzsche (Der Kampf mit dem Dämon, 1925; Master Builders). He achieved popularity with Sternstunden der Menschheit (1928; The Tide of Fortune), five historical portraits in miniature. He wrote full-scale, intuitive rather than objective, biographies of the French statesman Joseph Fouché (1929), Mary Stuart (1935), and others. His stories include those in Verwirrung der Gefühle (1925; Conflicts). He also wrote a psychological novel, Ungeduld des Herzens (1938; Beware of Pity), and translated works of Charles Baudelaire, Paul Verlaine, and Emile Verhaeren. Most recently, his works provided the inspiration for 2014 film The Grand Budapest Hotel.

Many works, including Siddhartha (1922) and Steppenwolf (1927), of German-born Swiss writer Hermann Hesse concern the struggle of the individual to find wholeness and meaning in life; he won the Nobel Prize for literature in 1946. Other best-known works of this poet, novelist, and painter include The Glass Bead Game , which, also known as Magister Ludi, explore a search of an individual for spirituality outside society. In his time, Hesse was a popular and influential author in the German-speaking world; worldwide fame only came later. Young Germans desiring a different and more "natural" way of life at the time of great economic and technological progress in the country, received enthusiastically Peter Camenzind , first great novel of Hesse. Throughout Germany, people named many schools. In 1964, people founded the Calwer Hermann-Hesse-Preis, awarded biennially, alternately to a German-language literary journal or to the translator of work of Hesse to a foreign language. The city of Karlsruhe, Germany, also associates a Hermann Hesse prize.

Siegfried Lenz (1926 - 2014) was a German author who wrote twelve novels and produced several collections of short stories, essays, and plays for radio and the theatre. He was awarded the Goethe Prize in Frankfurt-am-Main on the 250th Anniversary of Johann Wolfgang von Goethe's birth. Lenz and his wife, Liselotte, also exchanged over 100 letters with Paul Celan and his wife, Gisèle Lestrange between 1952 and 1961. Lenz was the son of a customs officer in Lyck (Elk), East Prussia. After his graduation exam in 1943, he was drafted into the navy. According to documents released in June 2007, he may have joined the Nazi party on the 12th of July 1943. Shortly before the end of World War II, he defected to Denmark, but became a prisoner of war in Schleswig-Holstein. After his release, he attended the University of Hamburg, where he studied philosophy, English, and Literary history. His studies were cut off early, however, as he became an intern for the daily paper Die Welt, and served as its editor from 1950 to 1951. It was there he met his future wife, Liselotte (d. February 5, 2006). They were married in 1949. Since 1951, Lenz worked as a freelance writer in Hamburg and was a member of the literature forum "Group 47." Together with Günter Grass, he became engaged with the Social Democratic Party and aided the Ostpolitik of Willy Brandt. A champion of the movement, he was invited in 1970 to the signing of the German-Polish Treaty. Since 2003, Lenz was a visiting professor at the Düsseldorf Heinrich Heine University and a member of the organization for German orthography and proper speech.

Arthur Schnitzler was an Austrian author and dramatist. The son of a prominent Hungarian-Jewish laryngologist Johann Schnitzler and Luise Markbreiter (a daughter of the Viennese doctor Philipp Markbreiter), was born in Vienna in the Austro-Hungarian Empire, and began studying medicine at the local university in 1879. He received his doctorate of medicine in 1885 and worked at the Vienna's General Hospital, but ultimately abandoned medicine in favour of writing. His works were often controversial, both for their frank description of sexuality (Sigmund Freud, in a letter to Schnitzler, confessed "I have gained the impression that you have learned through intuition—though actually as a result of sensitive introspection—everything that I have had to unearth by laborious work on other persons")[1] and for their strong stand against anti-Semitism, represented by works such as his play Professor Bernhardi and the novel Der Weg ins Freie. However, though Schnitzler was himself Jewish, Professor Bernhardi and Fräulein Else are among the few clearly-identified Jewish protagonists in his work. Schnitzler was branded as a pornographer after the release of his play Reigen, in which ten pairs of characters are shown before and after the sexual act, leading and ending with a prostitute. The furore after this play was couched in the strongest anti-semitic terms;[2] his works would later be cited as "Jewish filth" by Adolf Hitler. Reigen was made into a French language film in 1950 by the German-born director Max Ophüls as La Ronde. The film achieved considerable success in the English-speaking world, with the result that Schnitzler's play is better known there under Ophüls' French title. In the novella, Fräulein Else (1924), Schnitzler may be rebutting a contentious critique of the Jewish character by Otto Weininger (1903) by positioning the sexuality of the young female Jewish protagonist.[3] The story, a first-person stream of consciousness narrative by a young aristocratic woman, reveals a moral dilemma that ends in tragedy. In response to an interviewer who asked Schnitzler what he thought about the critical view that his works all seemed to treat the same subjects, he replied, "I write of love and death. What other subjects are there?" Despite his seriousness of purpose, Schnitzler frequently approaches the bedroom farce in his plays (and had an affair with one of his actresses, Adele Sandrock). Professor Bernhardi, a play about a Jewish doctor who turns away a Catholic priest in order to spare a patient the realization that she is on the point of death, is his only major dramatic work without a sexual theme. A member of the avant-garde group Young Vienna (Jung Wien), Schnitzler toyed with formal as well as social conventions. With his 1900 short story Lieutenant Gustl, he was the first to write German fiction in stream-of-consciousness narration. The story is an unflattering portrait of its protagonist and of the army's obsessive code of formal honour. It caused Schnitzler to be stripped of his commission as a reserve officer in the medical corps—something that should be seen against the rising tide of anti-semitism of the time. He specialized in shorter works like novellas and one-act plays. And in his short stories like "The Green Tie" ("Die grüne Krawatte") he showed himself to be one of the early masters of microfiction. However he also wrote two full-length novels: Der Weg ins Freie about a talented but not very motivated young composer, a brilliant description of a segment of pre-World War I Viennese society; and the artistically less satisfactory Therese. In addition to his plays and fiction, Schnitzler meticulously kept a diary from the age of 17 until two days before his death, of a brain hemorrhage in Vienna. The manuscript, which runs to almost 8,000 pages, is most notable for Schnitzler's cas

