Kevin Patrick Smith is an American screenwriter, director, as well as a comic book writer, author, and actor. He is also the co-founder, with Scott Mosier, of View Askew Productions and owner of Jay and Silent Bob's Secret Stash comic and novelty store in Red Bank, New Jersey. He also hosts a weekly podcast with Scott Mosier known as SModcast. He is also known for participating in long, humorous Q&A Sessions that are often filmed for DVD release, beginning with An Evening with Kevin Smith. His films are often set in his home state of New Jersey, and while not strictly sequential, they do frequently feature crossover plot elements, character references, and a shared canon in what is known by fans as the "View Askewniverse", named after his production company View Askew Productions. He has produced numerous films and television projects, including Clerks, Mallrats, Chasing Amy, Dogma, Jay and Silent Bob Strike Back and Clerks II.

Augustyn got his start in the industry in 1986 as an editor for Tru Studios' Trollords. He then edited Syphons and Speed Racer for NOW Comics in 1987. In 1988, he joined DC, starting out as a co-editor on Action Comics during its period as a weekly title. During the late 1980s and early 1990s Augustyn was an editor for DC Comics, where he edited The Flash, Justice League and the Impact Comics line of titles. Augustyn was recognized for his work in the industry with the Wizard Fan Award for Favorite Editor in 1994. He served as the managing editor of Visionary Comics Studio. As editor of The Flash beginning in 1989, Augustyn brought in Mark Waid as writer in 1992, which led to an acclaimed eight-year run. Under Augustyn's stewardship, the Flash was brought out from the shadow of his predecessors and increased his powers dramatically. Other Augustyn-Waid editor-writer partnerships included The Comet (DC/Impact, 1992) and Impulse (DC, 1995–1996). Augustyn currently works as story editor for publisher Red Giant Entertainment and their Giant-Size Comics line of free print comic book titles which debuted on May 3, 2014 as part of Free Comic Book Day.[

Joseph "Jeph" Loeb III is an Emmy and WGA nominated American film and television writer, producer and award-winning comic book writer. Loeb was a Co-Executive Producer on the NBC hit show Heroes, and formerly a producer/writer on the TV series Smallville and Lost. A four-time Eisner Award winner and five-time Wizard Fan Awards winner (see below), Loeb's comic book career includes work on many major characters, including Spider-Man, Batman, Superman, Hulk, Captain America, Cable, Iron Man, Daredevil, Supergirl, the Avengers, and Buffy the Vampire Slayer, much of which he has produced in collaboration with artist Tim Sale, who provides the comic art seen on Heroes.

In the late 1970s to early 1980s he drew fantasy ink pictures for the Dungeons & Dragons Basic and Expert game rulebooks. He first gained attention for his 1980s comic book series Elementals published by Comico, which he both wrote and drew. However, for reasons unknown, the series had trouble maintaining an original schedule, and Willingham's position in the industry remained spotty for many years. He contributed stories to Green Lantern and started his own independent, black-and-white comics series Coventry which lasted only 3 issues. He also produced the pornographic series Ironwood for Eros Comix. In the late 1990s Willingham reestablished himself as a prolific writer. He produced the 13-issue Pantheon for Lone Star Press and wrote a pair of short novels about the modern adventures of the hero Beowulf, published by the writer's collective, Clockwork Storybook, of which Willingham was a founding member. In the early 2000s he began writing extensively for DC Comics, including the limited series Proposition Player, a pair of limited series about the Greek witch Thessaly from The Sandman, and most notably the popular series Fables

Tony Salvador Daniel is a comic book author and illustrator. He is sometimes credited with is full name as Antonio Salvador Daniel. For the science fiction writer, see Tony Daniel. Tony S. Daniel decided to become a comic book artist in the 4th grade and has never looked back. He made his professional comics debut in 1993 on Comico's The Elementals and went on to illustrate X-Force for Marvel Comics and Spawn: Bloodfeud for Image Comics as well as writing and illustrating several creator-owned titles of his own: Silke, The Tenth, Adrenalynn and F5 — the last two of which led him, for a time, into the alternate reality known as Hollywood. After being lured back into comics in 2005 to work with writer Geoff Johns on TEEN TITANS for DC Comics, Daniel landed his dream job in 2007 penciling the adventures of DC's Dark Knight Detective in BATMAN where he first collaborated with writer Grant Morrison and then went on to write and draw the book himself. In 2011 he re-launched DETECTIVE COMICS for DC’s New 52, writing and drawing most of the first year of the historic series. In 2012 Daniel moved from one icon to another when he began illustrating the adventures of Superman in ACTION COMICS.

Patrick Gleason is a comic book artist. Among his credits are the 2005/2006 miniseries Green Lantern Corps: Recharge. He has also worked on such titles as Aquaman, JLA: Welcome to the Working Week, JSA, Noble Causes, H-E-R-O, and X-Men Unlimited. He has been the regular penciller on DC's Green Lantern Corps since its debut in 2006. Photo by Luigi Novi.

JOE HARRIS is the co-creator and writer of original comics and graphic novels such as the Image Comics rock ‘n’ roll thrill ride, Rockstars, and the environmental sci-fi epics, Great Pacific and Snowfall; along with the supernatural thrillers, Ghost Projekt and Spontaneous, and the children’s fantasy, Wars In Toyland, for Oni Press. In 2013, Joe began a long stint writing the officially-licensed continuation of the paranormal investigations of Agents Mulder and Scully in The X-Files comics at IDW to the enjoyment of fans around the world. The X-Files: Cold Cases—the best-selling audio dramatization of Joe’s comics scripts featuring the voices of David Duchovny, Gillian Anderson and the entire original X-Files cast—and the follow-up, The X-Files: Stolen Lives were released by Audible beginning in 2017. As a young creator at Marvel Comics, Joe launched the cult-classic Spider-Man spinoff, Slingers and the Bishop: The Last X-Man series. He has written for just about all major comics publishers including DC Comics, Marvel, Image, IDW, Dark Horse, Valiant, BOOM! and others. A horror screenwriter and filmmaker, Harris conceived and co-wrote Darkness Falls for Sony Pictures—after his short film, Tooth Fairy was acquired by Revolution Studios and he was hired to develop it into a feature—along with the politically farcical slasher movie, The Tripper for FOX. In 2018, he co-wrote the live-action web series, Ninjak vs. the Valiant Universe for Valiant Entertainment. His latest project is Surviving Nuclear Attack, a paranoid sci-fi thriller, set to launch in 2019 as part of John Carpenter’s Tales of Science Fiction from Storm King Comics.

Yoshinori Natsume 夏目義徳 Natsume Yoshinori, born August 23, 1975 in Hiroshima, Japan is a Japanese manga artist. He created Togari and authored the prestige format Batman manga mini-series Batman: Death Mask,in April 2008. As of January 4, 2013, he is currently working on a shonen manga for Grand Jump called White Tiger.

