Joseph "Jeph" Loeb III is an Emmy and WGA nominated American film and television writer, producer and award-winning comic book writer. Loeb was a Co-Executive Producer on the NBC hit show Heroes, and formerly a producer/writer on the TV series Smallville and Lost. A four-time Eisner Award winner and five-time Wizard Fan Awards winner (see below), Loeb's comic book career includes work on many major characters, including Spider-Man, Batman, Superman, Hulk, Captain America, Cable, Iron Man, Daredevil, Supergirl, the Avengers, and Buffy the Vampire Slayer, much of which he has produced in collaboration with artist Tim Sale, who provides the comic art seen on Heroes.

In the late 1970s to early 1980s he drew fantasy ink pictures for the Dungeons & Dragons Basic and Expert game rulebooks. He first gained attention for his 1980s comic book series Elementals published by Comico, which he both wrote and drew. However, for reasons unknown, the series had trouble maintaining an original schedule, and Willingham's position in the industry remained spotty for many years. He contributed stories to Green Lantern and started his own independent, black-and-white comics series Coventry which lasted only 3 issues. He also produced the pornographic series Ironwood for Eros Comix. In the late 1990s Willingham reestablished himself as a prolific writer. He produced the 13-issue Pantheon for Lone Star Press and wrote a pair of short novels about the modern adventures of the hero Beowulf, published by the writer's collective, Clockwork Storybook, of which Willingham was a founding member. In the early 2000s he began writing extensively for DC Comics, including the limited series Proposition Player, a pair of limited series about the Greek witch Thessaly from The Sandman, and most notably the popular series Fables

Yoshinori Natsume 夏目義徳 Natsume Yoshinori, born August 23, 1975 in Hiroshima, Japan is a Japanese manga artist. He created Togari and authored the prestige format Batman manga mini-series Batman: Death Mask,in April 2008. As of January 4, 2013, he is currently working on a shonen manga for Grand Jump called White Tiger.

Trevor Von Eeden is a Guyanese-American comics artist, actor and writer known for his work on such titles as Black Lightning, Batman, Green Arrow, Power Man and Iron Fist, and the biographical series The Original Johnson. (source: Wikipedia)

Andersen Gabrych is a Northern California native. He’s written Detective Comics, Batman, Batgirl, Catwoman, and Omega Men for DC Comics, and is the author of the original graphic novel, Fog Town. As an actor he appeared most notably in the award-winning Edge of Seventeen and at HBO’s Aspen Comedy Festival. He currently lives in L.A. with his cat, Moses, and is the co-creator of Pyrasphere, “Hollywood’s fastest growing new religion,” and the subsequent documentary Bright Day! about this fictitious spiritual movement.

Will Pfeifer was born in 1967 in the town of Niles, Ohio. He attended Kent State University and graduated in 1989. He has resided in Rockford, Illinois since 1990, with his wife, Amy. Pfeifer, along with his comic writing duties, is the assistant features editor at the Rockford Register Star. He also writes a weekly DVD column for the Sunday paper.

Ed Brubaker (born November 17, 1966) is an Eisner Award-winning American cartoonist and writer. He was born at the National Naval Medical Center, Bethesda, Maryland. Brubaker is best known for his work as a comic book writer on such titles as Batman, Daredevil, Captain America, Iron Fist, Catwoman, Gotham Central and Uncanny X-Men. In more recent years, he has focused solely on creator-owned titles for Image Comics, such as Fatale, Criminal, Velvet and Kill or Be Killed. In 2016, Brubaker ventured into television, joining the writing staff of the HBO series Westworld.