Max Rudolph Frisch was born in 1911 in Zurich; the son of Franz Bruno Frisch (an architect) and Karolina Bettina Frisch (née Wildermuth). After studying at the Realgymnasium in Zurich, he enrolled at the University of Zurich in 1930 and began studying German literature, but had to abandon due to financial problems after the death of his father in 1932. Instead, he started working as a journalist and columnist for the Neue Zürcher Zeitung (NZZ), one of the major newspapers in Switzerland. With the NZZ he would entertain a lifelong ambivalent love-hate relationship, for his own views were in stark contrast to the conservative views promulgated by this newspaper. In 1933 he travelled through eastern and south-eastern Europe, and in 1935 he visited Germany for the first time. Some of the major themes in his work are the search or loss of one's identity; guilt and innocence (the spiritual crisis of the modern world after Nietzsche proclaimed that "God is dead"); technological omnipotence (the human belief that everything was possible and technology allowed humans to control everything) versus fate (especially in Homo faber); and also Switzerland's idealized self-image as a tolerant democracy based on consensus—criticizing that as illusion and portraying people (and especially the Swiss) as being scared by their own liberty and being preoccupied mainly with controlling every part of their life. Max Frisch was a political man, and many of his works make reference to (or, as in Jonas und sein Veteran, are centered around) political issues of the time. information was taken from http://en.wikipedia.org/wiki/Max\_Frisch

Bertolt Brecht (born Eugen Berthold Friedrich Brecht) was a German poet, playwright, and theatre director. A seminal theatre practitioner of the twentieth century, Brecht made equally significant contributions to dramaturgy and theatrical production, the latter particularly through the seismic impact of the tours undertaken by the Berliner Ensemble—the post-war theatre company operated by Brecht and his wife and long-time collaborator, the actress Helene Weigel—with its internationally acclaimed productions. From his late twenties Brecht remained a life-long committed Marxist who, in developing the combined theory and practice of his 'epic theatre', synthesized and extended the experiments of Piscator and Meyerhold to explore the theatre as a forum for political ideas and the creation of a critical aesthetics of dialectical materialism. Brecht's modernist concern with drama-as-a-medium led to his refinement of the 'epic form' of the drama (which constitutes that medium's rendering of 'autonomization' or the 'non-organic work of art'—related in kind to the strategy of divergent chapters in Joyce's novel Ulysses, to Eisenstein's evolution of a constructivist 'montage' in the cinema, and to Picasso's introduction of cubist 'collage' in the visual arts). In contrast to many other avant-garde approaches, however, Brecht had no desire to destroy art as an institution; rather, he hoped to 're-function' the apparatus of theatrical production to a new social use. In this regard he was a vital participant in the aesthetic debates of his era—particularly over the 'high art/popular culture' dichotomy—vying with the likes of Adorno, Lukács, Bloch, and developing a close friendship with Benjamin. Brechtian theatre articulated popular themes and forms with avant-garde formal experimentation to create a modernist realism that stood in sharp contrast both to its psychological and socialist varieties. "Brecht's work is the most important and original in European drama since Ibsen and Strindberg," Raymond Williams argues, while Peter Bürger insists that he is "the most important materialist writer of our time." As Jameson among others has stressed, "Brecht is also ‘Brecht’"—collective and collaborative working methods were inherent to his approach. This 'Brecht' was a collective subject that "certainly seemed to have a distinctive style (the one we now call 'Brechtian') but was no longer personal in the bourgeois or individualistic sense." During the course of his career, Brecht sustained many long-lasting creative relationships with other writers, composers, scenographers, directors, dramaturgs and actors; the list includes: Elisabeth Hauptmann, Margarete Steffin, Ruth Berlau, Slatan Dudow, Kurt Weill, Hanns Eisler, Paul Dessau, Caspar Neher, Teo Otto, Karl von Appen, Ernst Busch, Lotte Lenya, Peter Lorre, Therese Giehse, Angelika Hurwicz, and Helene Weigel herself. This is "theatre as collective experiment [...] as something radically different from theatre as expression or as experience." There are few areas of modern theatrical culture that have not felt the impact or influence of Brecht's ideas and practices; dramatists and directors in whom one may trace a clear Brechtian legacy include: Dario Fo, Augusto Boal, Joan Littlewood, Peter Brook, Peter Weiss, Heiner Müller, Pina Bausch, Tony Kushner and Caryl Churchill. In addition to the theatre, Brechtian theories and techniques have exerted considerable sway over certain strands of film theory and cinematic practice; Brecht's influence may be detected in the films of Joseph Losey, Jean-Luc Godard, Lindsay Anderson, Rainer Werner Fassbinder, Nagisa Oshima, Ritwik Ghatak, Lars von Trier, Jan Bucquoy and Hal Hartley. During the war years, Brecht became a prominent writer of the Exilliteratur. He expressed his opposition to the National Socialist and Fascist movements in his most famous plays.