Artist discovered by Topcow comics. Worked on various comics including Cyberforce, Witchblade, Tales of the Witchblade, Darkness and his creator own title Ascension. He also co-created Aphrodite 9. The artist then moved on to working for Marvel comics including the titles New Avengers, Ultimate X-men, Wolverine covers, and various others. Librarian note: There is more than one author in the GoodReads database with this name

Trevor Von Eeden is a Guyanese-American comics artist, actor and writer known for his work on such titles as Black Lightning, Batman, Green Arrow, Power Man and Iron Fist, and the biographical series The Original Johnson. (source: Wikipedia)

Andersen Gabrych is a Northern California native. He’s written Detective Comics, Batman, Batgirl, Catwoman, and Omega Men for DC Comics, and is the author of the original graphic novel, Fog Town. As an actor he appeared most notably in the award-winning Edge of Seventeen and at HBO’s Aspen Comedy Festival. He currently lives in L.A. with his cat, Moses, and is the co-creator of Pyrasphere, “Hollywood’s fastest growing new religion,” and the subsequent documentary Bright Day! about this fictitious spiritual movement.

Will Pfeifer was born in 1967 in the town of Niles, Ohio. He attended Kent State University and graduated in 1989. He has resided in Rockford, Illinois since 1990, with his wife, Amy. Pfeifer, along with his comic writing duties, is the assistant features editor at the Rockford Register Star. He also writes a weekly DVD column for the Sunday paper.

Ed Brubaker (born November 17, 1966) is an Eisner Award-winning American cartoonist and writer. He was born at the National Naval Medical Center, Bethesda, Maryland. Brubaker is best known for his work as a comic book writer on such titles as Batman, Daredevil, Captain America, Iron Fist, Catwoman, Gotham Central and Uncanny X-Men. In more recent years, he has focused solely on creator-owned titles for Image Comics, such as Fatale, Criminal, Velvet and Kill or Be Killed. In 2016, Brubaker ventured into television, joining the writing staff of the HBO series Westworld.

Mark Chiarello was born on Halloween in 1960. His book "Heroes of the Negro Leagues" (Abrams Publishing) was named the second best sports book of 2007 by Amazon.com. A graduate of Pratt Institute in Brooklyn, NY, Mark was fortunate enough to have as roommates, Kent Williams, John Van Fleet, and George Pratt. He worked as an illustrator for DisneyWorld for a short time in the 1980’s, then went on to work for Marvel Comics and ultimately DC Comics, where he is currently Art Director. Mark lives in Maplewood, NJ with his wonderful wife Catherine and wonderful kids, Jack and Rose, and his almost wonderful dog, oscar.

Peter J. Tomasi is an American comic book writer, best known for his work for DC Comics, such as Batman And Robin; Superman; Super Sons; Batman: Detective Comics; Green Lantern Corps; and Superman/Wonder Woman; as well as Batman: Arkham Knight; Brightest Day; Green Lantern: Emerald Warriors; Nightwing; Black Adam, and many more. In the course of his staff career at DC Comics, Tomasi served as a group editor and ushered in new eras for Batman, Green Lantern, and the JSA, along with a host of special projects like Kingdom Come. He is also the author of the creator-owned titles House Of Penance with artist Ian Bertram; Light Brigade with artist Peter Snejbjerg; The Mighty with Keith Champagne and Chris Samnee; and the critically acclaimed epic graphic novel The Bridge: How The Roeblings Connected Brooklyn To New York, illustrated by Sara DuVall and published by Abrams ComicArts. In 2018 New York Times best-selling author Tomasi received the Inkpot Award for achievement in comics.

Darwyn Cooke was an Eisner Award winning comic book writer, artist, cartoonist and animator, best known for his work on the comic books Catwoman, DC: The New Frontier and Will Eisner's The Spirit. In 1985, Cooke published his first comic book work as a professional artist in a short story in New Talent Showcase #19, but economic pressure made him leave the career and he worked in Canada as a magazine art director, graphic and product designer for the next 15 years. In the early 1990s Cooke decided to return to comics, but found little interest for his work at the major publishers. Eventually he was hired by Warner Bros. Animation after replying to an ad placed by animator Bruce Timm. He went on to work as a storyboard artist for Batman: The Animated Series and Superman: The Animated Series, and in 1999 he animated the main title design for Batman Beyond. He then worked as a director for Sony Animation's Men in Black: The Series for a year. DC Comics then approached Cooke about a project which he had submitted to the publisher years earlier which eventually became Batman: Ego, a graphic novel published in 2000. The critical success of that project led to Cooke taking on more freelance work, such as X-Force, Wolverine/Doop and Spider-Man's Tangled Web for Marvel Comics and Just Imagine... Stan Lee for DC. In 2001, Cooke and writer Ed Brubaker teamed up to revamp the Catwoman character. They started with a 4 issue serial "Trail of the Catwoman" in Detective Comics #759-762 in which private detective Slam Bradley attempts to investigate the death of Selina Kyle (AKA Catwoman). The story led into a new Catwoman title in late 2001 by Brubaker and Cooke, in which the character's costume, supporting cast and modus operandi were all redesigned and redeveloped. Cooke would stay on the series, which was met with critical and fan acclaim, up until issue #4. In 2002 he would write and draw a prequel, the Selina's Big Score graphic novel which detailed what had happened to the character directly before her new series. Cover to DC: The New Frontier #6. Cover to DC: The New Frontier #6. Cooke's next project was the ambitious DC: The New Frontier (2004), a six issue miniseries which sought to tell an epic storyline bridging the gap between the end of the golden and the start of the silver age of comic books in the DC Universe. The story, which was set in the 1950s, featured dozens of super-hero characters and drew inspiration from the comic books and movies of the period as well as from Tom Wolfe's non-fiction account of the start of the US Space Program The Right Stuff. The major DC characters are introduced in "The New Frontier" in the same order that DC originally published them, even down to the correct month and year in the story's timeline. In 2005, Cooke won an Eisner Award for "Best Limited Series", and a Joe Shuster Award for "Outstanding Canadian Comic Book Cartoonist" for his work on the series. Most recently, Cooke contributed to DC's artist-centric anthology project Solo. His issue (#5, June, 2005) featured several different stories in different styles with a framing sequence featuring the Slam Bradley character. In 2006, Solo #5 won an Eisner Award for "Best Single Issue." In July 2005, it was announced that in 2006 Cooke and writer Jeph Loeb would produce a Batman/Spirit crossover, to be followed shortly afterwards by an ongoing Spirit series written and drawn by Cooke. Batman/The Spirit was ultimately published in November 2006, followed in December by the first issue of Cooke's The Spirit. In June 2007, Cooke and J. Bone won a Joe Shuster Award for "Outstanding Canadian Comic Book Artists" for their work on "Batman/The Spirit", and Cooke won "Outstanding Canadian Comic Book Cartoonist" for his work on "The Spirit". In July 2006, it was announced that Warner Bros. Animation and DC Comics would release a series of direct-to-DVD animated movies based on important DC com

James "Jimmy" Palmiotti is an American writer and inker of comic books, who also does writing for games, television and film. Photo by Luigi Novi.