Devin Grayson is an avid gamer, former acting student, and enthusiastic reader fortunate enough to have turned a lifelong obsession with fictional characters into a dynamic writing career. She has a B.A. from Bard College, where she studied creative writing with novelist Mona Simpson. Best known for her work on the Batman titles for DC Comics, Devin has been a regular writer on Catwoman, Nightwing, and The Titans, and contributed to the award-winning No Man’s Land story arc. With the publication of Batman: Gotham Knights in March of 2000, she became the first (and, sadly, only as of 2020) female to create, launch and write an ongoing Batman title. Additional career highlights include the launch of the critically acclaimed series Omni for Humanoids, Doctor Strange: The Fate of Dreams, an original novel featuring Marvel’s Sorcerer Supreme, and USER—a highly personal three-part, creator-owned miniseries about gender identity and online role-playing, originally published by Vertigo and newly available as a collected edition hardcover through Image. Devin is also the creator of Yelena Belova, a Marvel character staring in the upcoming MCU Black Widow movie (played by Florence Pugh), Damien Darhk, a DC character now appearing regularly in CW’s Arrow and Legends of Tomorrow (played by Neal McDonough), and Catalina Flores, a DC character recently featured as the super-villain Tarantula in The Lego Batman Movie. Frequently cited for compelling character development and nuanced exploration of complex themes, Devin’s work has been showcased in mainstream media such as USA Today and Working Woman as well as in alternative press such as The Village Voice, The Advocate, and Curve magazine. Over the years, she has written in several different media and genres, from comic books and novels to video game scripts and short essays. She is currently working on an original graphic novel for Berger Books. Devin lives in Northern California with her husband, step-son, devoted Early Alert Canines Diabetic Alert Dog, and somewhat less devoted cat. Openly bisexual, she is a passionate advocate for the GLBTQ community, as well as being a committed environmentalist, and a public speaker for T1 Diabetes awareness and Diabetic Alert Dogs. She is always happy to take on a new challenge, especially if it involves making some new fictional friends.

Born February 12th, 1970 and raised on Long Island in New York, Judd began cartooning professionally at 16 with a single-paneled strip called Nuts & Bolts. This ran weekly through Anton Publications, a newspaper publisher that produced town papers in the Tri state area. He was paid 10 dollars a week. In August of 1988, Judd began attending the University of Michigan, Ann Arbor bringing Nuts & Bolts with him, but turning it into a four-panel strip and creating a cast of characters to tell his tales. Nuts & Bolts ran in The Michigan Daily 5 days a week from my freshman year (freshperson, or first-year student, as they liked to say at U of M), until graduation in the spring of 1992. A collection of those college years Nuts & Bolts was published in Ann Arbor. Watching the Spin-Cycle: the Nuts & Bolts collection had a small run of a thousand books a couple of months before graduation. They sold out in about 2 weeks and there are no plans to republish it. Before graduation he accepted a development deal with a major syndicate (syndicates are the major league baseball of comic strips. They act as an agent or broker and sell comic strips to newspapers). Judd spent the next year living in Boston, and developing his strip. The bottom dropped out when the syndicate decided that they were not going to pursue Nuts and Bolts for syndication and were terminating his development contract. Crushed and almost broke, he moved back in with his parents in July 1993. Getting by doing spot illustration jobs, Judd actually had Nuts & Bolts in development with Nickelodeon as an animated series. At one point he even turned the human characters into mice (Young Urban Mice and Rat Race were the working titles). In August of 1993 he saw an ad on MTV for The Real World III, San Francisco. For those who may not know, The Real World is a real-life documentary soap opera, where 7 strangers from around the country are put up in a house and filmed for six months. You get free rent, free moving costs, you get to live in San Francisco, and get to be a famous pig on television. The "Audition process," was everything from doing a video, to filling out a 15 page application, to in-person interviews with the producers, to being followed around and filmed for a day. 6 months and 6 "levels" later, Judd was in. On February 12th 1993, he moved into a house on Russian Hill and they began filming. Along the way Nuts & Bolts was given a weekly spot in the San Francisco Examiner. This WHOLE deal was filmed and aired for the show. They moved out in June of 1994, a couple of days after O.J.'s Bronco chase in L.A. The show began airing a week later. Along with the weekly San Francisco Examiner gig, Judd began doing illustrations for The Complete Idiot's Guide series through QUE Books. Since then, Judd has illustrated over 300 Idiot's Guides and still does the cartoons for the computer oriented Idiot's Guides line. A collection of the computer related titles' cartoons was published in 1997 as Terminal Madness, The Complete Idiot's Guide Computer Cartoon Collection. Not too long after the show had been airing, Judd's roommate from the show and good friend, AIDS activist Pedro Zamora, took ill from AIDS complications. Pedro was to begin a lecture tour in September. Judd agreed to step in and speak on his behalf until he was well enough to do so again. In August of 1994, Pedro checked into a hospital and never recovered. Pedro passed away on November 11, 1994. He was 22. Judd continued to lecture about Pedro, Aids education and prevention and what it's like to live with some one who is living with AIDS for most of 1995. Speaking at over 70 schools across the country, Judd describes it as, "...the most fulfilling and difficult time in my life." But time and emotional constraints forced him to stop lecturing. In May of 1995 Judd found the weekly Nuts & Bolts under-whelming and decided to give syndication another go. Re-vamping Nuts & Bolts