Jurek Becker (* vermutlich 30. September 1937 in Łódź, Polen als Jerzy Bekker geboren[1]; † 14. März 1997 in Sieseby, Schleswig-Holstein) war ein deutscher Schriftsteller, Drehbuchautor und DDR-Dissident. Jurek Becker (probably September 30, 1937 – March 14, 1997) was a Polish-born German writer, film-author and GDR dissident. His most famous novel is Jacob the Liar, which has been made into two films. He lived in Łódź during World War II for about two years and survived the Holocaust.

A mystic lyricism and precise imagery often marked verse of German poet Rainer Maria Rilke, whose collections profoundly influenced 20th-century German literature and include The Book of Hours (1905) and The Duino Elegies (1923). People consider him of the greatest 20th century users of the language. His haunting images tend to focus on the difficulty of communion with the ineffable in an age of disbelief, solitude, and profound anxiety—themes that tend to position him as a transitional figure between the traditional and the modernist poets. His two most famous sequences include the Sonnets to Orpheus , and his most famous prose works include the Letters to a Young Poet and the semi-autobiographical The Notebooks of Malte Laurids Brigge . He also wrote more than four hundred poems in French, dedicated to the canton of Valais in Switzerland, his homeland of choice.

Friedrich Dürrenmatt (1921 – 1990) was a Swiss author and dramatist. Dürrenmatt was born in the Emmental (canton of Bern), the son of a Protestant pastor. His grandfather Ulrich Dürrenmatt was a conservative politician. The family moved to Bern in 1935. Dürrenmatt began to study philosophy and German language and literature at the University of Zurich in 1941, but moved to the University of Bern after one semester. In 1943 he decided to become an author and dramatist and dropped his academic career. In 1945-46, he wrote his first play, "It is written". On October 11 1946 he married actress Lotti Geissler. She died in 1983 and Dürrenmatt was married again to another actress, Charlotte Kerr, the following year. He was a proponent of epic theater whose plays reflected the recent experiences of World War II. The politically active author gained fame largely due to his avant-garde dramas, philosophically deep crime novels, and often macabre satire. One of his leading sentences was: "A story is not finished, until it has taken the worst turn". Dürrenmatt was a member of the Gruppe Olten.

