
Theodor Wiesengrund Adorno was one of the most important philosophers and social critics in Germany after World War II. Although less well known among anglophone philosophers than his contemporary Hans-Georg Gadamer, Adorno had even greater influence on scholars and intellectuals in postwar Germany. In the 1960s he was the most prominent challenger to both Sir Karl Popper's philosophy of science and Martin Heidegger's philosophy of existence. Jürgen Habermas, Germany's foremost social philosopher after 1970, was Adorno's student and assistant. The scope of Adorno's influence stems from the interdisciplinary character of his research and of the Frankfurt School to which he belonged. It also stems from the thoroughness with which he examined Western philosophical traditions, especially from Kant onward, and the radicalness to his critique of contemporary Western society. He was a seminal social philosopher and a leading member of the first generation of Critical Theory. Unreliable translations hampered the initial reception of Adorno's published work in English speaking countries. Since the 1990s, however, better translations have appeared, along with newly translated lectures and other posthumous works that are still being published. These materials not only facilitate an emerging assessment of his work in epistemology and ethics but also strengthen an already advanced reception of his work in aesthetics and cultural theory.
1949-1963
2025
2023
2020
2020
Une conférence
2019
2019
2019
2019
2017
2017
2016
2015
2015
2013
Master of the Smallest Link
2012
2012
2011
Essays on Music 1928-1962
2009
Minima Moralia, Culture and Materialism, For Marx, Aesthetics and Politics (Shrinkwrapped Set) (Vol. 1-4)
2009
Fragments of a Lecture Course 1965/1966
2008
Elements of a Radio Theory
2006
Lectures 1964-1965
2006
2005
2003
1960-61
2002
Notes, a Draft and Two Schemata
2001
2001
1999
1999
Concept and Problems
1998
A Philosophical Reader
1996
1994
1993
1991
Essays on Modern Music
1982
1979
1977
1975
1974
Aufklärung als Massenbetrug
1971
The Philosophy of Music
1970
1970
1969
1968
1966
1964
Interventions and Catchwords
1963
Three Studies
1963
1963
1962