Charles "Chuck" Dixon is an American comic book writer, perhaps best-known for long runs on Batman titles in the 1990s. His earliest comics work was writing Evangeline first for Comico Comics in 1984 (then later for First Comics, who published the on-going series), on which he worked with his then-wife, the artist Judith Hunt. His big break came one year later, when editor Larry Hama hired him to write back-up stories for Marvel Comics' The Savage Sword of Conan. In 1986, he began working for Eclipse Comics, writing Airboy with artist Tim Truman. Continuing to write for both Marvel and (mainly) Eclipse on these titles, as well as launching Strike! with artist Tom Lyle in August 1987 and Valkyrie with artist Paul Gulacy in October 1987, he began work on Carl Potts' Alien Legion series for Marvel's Epic Comics imprint, under editor Archie Goodwin. He also produced a three-issue adaptation of J. R. R. Tolkien's The Hobbit for Eclipse with artist David Wenzel between 1989 and 1990, and began writing Marc Spector: Moon Knight in June 1989. His Punisher OGN Kingdom Gone (August, 1990) led to him working on the monthly The Punisher War Journal (and later, more monthly and occasional Punisher titles), and also brought him to the attention of DC Comics editor Denny O'Neil, who asked him to produce a Robin mini-series. The mini proved popular enough to spawn two sequels - The Joker's Wild (1991) and Cry of the Huntress (1992) - which led to both an ongoing monthly series (which Dixon wrote for 100 issues before leaving to work with CrossGen Comics), and to Dixon working on Detective Comics from #644-738 through the major Batman stories KnightFall & KnightsEnd (for which he helped create the key character of Bane), DC One Million, Contagion, Legacy, Cataclysm and No Man's Land . Much of his run was illustrated by Graham Nolan. He was DC's most prolific Batman-writer in the mid-1990s (rivalled perhaps in history by Bill Finger and Dennis O'Neil) - in addition to writing Detective Comics he pioneered the individual series for Robin, Nightwing (which he wrote for 70 issues, and returned to briefly with 2005's #101) and Batgirl, as well as creating the team and book Birds of Prey . While writing multiple Punisher and Batman comics (and October 1994's Punisher/Batman crossover), he also found time to launch Team 7 for Jim Lee's WildStorm/Image and Prophet for Rob Liefeld's Extreme Studios. He also wrote many issues of Catwoman and Green Arrow, regularly having about seven titles out each and every month between the years 1993 and 1998. In March, 2002, Dixon turned his attention to CrossGen's output, salthough he co-wrote with Scott Beatty the origin of Barbara Gordon's Batgirl in 2003's Batgirl: Year One. For CrossGen he took over some of the comics of the out-going Mark Waid, taking over Sigil from #21, and Crux with #13. He launched Way of the Rat in June 2002, Brath (March '03), The Silken Ghost (June '03) and the pirate comic El Cazador (Oct '03), as well as editing Robert Rodi's non-Sigilverse The Crossovers. He also wrote the Ruse spin-off Archard's Agents one-shots in January and November '03 and April '04, the last released shortly before CrossGen's complete collapse forced the cancellation of all of its comics, before which Dixon wrote a single issue of Sojourn (May '04). Dixon's Way of the Rat #24, Brath #14 and El Cazador #6 were among the last comics released from the then-bankrupt publisher. On June 10, 2008, Dixon announced on his forum that he was no longer "employed by DC Comics in any capacity."

Marz is well known for his work on Silver Surfer and Green Lantern, as well as the Marvel vs DC crossover and Batman/Aliens. He also worked on the CrossGen Comics series Scion, Mystic, Sojourn, and The Path. At Dark Horse Comics he created Samurai: Heaven and Earth and various Star Wars comics. He has also done work for Devil’s Due Publishing’s Aftermath line, namely Blade of Kumori. In 1995, he had a brief run on XO-Manowar, for Valiant Comics. Marz’s more recent works includes a number of Top Cow books including Witchblade and a Cyberforce relaunch. For DC Comics, he has written Ion, a 12 part comic book miniseries that followed the Kyle Rayner character after the One Year Later event, and Tales of the Sinistro Corps Presents: Parallax and Tales of the Sinestro Corps Presents: Ion, two one-shot tie-ins to the Green Lantern crossover, The Sinestro Corps War. His current creator owned projects include “Dragon Prince” (Top Cow) and “Samurai : Heaven and Earth” (Dark Horse). Photo by Luigi Novi.