Anna Seghers (November 19, 1900, Mainz – June 1, 1983, Berlin) was a German writer famous for depicting the moral experience of the Second World War. Born Netty Reiling in Mainz in 1900 of partly Jewish descent, she married Laszlo Radvanyi, a Hungarian Communist in 1925. In Cologne and Heidelberg she studied history, the history of art and Chinese. She joined the Communist Party of Germany in 1928, at the height of its struggle against the burgeoning National Socialist German Workers Party. Her 1932 novel, Die Gefährten was a prophetic warning of the dangers of Fascism, which led to her being arrested by the Gestapo. After German troops invaded the French Third Republic in 1940, she fled to Marseilles and one year later to Mexico, where she founded the anti-fascist 'Heinrich-Heine-Klub', named after the German Jewish poet Heinrich Heine, and founded Freies Deutschland (Free Germany), an academic journal. During this time, she wrote The Seventh Cross, for which she received the Büchner-Prize in 1947. The novel is set in 1936 and describes the escape of seven prisoners from a concentration camp. It was published in the United States in 1942 and produced as a movie in 1944 by MGM starring Spencer Tracy. The Seventh Cross was one of the very few depictions of Nazi concentration camps, in either literature or the cinema, during World War II. Seghers best-known story The Outing of the Dead Girls (1946), written in Mexico, was an autobiographical reminiscence of a pre-World War I class excursion on the Rhine river in which the actions of the protagonist's classmates are seen in light of their decisions and ultimate fates during both world wars. In describing them, the German countryside, and her soon-to-be destroyed hometown Mainz, Seghers gives the reader a strong sense of lost innocence and the senseless injustices of war, from which there proves to be no escape, whether or not you sympathized with the Nazi party. Other notable Seghers stories include Sagen von Artemis (1938) and The Ship of the Argonauts (1953), both based on myths. In 1947, Anna Seghers returned to Germany, moved to West Berlin, and became a member of the SED in the zone occupied by the Soviets. In 1950, she moved to East Berlin and became a co-founder of the freedom movement of the GDR. In 1951, she received both the first Nationalpreis der DDR and the Stalin Peace Prize, and in 1959 the "Ehrendoktorwürde der Universität Jena." In 1981, she became "Ehrenbürgerin" of her native town Mainz.

Lion Feuchtwanger was a German Jewish emigre. A renowned novelist and playwright who fled Europe during World War II and lived in Los Angeles from 1941 until his death. A fierce critic of the Nazi regime years before it assumed power precipitated his departure, after a brief internment in France, from Europe. He and his wife Marta obtained asylum in the United States in 1941 and remained there in exile until they died.

A German novelist who wrote works with social themes whose attacks on the authoritarian and increasingly militaristic nature of post-Weimar German society led to his exile in 1933. Born in Lübeck as the oldest child of Thomas Johann Heinrich Mann and Júlia da Silva Bruhns. He was the elder brother of Thomas Mann. His father came from a patrician grain merchant family and was a Senator of the Hanseatic city. After the death of his father, his mother moved the family to Munich, where Heinrich began his career as a freier Schriftsteller or free novelist.

Librarian Note: There is more than one author in the GoodReads database with this name. See this thread for more information. See also: Serbian: Tomas Man Thomas Mann was a German novelist, short story writer, social critic, philanthropist, essayist, and Nobel Prize laureate in 1929, known for his series of highly symbolic and ironic epic novels and novellas, noted for their insight into the psychology of the artist and the intellectual. His analysis and critique of the European and German soul used modernized German and Biblical stories, as well as the ideas of Goethe, Nietzsche, and Schopenhauer. His older brother was the radical writer Heinrich Mann, and three of his six children, Erika Mann, Klaus Mann and Golo Mann, also became important German writers. When Hitler came to power in 1933, Mann fled to Switzerland. When World War II broke out in 1939, he emigrated to the United States, from where he returned to Switzerland in 1952. Thomas Mann is one of the best-known exponents of the so-called Exilliteratur.

Der deutsche Schriftsteller und Übersetzer gilt als einer der bedeutendsten deutschen Autoren der Nachkriegszeit. Er schrieb Gedichte, Kurzgeschichten und Romane, von denen auch einige verfilmt wurden. Dabei setzte er sich kritisch mit der jungen Bundesrepublik auseinander. Zu seinen erfolgreichsten Werken zählen "Billard um halbzehn", "Ansichten eines Clowns" und "Gruppenbild mit Dame". Den Nobelpreis für Literatur bekam Heinrich Böll 1972; er war nach 43 Jahren der erste deutsche Schriftsteller, dem diese Auszeichnung zuteil wurde. 1974 erschien sein wohl populärstes Werk, "Die verlorene Ehre der Katharina Blum". Durch sein politisches Engagement wirkte er, gemeinsam mit seinem Freund Lew Kopelew, auf die europäische Literatur der Nachkriegszeit. Darüber hinaus arbeitete Böll gemeinsam mit seiner Frau Annemarie als Herausgeber und Übersetzer englischsprachiger Werke ins Deutsche... Heinrich Böll became a full-time writer at the age of 30. His first novel, Der Zug war pünktlich (The Train Was on Time), was published in 1949. Many other novels, short stories, radio plays, and essay collections followed. In 1972 he received the Nobel Prize for Literature "for his writing which through its combination of a broad perspective on his time and a sensitive skill in characterization has contributed to a renewal of German literature." He was the first German-born author to receive the Nobel Prize since Hermann Hesse in 1946. His work has been translated into more than 30 languages, and he is one of Germany's most widely read authors.