Mike Mignola was born September 16, 1960 in Berkeley, California and grew up in nearby Oakland. His fascination with ghosts and monsters began at an early age (he doesn't remember why) and reading Dracula at age 13 introduced him to Victorian literature and folklore from which he has never recovered. In 1982, hoping to find a way to draw monsters for a living, he moved to New York City and began working for Marvel Comics, first as a (very terrible) inker and then as an artist on comics like Rocket Raccoon, Alpha Flight and The Hulk. By the late 80s he had begun to develop his signature style (thin lines, clunky shapes and lots of black) and moved onto higher profile commercial projects like Cosmic Odyssey (1988) and Gotham by Gaslight (1989) for DC Comics, and the not-so-commercial Fafhrd and the Grey Mouser (1990) for Marvel. In 1992, he drew the comic book adaptation of the film Bram Stoker's Dracula for Topps Comics. In 1993, Mike moved to Dark Horse comics and created Hellboy, a half-demon occult detective who may or may not be the Beast of the Apocalypse. While the first story line (Seed of Destruction, 1994) was co-written by John Byrne, Mike has continued writing the series himself. There are, at this moment, 13 Hellboy graphic novel collections (with more on the way), several spin-off titles (B.P.R.D., Lobster Johnson, Abe Sapien and Witchfinder), three anthologies of prose stories, several novels, two animated films and two live-action films staring Ron Perlman. Hellboy has earned numerous comic industry awards and is published in a great many countries. Mike also created the award-winning comic book The Amazing Screw-on Head and has co-written two novels (Baltimore, or, the Steadfast Tin Soldier and the Vampire and Joe Golem and the Drowning City) with best-selling author Christopher Golden. Mike worked (very briefly) with Francis Ford Coppola on his film Bram Stoker's Dracula (1992), was a production designer on the Disney film Atlantis: The Lost Empire (2001) and was visual consultant to director Guillermo del Toro on Blade II (2002), Hellboy (2004) and Hellboy II: The Golden Army (2008). He lives somewhere in Southern California with his wife, daughter, a lot of books and a cat.

Devin Grayson is an avid gamer, former acting student, and enthusiastic reader fortunate enough to have turned a lifelong obsession with fictional characters into a dynamic writing career. She has a B.A. from Bard College, where she studied creative writing with novelist Mona Simpson. Best known for her work on the Batman titles for DC Comics, Devin has been a regular writer on Catwoman, Nightwing, and The Titans, and contributed to the award-winning No Man’s Land story arc. With the publication of Batman: Gotham Knights in March of 2000, she became the first (and, sadly, only as of 2020) female to create, launch and write an ongoing Batman title. Additional career highlights include the launch of the critically acclaimed series Omni for Humanoids, Doctor Strange: The Fate of Dreams, an original novel featuring Marvel’s Sorcerer Supreme, and USER—a highly personal three-part, creator-owned miniseries about gender identity and online role-playing, originally published by Vertigo and newly available as a collected edition hardcover through Image. Devin is also the creator of Yelena Belova, a Marvel character staring in the upcoming MCU Black Widow movie (played by Florence Pugh), Damien Darhk, a DC character now appearing regularly in CW’s Arrow and Legends of Tomorrow (played by Neal McDonough), and Catalina Flores, a DC character recently featured as the super-villain Tarantula in The Lego Batman Movie. Frequently cited for compelling character development and nuanced exploration of complex themes, Devin’s work has been showcased in mainstream media such as USA Today and Working Woman as well as in alternative press such as The Village Voice, The Advocate, and Curve magazine. Over the years, she has written in several different media and genres, from comic books and novels to video game scripts and short essays. She is currently working on an original graphic novel for Berger Books. Devin lives in Northern California with her husband, step-son, devoted Early Alert Canines Diabetic Alert Dog, and somewhat less devoted cat. Openly bisexual, she is a passionate advocate for the GLBTQ community, as well as being a committed environmentalist, and a public speaker for T1 Diabetes awareness and Diabetic Alert Dogs. She is always happy to take on a new challenge, especially if it involves making some new fictional friends.

Robert "Bob" Hall is an American comics artist and writer as well as a playwright and theatre director. He is the co-creator of the West Coast Avengers for Marvel Comics and has worked on such series as Armed and Dangerous and Shadowman, which he both drew and wrote for Valiant Comics. According to his personal webpage: BOB HALL: WRITER, ARTIST, AND COMIC CREATOR I’ve worked in the comics industry for more than forty-five years, starting at Charlton Comics in 1974, illustrating horror stories and drawing covers. That same year I took a course in creating comics taught by the legendary John Buscema and at the end of the class, Buscema recommended me to Archie Goodwin, Editor-In-Chief at Marvel, as a penciler. I was immediately thrown into drawing a group book, The Champions, written by Bill Mantlo, who graciously mentored me through my first jobs. Over the next fifteen years, I drew most of Marvel’s Major books and characters, The Champions, Doctor Doom, the Red Skull, The Avengers, The West Coast Avengers, The Squadron Supreme, Spider-man, including Spider-Man meeting the original Saturday Night Live cast, Thor, Nick Fury, Moon Knight, one issue of The New Mutants, and What If Conan Were Trapped In the Twentieth Century, Part 2. I also did a slew of Movie adaptations including Willow, Dark Man, and arguably the worst superhero movie ever, the 1980s Captain America. On the other hand, check out the graphic novel, Emperor Doom, probably my best work for Marvel. In 1977, Jim Shooter, the new Editor-In Chief, offered me a job as one of a new group of sub-editors. I signed on for a six-month tenure since a stage adaptation I had co-authored, The Passion of Dracula, then running Off Broadway, was due to receive a West End production in London. There was no question that was going to be there for that. Those six months in the bullpen gave me opportunity of working with some of the most talented people in the comics field, Shooter, Stern, Salicrup, Giacoia, both Buscema’s, Colan, Janson, Rubenstein, Layton, Marie Severin, Byrne, Jo Duffy, Claremont, others too many to list. I learned more about making comics than any time before or since. Then in the 1990s, Jim Shooter started a new company, Valiant. Having seen a plays I had authored, he invited me to write and asked me to choose one of four different titles. For me, Shadowman had the most potential, set in New Orleans, featuring a musician and involving voodoo, all stuff I could dig into. I wrote and eventually drew the book for thirty-five issues. It was very successful but was eventually rebooted to support a video game while moved on to I create Armed and Dangerous, a crime series and probably my finest work in comics. It’s hard to find copies but well worth the effort. Then, in the late 1990s, the comics industry went to hell.