Dwayne McDuffie was an American writer of comic books and television. His notable works included creating the animated series Static Shock, writing and producing the animated series Justice League Unlimited, and co-founding the comic book company Milestone Media. He co-hosted a radio comedy program, and also wrote under a pseudonym for stand-up comedians and late-night television comedy programs. While working as a copy-editor for a financial magazine, a friend got him an interview for an assistant editor position at Marvel Comics. While on staff at Marvel as Bob Budiansky's assistant on special projects, McDuffie also scripted stories for the company. His first major work was Damage Control, a series about the company that shows up between issues and tidies up the mess left by the latest round of superhero/supervillain battles. While an editor at Marvel, he submitted a spoof proposal for a comic entitled Teenage Negro Ninja Thrasher in response to Marvel's treatment of its black characters. Becoming a freelancer in early 1990, McDuffie followed that with dozens of various comics titles for Marvel comics, DC Comics, and Archie Comics. In 1992, wanting to express a multi-cultural sensibility that he felt was missing in comic books, McDuffie co-founded Milestone Media, a comic book company owned by African-Americans. After Milestone had ceased publishing new comics, Static was developed into an animated series Static Shock. McDuffie was hired to write and story-edit on the series, writing 11 episodes. McDuffie was hired as a staff writer for the animated series Justice League and was promoted to story editor and producer as the series became Justice League Unlimited. During the entire run of the animated series, McDuffie wrote, produced, or story-edited 69 out of the 91 episodes. McDuffie also wrote the story for the video game Justice League Heroes. McDuffie was hired to help revamp and story-edit Cartoon Network's popular animated Ben 10 franchise with Ben 10: Alien Force, continuing the adventures of the ten-year-old title character into his mid and late teenage years. During the run of the series, McDuffie wrote episode 1-3, 14, 25-28, 45 and 46 and/or story-edited all forty-six episodes. On February 22, 2011, McDuffie died from complications due to a surgical procedure performed the previous evening. http://en.wikipedia.org/wiki/Dwayne_M...

Geoff Johns originally hails from Detroit, Michigan. He attended Michigan State University, where he earned a degree in Media Arts and Film. He moved to Los Angeles in the late 1990s in search of work within the film industry. Through perseverance, Geoff ended up as the assistant to Richard Donner, working on Conspiracy Theory and Lethal Weapon 4. During that time, he also began his comics career writing Stars and S.T.R.I.P.E. and JSA (co-written with David S. Goyer) for DC Comics. He worked with Richard Donner for four years, leaving the company to pursue writing full-time. His first comics assignments led to a critically acclaimed five-year run on the The Flash. Since then, he has quickly become one of the most popular and prolific comics writers today, working on such titles including a highly successful re-imagining of Green Lantern, Action Comics (co-written with Richard Donner), Teen Titans, Justice Society of America, Infinite Crisis and the experimental breakout hit series 52 for DC with Grant Morrison, Greg Rucka and Mark Waid. Geoff received the Wizard Fan Award for Breakout Talent of 2002 and Writer of the Year for 2005, 2006, 2007, and 2008 as well as the CBG Writer of the Year 2003 thru 2005, 2007 and CBG Best Comic Book Series for JSA 2001 thru 2005. Geoff also developed BLADE: THE SERIES with David S. Goyer, as well as penned the acclaimed “Legion” episode of SMALLVILLE. He also served as staff writer for the fourth season of ROBOT CHICKEN. Geoff recently became a New York Times Bestselling author with the graphic novel Superman: Brainiac with art by Gary Frank.

Douglas "Doug" Mahnke is an American comic book artist and penciller. He embarked on a love affair with comics at the age of five, having received a pile of Spider-Man issues from a rugby-playing college student named Mike who lived in his basement. A consistent interest in the medium, coupled with some art skill, landed Mahnke a job drawing comics for Dark Horse at the age of 24. His first gig was illustrating a moody detective one-shot entitled Homicide written by John Arcudi. The two went on to collaborate on Dark Horse's The Mask and their creator-owned series Major Bummer, originally published by DC. Since then, Mahnke has worked almost exclusively for DC on a wide variety of titles, including Superman: The Man Of Steel; JLA; Justice League; Batman; Team Zero; Seven Soldiers: Frankenstein; Black Adam: The Dark Age; Stormwatch: P.H.D.; Final Crisis; Green Lantern; Superman/Wonder Woman; Superman; and Detective Comics.