Born February 12th, 1970 and raised on Long Island in New York, Judd began cartooning professionally at 16 with a single-paneled strip called Nuts & Bolts. This ran weekly through Anton Publications, a newspaper publisher that produced town papers in the Tri state area. He was paid 10 dollars a week. In August of 1988, Judd began attending the University of Michigan, Ann Arbor bringing Nuts & Bolts with him, but turning it into a four-panel strip and creating a cast of characters to tell his tales. Nuts & Bolts ran in The Michigan Daily 5 days a week from my freshman year (freshperson, or first-year student, as they liked to say at U of M), until graduation in the spring of 1992. A collection of those college years Nuts & Bolts was published in Ann Arbor. Watching the Spin-Cycle: the Nuts & Bolts collection had a small run of a thousand books a couple of months before graduation. They sold out in about 2 weeks and there are no plans to republish it. Before graduation he accepted a development deal with a major syndicate (syndicates are the major league baseball of comic strips. They act as an agent or broker and sell comic strips to newspapers). Judd spent the next year living in Boston, and developing his strip. The bottom dropped out when the syndicate decided that they were not going to pursue Nuts and Bolts for syndication and were terminating his development contract. Crushed and almost broke, he moved back in with his parents in July 1993. Getting by doing spot illustration jobs, Judd actually had Nuts & Bolts in development with Nickelodeon as an animated series. At one point he even turned the human characters into mice (Young Urban Mice and Rat Race were the working titles). In August of 1993 he saw an ad on MTV for The Real World III, San Francisco. For those who may not know, The Real World is a real-life documentary soap opera, where 7 strangers from around the country are put up in a house and filmed for six months. You get free rent, free moving costs, you get to live in San Francisco, and get to be a famous pig on television. The "Audition process," was everything from doing a video, to filling out a 15 page application, to in-person interviews with the producers, to being followed around and filmed for a day. 6 months and 6 "levels" later, Judd was in. On February 12th 1993, he moved into a house on Russian Hill and they began filming. Along the way Nuts & Bolts was given a weekly spot in the San Francisco Examiner. This WHOLE deal was filmed and aired for the show. They moved out in June of 1994, a couple of days after O.J.'s Bronco chase in L.A. The show began airing a week later. Along with the weekly San Francisco Examiner gig, Judd began doing illustrations for The Complete Idiot's Guide series through QUE Books. Since then, Judd has illustrated over 300 Idiot's Guides and still does the cartoons for the computer oriented Idiot's Guides line. A collection of the computer related titles' cartoons was published in 1997 as Terminal Madness, The Complete Idiot's Guide Computer Cartoon Collection. Not too long after the show had been airing, Judd's roommate from the show and good friend, AIDS activist Pedro Zamora, took ill from AIDS complications. Pedro was to begin a lecture tour in September. Judd agreed to step in and speak on his behalf until he was well enough to do so again. In August of 1994, Pedro checked into a hospital and never recovered. Pedro passed away on November 11, 1994. He was 22. Judd continued to lecture about Pedro, Aids education and prevention and what it's like to live with some one who is living with AIDS for most of 1995. Speaking at over 70 schools across the country, Judd describes it as, "...the most fulfilling and difficult time in my life." But time and emotional constraints forced him to stop lecturing. In May of 1995 Judd found the weekly Nuts & Bolts under-whelming and decided to give syndication another go. Re-vamping Nuts & Bolts

Alan Davis is an English writer and artist of comic books, known for his work on titles such as Captain Britain, The Uncanny X-Men, ClanDestine, Excalibur, JLA: The Nail and JLA: Another Nail and others. Librarian note: There is more than one author in the GoodReads database with this name

Charles "Chuck" Dixon is an American comic book writer, perhaps best-known for long runs on Batman titles in the 1990s. His earliest comics work was writing Evangeline first for Comico Comics in 1984 (then later for First Comics, who published the on-going series), on which he worked with his then-wife, the artist Judith Hunt. His big break came one year later, when editor Larry Hama hired him to write back-up stories for Marvel Comics' The Savage Sword of Conan. In 1986, he began working for Eclipse Comics, writing Airboy with artist Tim Truman. Continuing to write for both Marvel and (mainly) Eclipse on these titles, as well as launching Strike! with artist Tom Lyle in August 1987 and Valkyrie with artist Paul Gulacy in October 1987, he began work on Carl Potts' Alien Legion series for Marvel's Epic Comics imprint, under editor Archie Goodwin. He also produced a three-issue adaptation of J. R. R. Tolkien's The Hobbit for Eclipse with artist David Wenzel between 1989 and 1990, and began writing Marc Spector: Moon Knight in June 1989. His Punisher OGN Kingdom Gone (August, 1990) led to him working on the monthly The Punisher War Journal (and later, more monthly and occasional Punisher titles), and also brought him to the attention of DC Comics editor Denny O'Neil, who asked him to produce a Robin mini-series. The mini proved popular enough to spawn two sequels - The Joker's Wild (1991) and Cry of the Huntress (1992) - which led to both an ongoing monthly series (which Dixon wrote for 100 issues before leaving to work with CrossGen Comics), and to Dixon working on Detective Comics from #644-738 through the major Batman stories KnightFall & KnightsEnd (for which he helped create the key character of Bane), DC One Million, Contagion, Legacy, Cataclysm and No Man's Land . Much of his run was illustrated by Graham Nolan. He was DC's most prolific Batman-writer in the mid-1990s (rivalled perhaps in history by Bill Finger and Dennis O'Neil) - in addition to writing Detective Comics he pioneered the individual series for Robin, Nightwing (which he wrote for 70 issues, and returned to briefly with 2005's #101) and Batgirl, as well as creating the team and book Birds of Prey . While writing multiple Punisher and Batman comics (and October 1994's Punisher/Batman crossover), he also found time to launch Team 7 for Jim Lee's WildStorm/Image and Prophet for Rob Liefeld's Extreme Studios. He also wrote many issues of Catwoman and Green Arrow, regularly having about seven titles out each and every month between the years 1993 and 1998. In March, 2002, Dixon turned his attention to CrossGen's output, salthough he co-wrote with Scott Beatty the origin of Barbara Gordon's Batgirl in 2003's Batgirl: Year One. For CrossGen he took over some of the comics of the out-going Mark Waid, taking over Sigil from #21, and Crux with #13. He launched Way of the Rat in June 2002, Brath (March '03), The Silken Ghost (June '03) and the pirate comic El Cazador (Oct '03), as well as editing Robert Rodi's non-Sigilverse The Crossovers. He also wrote the Ruse spin-off Archard's Agents one-shots in January and November '03 and April '04, the last released shortly before CrossGen's complete collapse forced the cancellation of all of its comics, before which Dixon wrote a single issue of Sojourn (May '04). Dixon's Way of the Rat #24, Brath #14 and El Cazador #6 were among the last comics released from the then-bankrupt publisher. On June 10, 2008, Dixon announced on his forum that he was no longer "employed by DC Comics in any capacity."

Librarian note: There is more than one author in the GoodReads database with this name Dave Stewart is a colorist working in the comics industry. (source: Wikipedia)

For more information, please see http://en.wikipedia.org/wiki/Adam\_Bee... Writer Adam Beechen is the author of several comic books, including Robin and Justice League Unlimited . Adam also writes for tv on such shows as Teen Titans, The Batman and is the story editor on HiHi Puffy Ami Yumi for Cartoon Network.

Jason Aaron grew up in a small town in Alabama. His cousin, Gustav Hasford, who wrote the semi-autobiographical novel The Short-Timers, on which the feature film Full Metal Jacket was based, was a large influence on Aaron. Aaron decided he wanted to write comics as a child, and though his father was skeptical when Aaron informed him of this aspiration, his mother took Aaron to drug stores, where he would purchase books from spinner racks, some of which he still owns today. Aaron's career in comics began in 2001 when he won a Marvel Comics talent search contest with an eight-page Wolverine back-up story script. The story, which was published in Wolverine #175 (June 2002), gave him the opportunity to pitch subsequent ideas to editors. In 2006, Aaron made a blind submission to DC/Vertigo, who published his first major work, the Vietnam War story The Other Side which was nominated for an Eisner Award for Best Miniseries, and which Aaron regards as the "second time" he broke into the industry. Following this, Vertigo asked him to pitch other ideas, which led to the series Scalped, a creator-owned series set on the fictional Prairie Rose Indian Reservation and published by DC/Vertigo. In 2007, Aaron wrote Ripclaw: Pilot Season for Top Cow Productions. Later that year, Marvel editor Axel Alonso, who was impressed by The Other Side and Scalped, hired Aaron to write issues of Wolverine, Black Panther and eventually, an extended run on Ghost Rider that began in April 2008. His continued work on Black Panther also included a tie-in to the company-wide crossover storyline along with a "Secret Invasion" with David Lapham in 2009. In January 2008, he signed an exclusive contract with Marvel, though it would not affect his work on Scalped. Later that July, he wrote the Penguin issue of The Joker's Asylum. After a 4-issue stint on Wolverine in 2007, Aaron returned to the character with the ongoing series Wolverine: Weapon X, launched to coincide with the feature film X-Men Origins: Wolverine. Aaron commented, "With Wolverine: Weapon X we'll be trying to mix things up like that from arc to arc, so the first arc is a typical sort of black ops story but the second arc will jump right into the middle of a completely different genre," In 2010, the series was relaunched once again as simply Wolverine. He followed this with his current run on Thor: God of Thunder.

Justin currently writes Novels, Graphic Novels, Video Games, Screenplays. He has held various jobs including, fossil hunting, microphotography of 20 million year old insects and plants trapped in amber, seminars and exhibitions on the cleaning, mining and identification of prehistoric insects for the American Museum of Natural History and the Smithsonian. He traveled to the mountains of the Dominican Republic and mined amber. He has also worked as a victim advocate for Victims Assistance of Westchester, a not-for-profit organization that helps victims of crime.

Marz is well known for his work on Silver Surfer and Green Lantern, as well as the Marvel vs DC crossover and Batman/Aliens. He also worked on the CrossGen Comics series Scion, Mystic, Sojourn, and The Path. At Dark Horse Comics he created Samurai: Heaven and Earth and various Star Wars comics. He has also done work for Devil’s Due Publishing’s Aftermath line, namely Blade of Kumori. In 1995, he had a brief run on XO-Manowar, for Valiant Comics. Marz’s more recent works includes a number of Top Cow books including Witchblade and a Cyberforce relaunch. For DC Comics, he has written Ion, a 12 part comic book miniseries that followed the Kyle Rayner character after the One Year Later event, and Tales of the Sinistro Corps Presents: Parallax and Tales of the Sinestro Corps Presents: Ion, two one-shot tie-ins to the Green Lantern crossover, The Sinestro Corps War. His current creator owned projects include “Dragon Prince” (Top Cow) and “Samurai : Heaven and Earth” (Dark Horse). Photo by Luigi Novi.

Kieth first came to prominence in 1984 as the inker of Matt Wagner's Mage, his brushwork adding fluidity and texture to the broad strokes of Wagner's early work at Comico Comics. In 1989, he drew the first five issues of writer Neil Gaiman's celebrated series The Sandman, but felt his style was unsuited to the book (specifically saying that he "felt like Jimi Hendrix in The Beatles") and left, handing over to his former inker Mike Dringenberg. He acted as illustrator on two volumes of writer William Messner-Loebs' Epicurus the Sage and drew an Aliens miniseries for Dark Horse Comics, among other things, before creating The Maxx in 1993 for Image Comics, with, initially, writing help from Messner-Loebs. It ran for 35 issues and was adapted, with Kieth's assistance, into an animated series for MTV. Since then, as a writer-artist, he has gone on to create Friends of Maxx, Zero Girl, Four Women and Ojo. Ojo comprises the first and My Inner Bimbo the second, in a cycle of original comic book limited series published by Oni Press. Loosely connected, the cycle will concern the intertwined lives of people with each other and sometimes with a supernatural entity known as the Mysterious Trout. Kieth has stated that other characters from The Maxx series will appear in this cycle of stories. My Inner Bimbo #1 was published in April 2006. Issue #2 was delayed past its original release date; It was finally resolicited in "Previews" in 2007 and hit the store shelves in November 2007. DC Comics' Batman/Lobo: Deadly Serious, a two-issue prestige format mini-series that started in August 2007, was written and drawn by Kieth. This was followed by 2009's two-issue prestige format mini-series Lobo: Highway to Hell, written by Scott Ian and featuring art by Kieth.

Geoff Johns originally hails from Detroit, Michigan. He attended Michigan State University, where he earned a degree in Media Arts and Film. He moved to Los Angeles in the late 1990s in search of work within the film industry. Through perseverance, Geoff ended up as the assistant to Richard Donner, working on Conspiracy Theory and Lethal Weapon 4. During that time, he also began his comics career writing Stars and S.T.R.I.P.E. and JSA (co-written with David S. Goyer) for DC Comics. He worked with Richard Donner for four years, leaving the company to pursue writing full-time. His first comics assignments led to a critically acclaimed five-year run on the The Flash. Since then, he has quickly become one of the most popular and prolific comics writers today, working on such titles including a highly successful re-imagining of Green Lantern, Action Comics (co-written with Richard Donner), Teen Titans, Justice Society of America, Infinite Crisis and the experimental breakout hit series 52 for DC with Grant Morrison, Greg Rucka and Mark Waid. Geoff received the Wizard Fan Award for Breakout Talent of 2002 and Writer of the Year for 2005, 2006, 2007, and 2008 as well as the CBG Writer of the Year 2003 thru 2005, 2007 and CBG Best Comic Book Series for JSA 2001 thru 2005. Geoff also developed BLADE: THE SERIES with David S. Goyer, as well as penned the acclaimed “Legion” episode of SMALLVILLE. He also served as staff writer for the fourth season of ROBOT CHICKEN. Geoff recently became a New York Times Bestselling author with the graphic novel Superman: Brainiac with art by Gary Frank.