Mike W. Barr is an American writer of comic books, and mystery, and science fiction novels. Barr's debut as a comics professional came in DC Comics' Detective Comics #444 (Dec. 1974-Jan. 1975), for which he wrote an 8-page back-up mystery feature starring the Elongated Man. Another Elongated Man story followed in Detective Comics #453 (November 1975). He wrote text articles and editorial replies in letter columns for the next few years. By mid-1980 he was writing regularly for both DC and Marvel, including stories for Marvel Team-Up, Mystery in Space, Green Lantern, and various Batman titles. Legion of Super-Heroes #277 (July 1981) saw him take on editorial duties at DC, while writing issues of DC's Star Trek comic, for whom he created the native American character Ensign Bearclaw and a pacifist Klingon named Konom. In December 1982, he and artist Brian Bolland began Camelot 3000, a 12 issue limited series that was one of DC Comics' first direct market projects. In August 1983, Barr created what may well be his most enduring work, the monthly title Batman and the Outsiders with art by Jim Aparo. Barr wrote every issue of the original series, and its Baxter paper spinoff, The Outsiders. His other comics work includes Mantra and Maze Agency as well as the 1987 OGN hardcover book Batman: Son of the Demon (with art by Jerry Bingham), proceeds from which reputedly "restored DC Comics to first place in sales after fifteen years." This title, and Barr's work on Batman with artist Alan Davis have been cited by Grant Morrison as key inspirations for his recent (2006) run on the Batman title. In 2007, he wrote a two-part story for the pages of DC's JLA: Classified (#47-48, Jan-Feb 2008), returned to the Outsiders with Outsiders: Five of a Kind—Katana/Shazam #1 (Oct 2007), contributed to Tokyopop's Star Trek: The Manga, and relaunched Maze Agency at IDW Publishing. He has also scripted many of Bongo Comics' Simpsons titles, including a Christmas story for 2010. In May 2010, the Invisible College Press published Barr's science fiction/fantasy novel, Majician/51, about the discoveries of a scientist working at Area 51.

James P. "Jim" Starlin is an American comic book writer and artist. With a career dating back to the early 1970s, he is best known for "cosmic" tales and space opera; for revamping the Marvel Comics characters Captain Marvel and Adam Warlock; and for creating or co-creating the Marvel characters Thanos and Shang-Chi, Master of Kung Fu. Death and suicide are recurring themes in Starlin's work: Personifications of Death appeared in his Captain Marvel series and in a fill-in story for Ghost Rider; Warlock commits suicide by killing his future self; and suicide is a theme in a story he plotted and drew for The Rampaging Hulk magazine. In the mid-1970s, Starlin contributed a cache of stories to the independently published science-fiction anthology Star Reach. Here he developed his ideas of God, death, and infinity, free of the restrictions of mainstream comics publishers' self-censorship arm, the Comics Code Authority. Starlin also drew "The Secret of Skull River", inked by frequent collaborator Al Milgrom, for Savage Tales #5 (July 1974). When Marvel Comics wished to use the name of Captain Marvel for a new, different character,[citation needed] Starlin was given the rare opportunity to produce a one-shot story in which to kill off a main character. The Death of Captain Marvel became the first graphic novel published by the company itself. ( In the late 1980s, Starlin began working more for DC Comics, writing a number of Batman stories, including the four-issue miniseries Batman: The Cult (Aug.-Nov. 1988), and the storyline "Batman: A Death in the Family", in Batman #426-429 (Dec. 1988 – Jan. 1989), in which Jason Todd, the second of Batman's Robin sidekicks, was killed. The death was decided by fans, as DC Comics set up a hotline for readers to vote on as to whether or not Jason Todd should survive a potentially fatal situation. For DC he created Hardcore Station.

Grant Morrison has been working with DC Comics for twenty five years, after beginning his American comics career with acclaimed runs on ANIMAL MAN and DOOM PATROL. Since then he has written such best-selling series as JLA, BATMAN and New X-Men, as well as such creator-owned works as THE INVISIBLES, SEAGUY, THE FILTH, WE3 and JOE THE BARBARIAN. In addition to expanding the DC Universe through titles ranging from the Eisner Award-winning SEVEN SOLDIERS and ALL-STAR SUPERMAN to the reality-shattering epic of FINAL CRISIS, he has also reinvented the worlds of the Dark Knight Detective in BATMAN AND ROBIN and BATMAN, INCORPORATED and the Man of Steel in The New 52 ACTION COMICS. In his secret identity, Morrison is a "counterculture" spokesperson, a musician, an award-winning playwright and a chaos magician. He is also the author of the New York Times bestseller Supergods, a groundbreaking psycho-historic mapping of the superhero as a cultural organism. He divides his time between his homes in Los Angeles and Scotland.