Douglas "Doug" Mahnke is an American comic book artist and penciller. He embarked on a love affair with comics at the age of five, having received a pile of Spider-Man issues from a rugby-playing college student named Mike who lived in his basement. A consistent interest in the medium, coupled with some art skill, landed Mahnke a job drawing comics for Dark Horse at the age of 24. His first gig was illustrating a moody detective one-shot entitled Homicide written by John Arcudi. The two went on to collaborate on Dark Horse's The Mask and their creator-owned series Major Bummer, originally published by DC. Since then, Mahnke has worked almost exclusively for DC on a wide variety of titles, including Superman: The Man Of Steel; JLA; Justice League; Batman; Team Zero; Seven Soldiers: Frankenstein; Black Adam: The Dark Age; Stormwatch: P.H.D.; Final Crisis; Green Lantern; Superman/Wonder Woman; Superman; and Detective Comics.

Mike W. Barr is an American writer of comic books, and mystery, and science fiction novels. Barr's debut as a comics professional came in DC Comics' Detective Comics #444 (Dec. 1974-Jan. 1975), for which he wrote an 8-page back-up mystery feature starring the Elongated Man. Another Elongated Man story followed in Detective Comics #453 (November 1975). He wrote text articles and editorial replies in letter columns for the next few years. By mid-1980 he was writing regularly for both DC and Marvel, including stories for Marvel Team-Up, Mystery in Space, Green Lantern, and various Batman titles. Legion of Super-Heroes #277 (July 1981) saw him take on editorial duties at DC, while writing issues of DC's Star Trek comic, for whom he created the native American character Ensign Bearclaw and a pacifist Klingon named Konom. In December 1982, he and artist Brian Bolland began Camelot 3000, a 12 issue limited series that was one of DC Comics' first direct market projects. In August 1983, Barr created what may well be his most enduring work, the monthly title Batman and the Outsiders with art by Jim Aparo. Barr wrote every issue of the original series, and its Baxter paper spinoff, The Outsiders. His other comics work includes Mantra and Maze Agency as well as the 1987 OGN hardcover book Batman: Son of the Demon (with art by Jerry Bingham), proceeds from which reputedly "restored DC Comics to first place in sales after fifteen years." This title, and Barr's work on Batman with artist Alan Davis have been cited by Grant Morrison as key inspirations for his recent (2006) run on the Batman title. In 2007, he wrote a two-part story for the pages of DC's JLA: Classified (#47-48, Jan-Feb 2008), returned to the Outsiders with Outsiders: Five of a Kind—Katana/Shazam #1 (Oct 2007), contributed to Tokyopop's Star Trek: The Manga, and relaunched Maze Agency at IDW Publishing. He has also scripted many of Bongo Comics' Simpsons titles, including a Christmas story for 2010. In May 2010, the Invisible College Press published Barr's science fiction/fantasy novel, Majician/51, about the discoveries of a scientist working at Area 51.

See also John Harkness. Steve Englehart went to Wesleyan University in Middletown, Connecticut. After a stint in the Army, he moved to New York and began to write for Marvel Comics. That led to long runs on Captain America, The Hulk, The Avengers, Dr. Strange, and a dozen other titles. Midway through that period he moved to California (where he remains), and met and married his wife Terry. He was finally hired away from Marvel by DC Comics, to be their lead writer and revamp their core characters (Superman, Batman, Wonder Woman, Flash, and Green Lantern). He did, but he also wrote a solo Batman series (immediately dubbed the "definitive" version) that later became Warner Brothers' first Batman film (the good one). After that he left comics for a time, traveled in Europe for a year, wrote a novel (The Point Man™), and came back to design video games for Atari (E.T., Garfield). But he still liked comics, so he created Coyote™, which within its first year was rated one of America's ten best series. Other projects he owned (Scorpio Rose™, The Djinn™) were mixed with company series (Green Lantern [with Joe Staton], Silver Surfer, Fantastic Four). Meanwhile, he continued his game design for Activision, Electronic Arts, Sega, and Brøderbund. And once he and Terry had their two sons, Alex and Eric, he naturally told them stories. Rustle's Christmas Adventure was first devised for them. He went on to add a run of mid-grade books to his bibliography, including the DNAgers™ adventure series, and Countdown to Flight, a biography of the Wright brothers selected by NASA as the basis for their school curriculum on the invention of the airplane. In 1992 Steve was asked to co-create a comics pantheon called the Ultraverse. One of his contributions, The Night Man, became not only a successful comics series, but also a television show. That led to more Hollywood work, including animated series such as Street Fighter, GI Joe, and Team Atlantis for Disney.

Scott Lobdell (born 1960) is an American comic book writer. He is mostly known for his work throughout the 1990s on Marvel Comics' X-Men-related titles specifically Uncanny X-Men, the main title itself, and the spin-off series that he conceived with artist Chris Bachalo, Generation X. Generation X focused on a number of young mutant students who attempted to become superheroes in their own right at a separate school with the guidance of veteran X-related characters Banshee and Emma Frost. He also had writing stints on Marvel's Fantastic Four, Alpha Flight, and The Adventures of Cyclops and Phoenix mini-series with artist Gene Ha. He wrote the script to Stan Lee's Mosaic and an upcoming film from POW Entertainment featuring Ringo Starr. He also participated in the Marvel Comics and Image Comics (from Jim Lee's WildStorm) crossover mini-series WildC.A.T.s/X-Men.

James P. "Jim" Starlin is an American comic book writer and artist. With a career dating back to the early 1970s, he is best known for "cosmic" tales and space opera; for revamping the Marvel Comics characters Captain Marvel and Adam Warlock; and for creating or co-creating the Marvel characters Thanos and Shang-Chi, Master of Kung Fu. Death and suicide are recurring themes in Starlin's work: Personifications of Death appeared in his Captain Marvel series and in a fill-in story for Ghost Rider; Warlock commits suicide by killing his future self; and suicide is a theme in a story he plotted and drew for The Rampaging Hulk magazine. In the mid-1970s, Starlin contributed a cache of stories to the independently published science-fiction anthology Star Reach. Here he developed his ideas of God, death, and infinity, free of the restrictions of mainstream comics publishers' self-censorship arm, the Comics Code Authority. Starlin also drew "The Secret of Skull River", inked by frequent collaborator Al Milgrom, for Savage Tales #5 (July 1974). When Marvel Comics wished to use the name of Captain Marvel for a new, different character,[citation needed] Starlin was given the rare opportunity to produce a one-shot story in which to kill off a main character. The Death of Captain Marvel became the first graphic novel published by the company itself. ( In the late 1980s, Starlin began working more for DC Comics, writing a number of Batman stories, including the four-issue miniseries Batman: The Cult (Aug.-Nov. 1988), and the storyline "Batman: A Death in the Family", in Batman #426-429 (Dec. 1988 – Jan. 1989), in which Jason Todd, the second of Batman's Robin sidekicks, was killed. The death was decided by fans, as DC Comics set up a hotline for readers to vote on as to whether or not Jason Todd should survive a potentially fatal situation. For DC he created Hardcore Station.