Doug Moench, is an American comic book writer notable for his Batman work and as the creator of Black Mask, Moon Knight and Deathlok. Moench has worked for DC Comics, Marvel Comics, Dark Horse Comics and many other smaller companies; he has written hundreds of issues of many different comics, and created dozens of characters, such as Moon Knight. In 1973, Moench became the de facto lead writer for the Marvel black-and-white magazine imprint Curtis Magazines. He contributed to the entire runs of Planet of the Apes, Rampaging Hulk (continuing on the title when it changed its name to The Hulk!) and Doc Savage, while also serving as a regular scribe for virtually every other Curtis title during the course of the imprint's existence. Moench is perhaps best known for his work on Batman, whose title he wrote from 1983–1986 and then again from 1992–1998. (He also wrote the companion title Detective Comics from 1983–1986.) Moench is a frequent and longtime collaborator with comics artist Paul Gulacy. The pair are probably best known for their work on Shang-Chi: Master of Kung Fu, which they worked on together from 1974–1977. They also co-created Six from Sirius, Slash Maraud, and S.C.I. Spy, and have worked together on comics projects featuring Batman, Conan the Barbarian and James Bond. Moench has frequently been paired with the artist and inker team of Kelley Jones and John Beatty on several Elseworlds Graphic Novels and a long run of the monthly Batman comic.

STEVE NILES is one of the writers responsible for bringing horror comics back to prominence, and was recently named by Fangoria magazine as one of it's "13 rising talents who promise to keep us terrified for the next 25 years." Niles is currently working for the four top American comic publishers - Marvel, DC, Image and Dark Horse. He got his start in the industry when he formed his own publishing company called Arcane Comix, where he published, edited and adapted several comics and anthologies for Eclipse Comics. His adaptations include works by Clive Barker, Richard Matheson and Harlan Ellison. Steve resides in Los Angeles in his bachelor pad with one cat. While there's no crawlspace, there is a questionable closet in one corner and no one is quite sure what is hidden in there...but we have an idea. —from the author's website

Dennis "Denny" O'Neil was a comic book writer and editor best known for his work for Marvel Comics and DC Comics from the 1960s through the 1990s, and Group Editor for the Batman family of titles until his retirement. His best-known works include Green Lantern/Green Arrow and Batman with Neal Adams, The Shadow with Michael Kaluta and The Question with Denys Cowan. As an editor, he is principally known for editing the various Batman titles. From 2013 unti his death, he sat on the board of directors of the charity The Hero Initiative and served on its Disbursement Committee.

aka David Peters Peter Allen David (often abbreviated PAD) is an American writer, best known for his work in comic books and Star Trek novels. David often jokingly describes his occupation as "Writer of Stuff". David is noted for his prolific writing, characterized by its mingling of real world issues with humor and references to popular culture. He also uses metafiction frequently, usually to humorous effect, as in his work on the comic book Young Justice.

Horrocks has been involved in the New Zealand comic scene since the mid 1980s, when he co-founded Razor with Cornelius Stone and had his work published in the University of Auckland student magazine Craccum. Later in the decade he began to get international recognition, having work published by Australia's Fox Comics and the American Fantagraphics Books. He then moved to the United Kingdom where he self-published several mini-comics and co-founded Le Roquet, a comics annual. Upon returning to New Zealand in the mid 1990s, Horrocks had a half-page strip called 'Milo's Week' in the current affairs magazine New Zealand Listener from 1995 to 1997. He also produced Pickle, published by Black Eye Comics, in which the 'Hicksville' story originally appeared. Hicksville was published in book form in 1998, achieving considerable critical success. French, Spanish and Italian editions have since been published. In the last decade Horrocks has written and drawn a wide range of projects including scripts for Vertigo's Hunter: The Age of Magic and the Batgirl series, and Atlas, published by Drawn and Quarterly. Horrocks' work has been displayed at the Auckland Art Gallery and Wellington's City Gallery. In 2002 Hicksville won an Eisner Award for Talent Deserving of Wider Recognition, and the same year Atlas was nominated for the Harvey Award for Best Single Issue or Story in 2002. In 2006 he was appointed University of Auckland/Creative New Zealand Literary Fellow.[1] In an interview with Comics Bulletin, Horrocks claimed that his first words were 'Donald Duck'.