Lovern was born in the small town of Arborg, Manitoba in 1954. His father was a partner in a small trucking company and his mother waited and managed for the local Canadian Legion. The first house his family owned was a converted chicken coop without running water and equipped with an outhouse. Lovern graduated from Arborg Collegiate in 1972 and enrolled at Red River Community College, where he attended the first year of their Advertising Art course. The following year, he entered the work force as a printer’s assistant at Bulman Brothers Printing. After several years as a printer he quit his job and enrolled in the Fine Arts program at the University of Manitoba in 1982. He graduated with a Bachelor of Fine Art, Honours and started his first work in the comic book industry as George Freeman’s assistant. Lovern eventually won representation by Star Reach Agency and found colour work at 1st Comics on the Elric series. Shortly after he completed a try out book at DC Comics. Lovern was engaged by DC to develop a look and colour for the book John Constantine: Hellblazer, which was to become a flagship title for the Vertigo imprint. Lovern, with the aid of his cousin Christopher Chuckry developed a computer colouring method with the use of Photoshop and started a company called Digital Chameleon. Their method redefined production in the entire comic book industry and graphic field. While residing over Digital Chameleon as creative director Lovern had his first comic book story published. He wrote and coloured the short story, “So This Is Christmas”, which was illustrated by Tim Sale for the benefit book Within Our Reach” published by Marvel and Star Reach. Lovern went on to write Agents of Law for Dark Horse Comics and the Victorian for Penny Farthing Press. In 1997 he wrote, “Tarzan: Le Monstre” for Dark Horse Comics and was nominated as best writer based on the six issues those stories spanned. Since then Lovern has written several other comic books and contributed short prose pieces to several anthologies. In 2011 Lovern signed a deal with Renegade Arts Entertainment to colour the graphic novel, “The Loxleys & the War of 1812.” Shortly after that he signed the deal with that publishers to put his creator owned series, “Shame” into print. Shame was followed by the graphic novel, “Underworld” and this year the “Shame” hardcover collection will be released. Lovern is presently working on “Necromantic” a new creator owned series from Renegade Arts Entertainment.

William "Bill" Finger was an American comic strip and comic book writer best known as the uncredited co-creator, with Bob Kane, of the DC Comics character Batman, as well as the co-architect of the series' development. In later years, Kane acknowledged Finger as "a contributing force" in the character's creation. Comics historian Ron Goulart, in Comic Book Encyclopedia, refers to Batman as the "creation of artist Bob Kane and writer Bill Finger", and a DC Comics press release in 2007 about colleague Jerry Robinson states that in 1939, "Kane, along with writer Bill Finger, had just created Batman for [DC predecessor] National Comics". Film and television credits include scripting The Green Slime (1969), Track of the Moon Beast (1976), and three episodes of 77 Sunset Strip. -Wikipedia

A freelance comic book artist known for his diversity, Hampton has illustrated such iconic properties as Batman, Sandman, Black Widow, Hellraiser, and Star Trek in addition to work on his creator-owned projects such as The Upturned Stone. He began his career following in the footsteps of brother and fellow comic book creator Bo Hampton. Both Scott and Bo studied under Will Eisner in 1976. Scott's first professional comics work was the three-page story "Victims" published in Warren Publishing's Vampirella #101 in 1981. Scott's work on Silverheels from Pacific Comics in 1983 is regarded as the first continuing painted comic. His latest works include "Spookhouse," released in 2004 by IDW Publishing, in which he adapted his favorite ghost stories into sequential form, and Batman: Gotham County line from DC comics in 2005. Scott is currently working full time on the creator-owned series "Simon Dark" with writer Steve Niles for DC Comics. "The Upturned Stone" was optioned in Summer of 2005 for film production by David Foster, but the studio lost the option and the story was recently optioned by another producer. Scott is also pursuing a passion outside of comics: film making. He completed his first short independent film "The Tontine" in April, 2006. It's his loose adaptation of a 21 page comic piece that he worked on and appeared by the same name in the Hellraiser comic series. The 29 minute film was shot at the same cabin used in Eli Roth's "Cabin Fever (film)". There are versions of it available to view on Myspace (partial), Google Video (full), and Youtube (split into 3 parts). Scott lives with his wife Letitia in Chapel Hill, North Carolina.

Grant Morrison has been working with DC Comics for twenty five years, after beginning his American comics career with acclaimed runs on ANIMAL MAN and DOOM PATROL. Since then he has written such best-selling series as JLA, BATMAN and New X-Men, as well as such creator-owned works as THE INVISIBLES, SEAGUY, THE FILTH, WE3 and JOE THE BARBARIAN. In addition to expanding the DC Universe through titles ranging from the Eisner Award-winning SEVEN SOLDIERS and ALL-STAR SUPERMAN to the reality-shattering epic of FINAL CRISIS, he has also reinvented the worlds of the Dark Knight Detective in BATMAN AND ROBIN and BATMAN, INCORPORATED and the Man of Steel in The New 52 ACTION COMICS. In his secret identity, Morrison is a "counterculture" spokesperson, a musician, an award-winning playwright and a chaos magician. He is also the author of the New York Times bestseller Supergods, a groundbreaking psycho-historic mapping of the superhero as a cultural organism. He divides his time between his homes in Los Angeles and Scotland.

Doug Moench, is an American comic book writer notable for his Batman work and as the creator of Black Mask, Moon Knight and Deathlok. Moench has worked for DC Comics, Marvel Comics, Dark Horse Comics and many other smaller companies; he has written hundreds of issues of many different comics, and created dozens of characters, such as Moon Knight. In 1973, Moench became the de facto lead writer for the Marvel black-and-white magazine imprint Curtis Magazines. He contributed to the entire runs of Planet of the Apes, Rampaging Hulk (continuing on the title when it changed its name to The Hulk!) and Doc Savage, while also serving as a regular scribe for virtually every other Curtis title during the course of the imprint's existence. Moench is perhaps best known for his work on Batman, whose title he wrote from 1983–1986 and then again from 1992–1998. (He also wrote the companion title Detective Comics from 1983–1986.) Moench is a frequent and longtime collaborator with comics artist Paul Gulacy. The pair are probably best known for their work on Shang-Chi: Master of Kung Fu, which they worked on together from 1974–1977. They also co-created Six from Sirius, Slash Maraud, and S.C.I. Spy, and have worked together on comics projects featuring Batman, Conan the Barbarian and James Bond. Moench has frequently been paired with the artist and inker team of Kelley Jones and John Beatty on several Elseworlds Graphic Novels and a long run of the monthly Batman comic.

STEVE NILES is one of the writers responsible for bringing horror comics back to prominence, and was recently named by Fangoria magazine as one of it's "13 rising talents who promise to keep us terrified for the next 25 years." Niles is currently working for the four top American comic publishers - Marvel, DC, Image and Dark Horse. He got his start in the industry when he formed his own publishing company called Arcane Comix, where he published, edited and adapted several comics and anthologies for Eclipse Comics. His adaptations include works by Clive Barker, Richard Matheson and Harlan Ellison. Steve resides in Los Angeles in his bachelor pad with one cat. While there's no crawlspace, there is a questionable closet in one corner and no one is quite sure what is hidden in there...but we have an idea. —from the author's website

Dennis "Denny" O'Neil was a comic book writer and editor best known for his work for Marvel Comics and DC Comics from the 1960s through the 1990s, and Group Editor for the Batman family of titles until his retirement. His best-known works include Green Lantern/Green Arrow and Batman with Neal Adams, The Shadow with Michael Kaluta and The Question with Denys Cowan. As an editor, he is principally known for editing the various Batman titles. From 2013 unti his death, he sat on the board of directors of the charity The Hero Initiative and served on its Disbursement Committee.

aka David Peters Peter Allen David (often abbreviated PAD) is an American writer, best known for his work in comic books and Star Trek novels. David often jokingly describes his occupation as "Writer of Stuff". David is noted for his prolific writing, characterized by its mingling of real world issues with humor and references to popular culture. He also uses metafiction frequently, usually to humorous effect, as in his work on the comic book Young Justice.

Alan Brennert is the author of the historical novels Palisades Park, Honolulu (chosen one of the best books of 2009 by The Washington Post), and Moloka'i, which won the 2006 Bookies Award, sponsored by the Contra Costa Library, for the Book Club Book of the Year (and has sold over 600,000 copies since publication). It was also a 2012 One Book, One San Diego selection. He has won an Emmy Award and a People's Choice Award for his work as a writer-producer on the television series L.A. Law, and his short story "Ma Qui" was honored with a Nebula Award. His new novel, Daughter of Moloka'i, will be published by St. Martin's Press on February 19, 2019. Follow him on Facebook at https://www.facebook.com/alan.brennert. http://us.macmillan.com/palisadespark...

Ann Nocenti is most noted as an editor for Marvel Comics, for whom she edited New Mutants and The Uncanny X-Men. She made her comics writing debut on a brief run of Spider-Woman (#47-50) and subsequently wrote a long run of Daredevil (1st series) #236-291 (minus #237) from 1986 to 1991, directly following on from Frank Miller's definitive Born Again storyline. She also wrote the 1986 Longshot limited series for Marvel, and in the same year produced the Someplace Strange graphic novel in collaboration with artist John Bolton. She wrote "the Inhumans Graphic Novel" in 1988. In 1993, she wrote the 16-issue run of Kid Eternity for the DC Comics imprint Vertigo. In Incredible Hulk #291, published in September 1983 (cover date January 1984), Ann Nocenti made a cameo appearance, talking to Dr. Bruce Banner, in a history written by Bill Mantlo, drawn by Sal Buscema and inked by Carlos Garzón and Joe Sinnot. That time Ann Nocenti was Assistant Editor for Larry Hama on Incredible Hulk and X-Men. She is noted for her left-wing political views which, particularly during her run on Daredevil, caused some controversy among some fans who didn't agree with her politics. She created several popular characters, including Typhoid Mary, Blackheart, Longshot and Mojo, and wrote the 1998 X-Men novel Prisoner X. Although Nocenti left comic books in the '90s after the industry sales collapsed, she later returned to the field, penning stories such as 2004's Batman & Poison Ivy: Cast Shadows. In Ultimate X-Men, a reimagination of the X-Men comic, the character Longshot, who was invented by her, has the civil name Arthur Centino. His last name, Centino, is an anagram of Nocenti and a homage to Nocenti. The name Arthur is for the co-creator of Longshot Arthur Adams who was Ann Nocenti's artist on the Longshot Mini Series. She edited High Times magazine for one year (2004) under the name Annie Nocenti and is the former editor of the screenwriting magazine Scenario.

Craig Shaw Gardner was born in Rochester, New York and lived there until 1967, when he moved to Boston, MA to attend Boston University. He graduated from Boston University with a Bachelor's of Science degree in Broadcasting and Film. He has continued to reside in Boston since that time. He published his first story in 1977 while he held a number of jobs: shipper/receiver for a men's suit manufacturer, working in hospital public relations, running a stat camera, and also managed of a couple of bookstores: The Million Year Picnic and Science Fantasy Bookstore. As of 1987 he became a full time writer, and since then he has published more than 30 novels and more than 50 short stories. He also published under these pseudonyms: Peter Garrison

John Shirley won the Bram Stoker Award for his story collection Black Butterflies, and is the author of numerous novels, including the best-seller DEMONS, the cyberpunk classics CITY COME A-WALKIN', ECLIPSE, and BLACK GLASS, and his newest novels STORMLAND and A SORCERER OF ATLANTIS. He is also a screenwriter, having written for television and movies; he was co-screenwriter of THE CROW. He has been several Year's Best anthologies including Prime Books' THE YEAR'S BEST DARK FANTASY AND HORROR anthology, and his nwest story collection is IN EXTREMIS: THE MOST EXTREME SHORT STORIES OF JOHN SHIRLEY. His novel BIOSHOCK: RAPTURE telling the story of the creation and undoing of Rapture, from the hit videogame BIOSHOCK is out from TOR books; his Halo novel, HALO: BROKEN CIRCLE is coming out from Pocket Books. His most recent novels are STORMLAND and (forthcoming) AXLE BUST CREEK. His new story collection is THE FEVERISH STARS. STORMLAND and other John Shirley novels are available as audiobooks. He is also a lyricist, having written lyrics for 18 songs recorded by the Blue Oyster Cult (especially on their albums Heaven Forbidden and Curse of the Hidden Mirror), and his own recordings. John Shirley has written only one nonfiction book, GURDJIEFF: AN INTRODUCTION TO HIS LIFE AND IDEAS, published by Penguin/Jeremy Tarcher. John Shirley story collections include BLACK BUTTERFLIES, IN EXTREMIS, REALLY REALLY REALLY REALLY WEIRD STORIES, and LIVING SHADOWS. source: Amazon

Horrocks has been involved in the New Zealand comic scene since the mid 1980s, when he co-founded Razor with Cornelius Stone and had his work published in the University of Auckland student magazine Craccum. Later in the decade he began to get international recognition, having work published by Australia's Fox Comics and the American Fantagraphics Books. He then moved to the United Kingdom where he self-published several mini-comics and co-founded Le Roquet, a comics annual. Upon returning to New Zealand in the mid 1990s, Horrocks had a half-page strip called 'Milo's Week' in the current affairs magazine New Zealand Listener from 1995 to 1997. He also produced Pickle, published by Black Eye Comics, in which the 'Hicksville' story originally appeared. Hicksville was published in book form in 1998, achieving considerable critical success. French, Spanish and Italian editions have since been published. In the last decade Horrocks has written and drawn a wide range of projects including scripts for Vertigo's Hunter: The Age of Magic and the Batgirl series, and Atlas, published by Drawn and Quarterly. Horrocks' work has been displayed at the Auckland Art Gallery and Wellington's City Gallery. In 2002 Hicksville won an Eisner Award for Talent Deserving of Wider Recognition, and the same year Atlas was nominated for the Harvey Award for Best Single Issue or Story in 2002. In 2006 he was appointed University of Auckland/Creative New Zealand Literary Fellow.[1] In an interview with Comics Bulletin, Horrocks claimed that his first words were 'Donald Duck'.